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‘Ibn Rushd…Philosophers’ Criticism of Nature’

‘Ibn Rushd…Philosophers’ Criticism of Nature’
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‘Ibn Rushd…Philosophers’ Criticism of Nature’

‘Ibn Rushd…Philosophers’ Criticism of Nature’

Dar Al Hiwar for publishing recently released a new addition to its Philosophy collection, a new book by Sami Ibrahim Jabboury entitled "Ibn Rushd…Philosophers’ Criticism of Nature".

The publisher writes in the foreward: “Of many characteristics Ibn Rushd had, we cite the rationality of his thought; belief in the greatness of knowledge; the scientific, critical, and judgmental spirit; openness to the truth wherever it exists; in addition to his emphasis on civicism which doesn’t differentiate people based on religion or sect, but on their qualification and intellectual potential; and finally, his constant call for an open, free, and bold intellect."

"This book focuses on physics matters that sparked important disagreements between Ibn Rushd and other philosophers, like Alexander and Ibn Sina, over the natural science principles, and with Al-Farabi and Ibn Sina over the infinity matter.

The book shed lights on Inb Rushd’s knowledge of natural and meteorological phenomena through his study of earth and sky. His disagreements continue with Ibn Bājja and Galenus in the matters of ego, senses, and touch.

The book also explores the sky and earth, the main interest of Ibn Rushd, among others featured in the "Overhead Effects", the main chapter of the book. It highlights his knowledge of natural phenomena and their comparison to meteorological phenomena.

Ibn Rushd differentiates the verbal power from other powers, including the illusional power, over which he disputed with Ibn Sina. He also believed that Ibn Sina made mistakes regarding issues related to the senses.

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Culture

Wooden Doors: Testament to Aseer's Artistic Heritage

Wooden doors are testament to Aseer's artistic heritage. (SPA)
Wooden doors are testament to Aseer's artistic heritage. (SPA)
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Wooden Doors: Testament to Aseer's Artistic Heritage

Wooden doors are testament to Aseer's artistic heritage. (SPA)
Wooden doors are testament to Aseer's artistic heritage. (SPA)

Researchers in architecture consider intricately decorated wooden doors, which have endured for centuries, as prime examples of the exceptional craftsmanship and artistic depth that have characterized the Arabian Peninsula, particularly the Aseer region.
Traditional decorations on wooden doors and windows have been a hallmark of architecture in the Arabian Peninsula since ancient times. These decorative elements have not only served as a reflection of a carpenter's skill, they have also played a significant role in marketing their work.
In an interview with the Saudi Press Agency, Dr. Ali Marzouq, professor of archaeology and Islamic arts at King Khalid University, emphasized the social significance of this art form. He noted that people derive psychological comfort from beautifying their belongings, and the decorative motifs associated with Islamic architecture, such as engravings and writings on doors and windows, became an integral part of building design, enhancing both functionality and aesthetic appeal.
Researcher Dr. Saleh Abu Arad concurred and highlighted the importance of the "door and window industry" as a skilled craft that relies on the use of local wood and the application of various techniques to create doors and windows of different sizes. These structures are often adorned with beautiful engravings and may include metal accents such as handles or rings.
The type of wood used in door and window construction significantly impacts the final product. The talh tree (red acacia), known for its cohesive fibers, is a preferred material for high-quality doors and intricate decorations. Carpenters have excelled in engraving decorations on both external and internal doors, taking advantage of the talh tree's properties.
Internal wooden doors and windows are often decorated by the housewife or with the help of female relatives and neighbors. These decorations incorporate a variety of geometric, botanical, and symbolic motifs, creating a welcoming atmosphere for guests and visitors.
Aseer region has a rich tradition of skilled carpenters who have mastered the art of creating traditional architecture doors and windows. These craftsmen have demonstrated their expertise in incorporating various geometric and botanical motifs into their designs, drawing inspiration from the surrounding natural world. While they avoid using human or animal figures, they skillfully employ plant, geometric, and symbolic elements to create unique decorative compositions.
Researcher Maryam Al-Omari said that popular artists frequently used geometric shapes, such as triangles and diamond shape, in their door designs. These were often combined in various ways, creating intricate patterns.
Due to the creativity and skill involved in carving and engraving wooden doors, they have become symbols of social status.
Marzouq said that the main door holds significant social importance, reflecting the owner's wealth and status. Elaborately decorated doors made from expensive wood are often found in the houses of wealthy villagers, while simpler doors are more common in the houses of ordinary people.
The tradition of decorating doors continues today, with people often renewing the decorations on their doors to celebrate holidays or special occasions.
In coastal Tihama, some people even plant aromatic plants around their main doors, creating a fragrant entrance.
In 2021, the Ministry of Culture recognized the importance of preserving this heritage and republished the works of the late French professor Thierry Mouget whose extensive photographic documentation of southern Saudi Arabia in the 1980s captured the region's architectural style, historical legacy, social life, and customs. His work sheds light on the rich cultural heritage of the Aseer region.