PSY’s New Album, Video Turn Corner from ‘Gangnam Style’

South Korean singer Psy speaks during a press conference to promote his ninth album "PSY 9th," at a hotel in Seoul on April 29, 2022. (AFP)
South Korean singer Psy speaks during a press conference to promote his ninth album "PSY 9th," at a hotel in Seoul on April 29, 2022. (AFP)
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PSY’s New Album, Video Turn Corner from ‘Gangnam Style’

South Korean singer Psy speaks during a press conference to promote his ninth album "PSY 9th," at a hotel in Seoul on April 29, 2022. (AFP)
South Korean singer Psy speaks during a press conference to promote his ninth album "PSY 9th," at a hotel in Seoul on April 29, 2022. (AFP)

South Korean superstar PSY said his new album marks a "farewell to ‘Gangnam Style’" - the hit song that propelled him to superstardom exactly a decade ago.

Indeed, the music video for the lead single - "That That" featuring Suga from BTS - shows PSY in the famous blue suit he wore in the "Gangnam Style" video.

"So, a guy in a blue tuxedo comes out and gets a slap from Suga and goes on his way," alluding to his old self walking away from the past, PSY told The Associated Press during an interview before the album's release. His latest album "PSY 9th," released Friday, has 12 songs, including one featuring Korean-Canadian rapper Tablo.

PSY, whose real name is Park Jae-sang, swept the world with "Gangnam Style" in 2012. The song, with its addictive horse-riding dance and catchy melodies, made a global splash and currently has over 4.4 billion views on YouTube.

In an interview, PSY discussed the long gap in recordings, whether he’s still pressured by the global success of "Gangnam Style," and what he envisions for himself and the Korean pop industry.

Remarks have been edited for clarity and brevity.
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AP: "PSY 9th" took five years. What took so long?

PSY: One can’t satisfy everyone. People’s taste is subjective. But if I let someone listen to my music and even if that person isn’t from the industry, if that person says, "This is not that great," I make a change. There are 40 to 50 people I play my music to when it’s ready. Until they collectively say, "This is the best it can get," I search for the song. So... I also make a lot of changes. Our artists find this difficult when working with me, and I want to change the habit, but it’s hard to correct it. When I make music, I listen to it on a cellphone speaker, on a big speaker, and do my best to try to find a fault... I kill many songs, and I’ve been in that process for a long time.

AP: Who are those 40-50 people?

PSY: Every artist in my company and some of our label employees. There are young and old people including my parents... The most random person is my best friend - someone my age living everyday life who has been continuously monitoring my songs ever since my first album.

AP: It’s been 10 years since "Gangnam Style." Are you still conscious of "Gangnam Style?" Do you feel pressure?

PSY: The hidden theme of this music video is "Farewell to Gangnam Style." So, a guy in a blue tuxedo comes out and gets a slap from Suga and goes on his way. There is a hidden theme in the song of me and Suga in new outfits sending old PSY off. It’s not a serious video but there is such a scene. But personally, and work wise, the success of "Gangnam Style" was a very big event so it’s impossible to not be conscious of it permanently. But at the same time, it’s been a long time, and right now I feel very free and easy. So instead of being conscious of it, I think of it as the biggest trophy on my shelf, nothing more or less. Right now, I’m just mesmerized by doing new music with new friends.

AP: So how long did it take you to get over "Gangnam Style?"

PSY: I couldn’t get over it at all for the 7th album. I was largely over it five years ago when I released my 8th album. Now, I am completely over it.

AP: What’s your favorite song in your music career?

PSY: There is a song called "It’s Art" in my 5th album. Whatever I write, it’d probably be difficult to beat that song.

AP: Why?

PSY: Even though I’ve been doing music for a long time, there are some of my own songs that still make me proud. That’s the song. It’s emotional and has nice beats and messages, and the audience loves the song. I’d never promoted the song, but it went viral and became the song that I sing after "Champion" and "Gangnam Style" during concerts.

AP: If there were to be the biggest change in the Korean pop industry in the near future, what would that be?

PSY: K-pop will continuously level up in terms of the size of budget and efforts going in, and the standard of trainees... I think the next change will be metaverse... Metaverse will bring changes to the K-pop industry by getting rid of boundaries for stage and audience.

AP: Are you preparing any NFT or metaverse-related project?

PSY: It’s my first time revealing this. I am preparing a character of myself that sings and dances. Thankfully, people are used to an illustration of me because I’ve been using it as my album cover ever since my debut... But PSY as a singer should remain active offline for a long time. I am not known for a muscular body or well-trained dance moves. The audience gets thrilled by my vibe and atmosphere on stage, so an audience-free concert won’t be an option for me. But I am working closely with artists in my label to prepare for the metaverse world.



