Summer Movie Preview: Breakout Stars to Watch

This image released by Sony Pictures shows Andrew Koji in a scene from "Bullet Train." (Scott Garfield/Sony Pictures via AP)
This image released by Sony Pictures shows Andrew Koji in a scene from "Bullet Train." (Scott Garfield/Sony Pictures via AP)
TT

Summer Movie Preview: Breakout Stars to Watch

This image released by Sony Pictures shows Andrew Koji in a scene from "Bullet Train." (Scott Garfield/Sony Pictures via AP)
This image released by Sony Pictures shows Andrew Koji in a scene from "Bullet Train." (Scott Garfield/Sony Pictures via AP)

Some are newcomers. Some are former child stars reintroducing themselves in adult roles. And one is a comedian making a leap to big screen. These are just a few of the actors poised to make a splash this summer at the movies:

Austin Butler in “Elvis”

How familiar you are with Austin Butler will likely have a lot to do with your age. For a certain demographic, Butler, who starred in Disney Channel, Nickelodeon, CW and ABC Family shows between 2007 and 2012, is one of the most recognizable faces on the planet.

But Butler is about to hit a different level this summer when audiences get a glimpse of the 30-year-old as Elvis Presley in the new Baz Luhrmann production hitting theaters June 24. To say his preparation was intense is an understatement: He spent five months just workshopping with Luhrmann before he was even officially offered the role (which, incidentally, was the day before the premiere of “Once Upon a Time in Hollywood,” where he steals several scenes as a Manson follower).

“I threw my eggs in one basket,” Butler said. “I told my agents not to even send me another audition. I said I can’t focus on anything else. It would have really been a bummer if I didn’t get it after investing that much.”

The film is framed around Presley’s complex relationship with his manager, Colonel Tom Parker, who is played by Tom Hanks. When Butler arrived in Australia for the shoot, waiting for him in his room was a typewriter with a note from Colonel Tom Parker (both were from Hanks). And throughout production, they sent letters to one another, in character.

“From the moment I first met him, he broke down barriers of that that thing that can happen when you meet your hero,” Butler said. “He gave me a huge hug, we talked for a bit and then he started talking about his fears, how nervous he was. He said, ‘I can only imagine how nervous you are!’ I said, ‘I’m terrified.’ And then we got to be colleagues.”

And yes, Butler kept the typewriter.

Keke Palmer in “Nope”

Keke Palmer started acting when she was 9 years old and several years later had her first big breakthrough starring in “Akeelah and the Bee.” She’s released music albums, hosted talk shows and worked pretty much non-stop since. So while she’s not a newcomer by any stretch, Palmer is also poised for a second big moment this summer as an adult actor.

The 28-year-old was hand-picked by Jordan Peele to star alongside Daniel Kaluuya in his secretive new thriller “Nope” (July 22) and voices a main role in Disney’s “Lightyear” (June 17) which she said is particularly surreal and fun since she grew up with the “Toy Story” movies.

Palmer can’t reveal, well, anything about “Nope” but she teased that her character is “a combination of a couple of different archetypes” and “a very honest character who is transitioning in front of us and coming of age.” As an aspiring writer-director herself, she relished getting the chance to learn from Peele on set and is excited for people to see the film. The spotlight of a Jordan Peele production is a new sensation for her.

“The space in my career that I’m in, which I’m totally comfortable with, is I’m the kind of entertainer where it’s like some people have grown up with me and other people are like who the hell is Keke Palmer?”, she said, laughing . “With Jordan, it just gives me the opportunity for people to see what I can do and for those that have grown up with me to see how I’ve grown, and for those that have never heard of me, get introduced to me through this and maybe have some fun going back and seeing where I do come from.”

Andrew Koji in “Bullet Train”

Andrew Koji has his mom to thank for his two biggest breaks to date. She’s the one who filmed his auditions, in the garage in England, for both the television show “Warrior” and “Bullet Train,” which opens July 29.

“Bullet Train” is one of the most anticipated releases of the summer: An action-packed thriller from director David Leitch (“Deadpool 2”) starring Brad Pitt, Joey King, Bad Bunny, Bryan Tyree Henry, Sandra Bullock and Koji.

He was already excited about the project and working with Leitch, then he heard Pitt had signed on as well.

“It felt surreal because I never really put him and me in the same world,” Koji wrote in an email. “I never thought that my career path would ever cross with his.”

Koji’s plays Kimura, one of the original characters from Kōtarō Isaka’s popular book.

“He is going through a lot when we first meet him, and it gets worse for him throughout the film. He’s a troubled beaten-down soul, who boards the train looking for redemption,” Koji said. “He is intended to be more at the dramatic core of the film to play off and balance out the more comedic lighter tones and characters.”

Though Koji has training in martial arts, he didn’t actually have to draw on those skills much for “Bullet Train.” But he did have to keep his stamina up.

“I ended up having this full-on day shooting two different scenes, side by side. I was running back and forth from the 2nd unit, working on an intense fight ... to a different scene on main unit working on an emotional scene with Hiroyuki,” Koji said. “That was a real rush, I loved that day. It was one of my favorite days of filming.”

Jo Koy in “Easter Sunday”

A Netflix comedy special is always bound to get a lot of viewers and maybe even create some new opportunities. But comedian Jo Koy never dreamed that one of those would come from Steven Spielberg.

The story, Koy said, is that Spielberg caught “Comin’ in Hot” one night and asked Koy to pitch a movie idea. Thankfully he had something in mind: A family comedy, loosely inspired by his own Filipino American family, gathering for a holiday. The result is “Easter Sunday” (Aug. 5) in which he stars alongside Lou Diamond Phillips, Tia Carrere and Tiffany Haddish.

