Jon Batiste Crowned Grammys King with Five Wins Including Best Album

Jon Batiste. Credit: Reuters Photo
Jon Batiste. Credit: Reuters Photo
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Jon Batiste Crowned Grammys King with Five Wins Including Best Album

Jon Batiste. Credit: Reuters Photo
Jon Batiste. Credit: Reuters Photo

Industry watchers had tipped pop superstars as the likely big winners at Sunday's Grammys -- but jazzman Jon Batiste instead was crowned king, taking home five awards including the prestigious Album of the Year prize.

At the star-studded gala, held for the first time in Las Vegas, Silk Sonic -- the 70s revival project of Bruno Mars and Anderson .Paak -- won all four of their potential prizes, including both Record and Song of The Year for their single "Leave The Door Open."

Olivia Rodrigo didn't win as many awards as predicted -- but the Filipino-American pop phenom did scoop the coveted prize for Best New Artist, and two trophies in the pop category, AFP said.

That meant the winners of all four top Grammys were people of color -- a milestone for the Recording Academy, which for years has faced criticism that it disproportionately honored white men.

The night was heavy on performances but also held a number of somber moments -- most notably when Ukrainian President Volodymyr Zelensky delivered a pre-taped plea for support.

Zelensky's message led into a performance by John Legend of the song "Free," with the help of Ukrainian singer Mika Newton, musician Siuzanna Iglidan and poet Lyuba Yakimchuk.

"On our land, we are fighting Russia, which brings horrible silence with its bombs. The dead silence," Zelensky said.

"Fill the silence with your music, fill it today to tell our story."

- Bieber, Eilish, Lil Nas X shut out -
Despite being among the night's most nominated artists, pop juggernauts Billie Eilish, Justin Bieber and Lil Nas X were shut out completely.

But they all staged impressive performances: Eilish belted out "Happier Than Ever" in a lightning-backed downpour, Bieber delivered a crooned-up version of "Peaches," and Lil Nas X hosted an unabashed celebration of sexuality and queerness set to a medley of his songs including "MONTERO (Call Me By Your Name)."

Rodrigo also gave an impressive rendition of her viral teen breakup hit "drivers license," showcasing her impressive vocals against a set mimicking a gloomy night in suburbia.

"This is my biggest dream come true," the 19-year-old said as she accepted the gramophone for Best New Artist.

Big winner Batiste also performed, showcasing his elasticity as an artist by starting at the piano for a classical piece before transitioning to a rhythmic dance number.

The night's leading nominee with 11 nods, Batiste had already scooped four ahead of his big sleeper win for the year's best album.

But he looked shocked when presenter Lenny Kravitz declared him the night's big hit.

"I really don't do it for the awards," the 35-year-old Batiste told journalists backstage. "Music is something that's so subjective."

Earlier onstage, the artist born into a prominent New Orleans musical dynasty told a cheering audience: "I believe this to my core: there is no best musician, best artist, best dancer, best actor."

"I just put my head down and work on the craft every day," he continued. "It's more than entertainment for me -- it's a spiritual practice."

- Diverse field -
The timing of the Grammys just one week after Will Smith stunned the world by slapping Chris Rock on stage at the Oscars added an extra layer of unpredictability to what is already usually one of the edgier nights on the showbiz awards circuit.

That fiasco prompted some gentle zings over the course of the night Sunday, but antics were virtually non-existent at what ultimately proved to be a heavily scripted show.

Music's chaos agent Kanye West stayed home even as he won two Grammys, one of which he shared with Jay Z.

Among the diverse crop of winners was Doja Cat, who took home her first ever Grammy in the pop category -- which she had to sprint back to accept after dipping out of the gala for a bathroom break.

The Brooklyn-based Pakistani vocalist Arooj Aftab, who won her first Grammy for Best Global Music Performance for "Mohabbat," and had also been in the running for Best New Artist, told journalists the win left her "beyond thrilled."

And it was a special night for folk icon Joni Mitchell, who won the prize for Best Historical Album days after being honored at a moving tribute gala Friday.

She made a rare public appearance onstage, looking fly in a red leather beret, sunglasses and floral pants, her long blonde hair in pigtails.



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”