Rock On: Teen Misfits Go Heavy in Movie ‘Metal Lords’

Jaeden Martell. (AP)
Jaeden Martell. (AP)
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Rock On: Teen Misfits Go Heavy in Movie ‘Metal Lords’

Jaeden Martell. (AP)
Jaeden Martell. (AP)

Two misfits try to start a heavy metal band at their high school in new Netflix film "Metal Lords", a coming-of-age comedy part inspired by writer D.B. Weiss' own teenage musical experiences.

"Knives Out" actor Jaeden Martell plays student Kevin, who wants to please his best friend Hunter, a hardcore metal fan determined to win the Battle of the Bands contest with their group.

With Kevin on drums, Hunter on the guitar, their search for a bass player at school, where pop is more popular than metal, proves fruitless until Kevin overhears cellist Emily, played by Isis Hainsworth, practicing.

"Doing this movie definitely gave me a new appreciation for metal," Martell told Reuters.

"When it's a foreign genre to you, it sounds like people smashing cymbals and screaming. But really, there's a lot of artistry...it's almost like mathematical, it's really special and you have to be very talented to play it."

Actor and jazz guitarist Adrian Greensmith, who plays Hunter, said he watched "School of Rock" as part of his preparation while Hainsworth looked to cellist Tina Guo.

"I have mad respect for metal and people who play metal," Hainsworth said.

As well as focusing on the genre, the movie, released on Friday, also looks at growing pains and mental health.

"In a very oblique way, there are experiences that I had in high school playing music...that you accumulate over the years," said Weiss, co-creator of hit series "Game of Thrones".

"Years ago I started to see how they might shape together into a fun small personal story about three kids who don't fit in learning how to not fit in together. And so that's where it came from and then in the interim, obviously, it changed a lot."

Rage Against the Machine guitarist Tom Morello served as executive music producer on the movie, and wrote Hunter's composition "Machinery of Torment". He said he could identify with the story.

"Heavy metal was my first love and the connection and the opportunity it provided to enhance a kind of self-worth when you're a teenager growing up, especially sort of as an outcast in a conservative suburb," he said. "It was my lifeline."



Eminem Brings Taylor Swift's Historic Reign at No. 1 to an End, Stevie Wonder's Record Stays Intact

Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
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Eminem Brings Taylor Swift's Historic Reign at No. 1 to an End, Stevie Wonder's Record Stays Intact

Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)

Eminem's latest album, “The Death of Slim Shady (Coup de Grâce),” has debuted at No. 1 on the Billboard 200, unseating Taylor Swift's "The Tortured Poets Department" after 12 weeks.
In its first week, “The Tortured Poets Department” hit 891.34 million album streams stateside, according to Luminate, the biggest streaming week for an album in history, The Associated Press said.
Swift's album debuted at No. 1 in April and held the top spot for three months. She is the only woman to have done so; Swift beat the previous record held by Whitney Houston's 1987 album, “Whitney.” It spent its first 11 weeks at No. 1.
“The Tortured Poets Department” tied Morgan Wallen's 2023 album “One Thing at a Time,” which also debuted at No. 1 and stayed there for 12 consecutive weeks. (It would later remerge at the top spot, spending 19 weeks total at No. 1.)
The only album to outperform them is Stevie Wonder’s 1976 masterpiece, “Songs in the Key of Life.” It spent 13 weeks at No. 1 after debuting in the top spot; 14 weeks there in total.
“The Death of Slim Shady (Coup de Grâce)" is Eminem's 12th album and his 11th to hit No. 1. “The Tortured Poets Department” dropped to No. 4 as a result. In the second slot is K-pop boy band ENHYPHEN's “ROMANCE:UNTOLD” and irreverent country Zach Bryan's “The Great American Bar Scene” is at No. 3.