“It’s about a family and it’s all chaos and craziness and love all on the same Easter Sunday,” Koy said. “It’s a normal family in America. It’s something that you have seen before. The only difference is my mom happens to be from the Philippines.”

Growing up without the internet, he said, he was never totally sure if someone he saw on screen was Filipino. Often they’d be playing different races and ethnicities and their names in the credits were usually little help. It’s part of the reason he wanted to show an explicitly Filipino story. And it was an emotional experience for many. Some of the actors even told him that in three decades of work, they had never played a character who was written as Filipino before, instead of just “Asian woman who can sing” for instance.

“You get to learn a little bit about our culture. You get to learn a little bit about what we eat, what we look like,” he said. “I’m not here to make fun of Filipinos. I’m not trying to make them do goofy things or be clowns. This was an opportunity to tell our story, be funny as a family and let people laugh at that.”

Cooper Raiff in “Cha Cha Real Smooth”

Writer-director-actor Cooper Raiff is only 25-years-old and already has two indie darlings under his belt. His first was made on a shoestring and got some attention on the festival circuit. But his sophomore feature “Cha Cha Real Smooth” (on Apple TV+ June 17) is poised to put him on another level. In the film, he plays a recent college graduate working as a party starter on the Bar Mitzvah circuit, where he meets and befriends a single mom played by Dakota Johnson.

“I wanted to make a movie about that feeling when you’re floating in post-grad delirium and two people helping each other get strong for two very different stages in their lives,” Raiff said. “This is a kid who is really good at starting other people’s parties but has no idea where to begin when it comes to starting his own party.”

Johnson was intimately involved in the development of the script and making of the film, which was done through her production company TeaTime Pictures.

“She really wanted to be part of things at every step and I die for that,” Raiff said. “I really felt like she wanted to work together, even when we were butting heads about blocking or where the scene should go or what it’s really saying.”

Raiff is currently at work on his next, even bigger movie. But this time, he said, he’ll likely stay behind the camera.



'Amazing' AI De-Ages Tom Hanks in New Film 'Here'

Tom Hanks. (AP)
Tom Hanks. (AP)
TT

'Amazing' AI De-Ages Tom Hanks in New Film 'Here'

Tom Hanks. (AP)
Tom Hanks. (AP)

Tom Hanks has praised the "amazing" use of artificial intelligence to de-age him "in real time" on the set of new movie "Here," even as he accepted that the technology is causing huge concern in Hollywood.
"Here," out in theaters Friday, stars Hanks and Robin Wright as a couple striving to keep their family together through births, marriages, divorces and deaths, across multiple decades and even generations, said AFP.
Hanks portrays his character from an idealistic teen, through various stages of youth and middle age, to a frail, elderly man.
But rather than just relying on makeup, filmmakers teamed up with AI studio Metaphysic on a tool called Metaphysic Live, to rejuvenate and "age up" the actors.
The technology worked so fast that Hanks was able to immediately watch his "deep-faked" performance after each scene.
"The thing that is amazing about it is it happened in real time," said Hanks.
"We did not have to wait for eight months of post-production. There were two monitors on the set. One was the actual feed from the lens, and the other was just a nanosecond slower, of us 'deep-faked.'
"So we could see ourselves in real time, right then and there."
The rapidly increasing use of AI in films including "Here" has triggered vast concern in Hollywood, where actors last year went on strike over, among other things, the threat they believe the technology poses to their jobs and industry.
Hanks acknowledged those fears during a panel discussion with director Robert Zemeckis at last weekend's AFI Fest in Hollywood, saying a "lot of people" were worried about how it will be used.
"They took 8 million images of us from the web. They scraped the web for photos of us in every era that we've ever been -- every event we've filmed, every movie still, every family photo that might have existed anywhere," Hanks explained.
"And they put that into the box -- what is it, 'deepfake technology,' whatever you want to call it."
'Cinematic'
The use of AI is not the only unusual technological feat in "Here."
The film is entirely shot from one static camera, positioned for the most part in the corner of a suburban US home's living room.
Viewers occasionally see glimpses of the same geographic space before the house was built, as the action hops back and forth to colonial and pre-colonial times -- or even earlier.
"Here" is based on a graphic novel by Richard McGuire, which uses the same concept.
"It had to be true to the style of the book, and that's why it looks the way it does," Zemeckis told AFP.
"It worked in levels that I didn't expect. It's got a real powerful intimacy to it, and in a wonderful way, it's very cinematic."
But the film's use of AI has drawn the most attention.
'Very serious subject'
AI was also at the heart of a very different film at AFI Fest -- "Wallace & Gromit: Vengeance Most Fowl," the latest film for the beloved British stop-motion characters.
When Wallace constructs a "smart gnome" to take care of chores, his faithful pooch Gromit immediately sniffs danger.
Once Feathers McGraw -- the nefarious penguin introduced to audiences in 1993 short film "The Wrong Trousers" -- gets involved, the technology takes a sinister turn.
AI becomes "the wedge between Wallace and Gromit," explained co-director Merlin Crossingham.
"It is a very light touch, although it's a very serious subject," he said.
If "we can trigger some more intellectual conversation from our silly adventure with Wallace and Gromit, then that can't be a bad thing."
The film itself did not use AI.
"We don't and we wouldn't," said Crossingham, earning hearty applause from the Hollywood crowd.
"Vengeance Most Fowl" will be broadcast on Christmas Day in the United Kingdom and Ireland, before airing globally on Netflix from January 3.