Oscars Meeting to Discuss Smith Sanctions Expedited after Actor Resigns

The atmosphere in the Dolby Theatre shifted dramatically after Will Smith slapped Chris Rock. Robyn Beck AFP/File
The atmosphere in the Dolby Theatre shifted dramatically after Will Smith slapped Chris Rock. Robyn Beck AFP/File
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Oscars Meeting to Discuss Smith Sanctions Expedited after Actor Resigns

The atmosphere in the Dolby Theatre shifted dramatically after Will Smith slapped Chris Rock. Robyn Beck AFP/File
The atmosphere in the Dolby Theatre shifted dramatically after Will Smith slapped Chris Rock. Robyn Beck AFP/File

Possible sanctions against Will Smith for slapping Chris Rock at the Oscars last month will be discussed on Friday, 10 days earlier than previously scheduled, the body that oversees the awards said.

The Academy of Motion Picture Arts and Sciences brought forward its board meeting for procedural reasons after Smith resigned his membership from the group, meaning the "King Richard" actor's removal from the group is no longer on the table.

A possible suspension or expulsion for Smith would have meant a mandated longer wait before discussions could begin, in order to give him time to submit a written statement defending his behavior, AFP said.

With such a wait no longer necessary, it "is in the best interest of all involved for this to be handled in a timely fashion," said Academy president David Rubin, in a letter to board members Wednesday.

Smith resigned from the Academy last Friday, five days after he assaulted comedian Rock during a live global broadcast.

The actor said his actions, which overshadowed Hollywood's glitziest night of the year, were "shocking, painful and inexcusable."

Attendees at the Dolby Theatre last month watched open-mouthed as Smith mounted the stage and slapped Rock across the face after the comic made a joke about his wife's closely cropped hair.

Jada Pinkett Smith has alopecia, a condition that causes hair to fall out.

Half an hour after the astonishing attack, Smith was awarded the best actor Oscar for his role in sports biopic "King Richard."

Smith -- only the fifth Black man to win the movie world's highest individual award for an actor -- could have faced a rare expulsion from the Academy, but his resignation pre-empted that punishment.

"I am resigning from membership in the Academy of Motion Picture Arts and Sciences, and will accept any further consequences the Board deems appropriate," said Smith.

It is unclear what, if any, actions will be taken against Smith by the Academy.

Some have called for Smith to be stripped of his best actor Oscar.

Rock's brother Kenny Rock told the Los Angeles Times that Smith "belittled (Chris Rock) in front of millions of people that watch the show."

Stripping Smith's award is considered unlikely, as the likes of Harvey Weinstein and Roman Polanski did not have their Oscars revoked in the wake of scandals.

Traditionally the best actor Oscar winner is invited to present the following year's best actress award -- an honor which could now be called into question.

"I'm hoping the Academy invites me back," said Smith during his tearful acceptance speech at last month's gala.



Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
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Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)

Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation.

But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84.

The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985.

Its popularity has been fueled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world.

In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator, raising questions over copyright.

The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region.

Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child.

"I started collecting all the DVDs," she told AFP.

Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26.

"I probably watch 'Spirited Away' about 10 times a year still."

- 'Whiff of death' -

Before Ghibli, most cartoons in Japan, known as anime, were made for children.

But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP.

"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films.

For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude," Goro said.

Even "My Neighbor Totoro," with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.

Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees.

"In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said.

The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example.

The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued," Napier said.

- Natural world -

Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world.

A case in point was 1997's "Princess Mononoke", distributed internationally by Disney.

The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie," Napier said.

It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess."

Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change," she added.

Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature.

"That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time."

- French connection -

Miyazaki and Takahata, who died in 2018, could create imaginative worlds because of their openness to other cultures, Yonemura said.

Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees".

Takahata studying French literature at university "was a big factor," Yonemura said.

"Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories."

Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology.

Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges," Yonemura said.

Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive," Napier said.

"The more I study, the more I realize this was a unique cultural moment," she said.

"It's so widely loved that I think it will carry on," said Ghibli fan Divall.

"As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said.