Amsterdam Honors Mondrian with Major Exhibition on 150 Jubilee

Employees pose for a photograph with "Composition: No. II with Yellow, Red and Blue" by Piet Mondrian prior to the New York spring season of evening sales at Christie's gallery in London, Britain, April 22, 2021. REUTERS/Peter Nicholls
Employees pose for a photograph with "Composition: No. II with Yellow, Red and Blue" by Piet Mondrian prior to the New York spring season of evening sales at Christie's gallery in London, Britain, April 22, 2021. REUTERS/Peter Nicholls
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Amsterdam Honors Mondrian with Major Exhibition on 150 Jubilee

Employees pose for a photograph with "Composition: No. II with Yellow, Red and Blue" by Piet Mondrian prior to the New York spring season of evening sales at Christie's gallery in London, Britain, April 22, 2021. REUTERS/Peter Nicholls
Employees pose for a photograph with "Composition: No. II with Yellow, Red and Blue" by Piet Mondrian prior to the New York spring season of evening sales at Christie's gallery in London, Britain, April 22, 2021. REUTERS/Peter Nicholls

Squares, lines, colors: this abstract linear approach to art helped the Dutch painter Piet Mondrian (1872-1944) gain fame around the world. Mondrian, who, many art historians would argue, was the inventor of the abstract, would have turned 150 this year, according to the German News Agency.

To mark this jubilee, the museum with the world’s largest collection of Mondrian works is now honoring the artist with a major exhibition.

Running until September, Mondrian Moves in the Kunstmuseum Den Haag features major works in a gallery that even has its own dedicated soundtrack – techno music made in the style of Mondrian’s abstract methods.

“Mondrian had a great influence on 20th century art,” said director Benno Tempel at the show’s launch in The Hague on the last day of March. The museum wants to show “how Mondrian moved between his friends and contemporaries and how great his artistic influence was on artists after him.”

The museum owns more than 300 works by the painter, making it the world’s most extensive Mondrian collection. And it is now also showing numerous works by other artists influenced by his unmistakable abstract style.

For the exhibition, Steven Brunsmann and Marco Spaventi even composed a piece of techno music based on the painter’s ideas. This can also be heard when looking at the pictures. At the same time, the exhibition also shows how closely Mondrian was connected with other artists, such as his Dutch colleague Theo van Doesburg or the American dancer and singer Josephine Baker.



Götz Valien: The Last Dinosaur in the Movie Poster Industry

Götz Valien (Getty)
Götz Valien (Getty)
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Götz Valien: The Last Dinosaur in the Movie Poster Industry

Götz Valien (Getty)
Götz Valien (Getty)

In a digital age, Götz Valien is Berlin’s last movie poster artist, producing giant hand-painted film adverts.

For more than three decades, Austrian-born Valien, 65, earns a modest living producing film posters to hang at the city’s most beloved historic cinemas, a craft he says will probably die with him, at least in western Europe.

He adds a distinctive pop art flourish to each image coupled with the beauty of imperfection, part of the reason he has managed to extend his career well into the 21st century, according to an article published by The Guardian.

“Advertising is about drawing attention and I add the human touch, which is why it works,” he told the newspaper.

Valien’s work plays up the image’s essence: the imposing bow of a ship, the haunting eyes of a screen siren, a mysterious smile. He jokingly calls himself a Kinosaurier – a play on the German words for cinema and dinosaur.

His nearly-7x9-meter canvases long-graced the “film palaces” of the German capital, including the majestic Delphi in the west and the socialist modernist masterpiece Kino International on Karl Marx Allee in the east.

But the former’s adverts finally went digital in 2024, while the latter is closed for a years-long, top-to-bottom revamp. Dozens of independent cinemas among his clients have simply gone out of business.

The century-old Filmtheater am Friedrichshain (FaF) is the last movie theater in Berlin still employing Valien to tout its new releases, with his large-format posters covering its facade and interior walls around the ticket-and-popcorn counter.

Movie posters have existed as long as the nearly 130-year-old film industry.

But these days, few releases stay long enough in cinemas to justify bespoke art to advertise them, communications studies professor Patrick Rössler of the University of Erfurt, who has studied the history of film posters, told local media. And most independent cinemas don’t have the profit margins to afford them, even at what Valien calls his bargain-basement prices.