'Maybe Happy Ending' Tops Broadway's Tony Awards

Cole Escola scooped their first Tony Award for best actor in a play for 'Oh, Mary!'. kena betancur / AFP
Cole Escola scooped their first Tony Award for best actor in a play for 'Oh, Mary!'. kena betancur / AFP
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'Maybe Happy Ending' Tops Broadway's Tony Awards

Cole Escola scooped their first Tony Award for best actor in a play for 'Oh, Mary!'. kena betancur / AFP
Cole Escola scooped their first Tony Award for best actor in a play for 'Oh, Mary!'. kena betancur / AFP

"Maybe Happy Ending," a South Korean musical adapted for Broadway about two robots who find connection, won big at Sunday's Tony Awards, scooping up six prizes at the gala celebrating the best in American theater.

Stars of the season Cole Escola and Nicole Scherzinger also won their first Tonys, on a night that celebrated Broadway's revival after a years-long pandemic slump, AFP said.

Cynthia Erivo -- the Oscar-nominated "Wicked" star who herself boasts a Tony -- hosted the ceremony at Manhattan's Radio City Music Hall honoring this year's buzzy, diverse competitive slate .

It was Broadway's most financially lucrative year ever, she told the crowd.

"Broadway is officially back -- provided we don't run out of cast members from 'Succession,'" she joked, referring to the decorated TV dramedy about a family's media empire.

Sarah Snook -- who scored an Emmy for her role in "Succession" -- won the Tony for best leading actress in a play, taking on all 26 roles in the stage adaptation of Oscar Wilde's novel "The Picture of Dorian Gray."

A host of new shows and stars drew 14.7 million people to the Broadway performances this season, grossing $1.89 billion at the box office.

Some of showbiz's biggest names graced New York's stages, including George Clooney, Denzel Washington, Jake Gyllenhaal -- and Snook's "Succession" co-stars Kieran Culkin and Jeremy Strong.

"Please go to the theater, whether it's a Broadway show or a school play," said Michael Arden, who won a Tony for best direction of a musical for "Maybe Happy Ending."

Darren Criss of "Glee" fame -- already an Emmy winner for portraying killer Andrew Cunanan in "The Assassination of Gianni Versace: American Crime Story" -- won the Tony for lead actor in that musical.

"I have such immense pride to get to be part of this notably diverse exquisite Broadway season this year," he told the audience as he accepted his award.

Scherzinger bested a packed field including the legendary Audra McDonald -- the performer with the most Tonys in history -- for best actress in a musical for her role as faded star Norma Desmond in "Sunset Boulevard," which also won for best revival of a musical.

"If there's anyone out there who feels like they don't belong or your time hasn't come, don't give up," said an emotional Scherzinger, who once fronted the pop girl group The Pussycat Dolls.

"Just keep on giving and giving because the world needs your love and your light now more than ever. This is a testament that love always wins."

'Oh, Mary!'

Even though Escola's hit dark comedy "Oh, Mary!" was the favorite for best new play, the award went to intense family portrait "Purpose" by Branden Jacobs-Jenkins, which also won the 2025 Pulitzer Prize for Drama.

But Escola still won big for their unhinged performance in the one-act reimagining of Abraham Lincoln's assassination through the eyes of his wife -- a raging alcoholic who dreams of life as a cabaret star.

Escola bested a stacked field that included Clooney.

"Oh, Mary!" also snagged the prize for best direction, won by Sam Pinkleton.

"You have taught me to make what you love and not what you think people want to see," Pinkleton said in his speech, speaking directly to a tearful Escola.

"We can bring joy to people at the end of a crappy day and that feels like a big deal to me," Pinkleton added to ardent applause.

The night's rollicking performances included a gripping rendition of "Rose's Turn" from McDonald, and a captivating performance of "As If We Never Said Goodbye" from Scherzinger.

The gala also featured a much-touted reunion of the original cast of "Hamilton," as that groundbreaking smash musical by Lin-Manuel Miranda celebrates its 10th anniversary.

A heartfelt segment honored those the theater community lost over the past year, with Erivo and Sara Bareilles delivering the classic "Tomorrow" from "Annie."

The night's rollicking performances included a gripping rendition of "Rose's Turn" from McDonald, and a captivating performance of "As If We Never Said Goodbye" from Scherzinger.

The gala also featured a much-touted reunion of the original cast of "Hamilton," as that groundbreaking smash musical by Lin-Manuel Miranda celebrates its 10th anniversary.

A heartfelt segment honored those the theater community lost over the past year, with Erivo and Sara Bareilles delivering the classic "Tomorrow" from "Annie."