Claire Danes Digs into Mystic Mystery in ‘The Essex Serpent’

Actress Claire Danes arrives for the 2022 Met Gala at the Metropolitan Museum of Art on May 2, 2022, in New York. (AFP)
Actress Claire Danes arrives for the 2022 Met Gala at the Metropolitan Museum of Art on May 2, 2022, in New York. (AFP)
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Claire Danes Digs into Mystic Mystery in ‘The Essex Serpent’

Actress Claire Danes arrives for the 2022 Met Gala at the Metropolitan Museum of Art on May 2, 2022, in New York. (AFP)
Actress Claire Danes arrives for the 2022 Met Gala at the Metropolitan Museum of Art on May 2, 2022, in New York. (AFP)

Claire Danes says her first role after nearly a decade in hit drama "Homeland" was both "wonderful" and "scary", going from playing a CIA officer to a grieving 19th century British widow in new mini-series "The Essex Serpent".

The 43-year-old actress won numerous awards for her portrayal of intrepid bipolar protagonist Carrie Mathison in the 2011-2020 show.

Set centuries earlier and based on the hit novel by Sarah Perry, "The Essex Serpent" sees Danes play Cora, who moves from London to the English county of Essex to look into talk of a mythical serpent.

She befriends pastor Will, played by Tom Hiddleston, but soon finds herself facing the wrath of local residents who blame her for a tragedy.

"It felt wonderful... I loved finally being able to play somebody who was in relationship with other human beings because Carrie really wasn’t," Danes told Reuters in an interview.

"I kind of thought of her as like Edward Scissorhands, weirdly... she understood her volatility and she was very inclined to protect other people from that and so she isolated herself. Cora doesn't have to, she was allowed to enjoy intimacy of varying kinds... That was fun but it was also kind of scary to be in uncharted territory."

While the mysterious serpent is feared by locals, Cora is intrigued to learn more about it.

"I think the serpent is a symbol for people's anxiety, for all of the myriad unknowns that plague us and worry us," Danes said.

"All of the characters are wrestling with quite a bit of internal tumult and this is a way for them to attempt to make sense of that and to fixate on something seemingly tangible and concrete."

The story focuses on the debate of science versus faith, with the characters believing different reasons for the creature's existence.

"I find it a very nourishing debate...the interconnectedness between faith and reason, science and religion. As a society and as communities, we need belief systems in order to make sense of our lives and to understand how our lives are meaningful," Hiddleston said.

"And at this particular time... the end of the 19th century, there was so much change in terms of the way people understood their lives. And I think the conversation continues."

"The Essex Serpent" premieres on Apple TV+ on Friday.



'Snow White' Opens with Sleepy $43 Million at Box Office

FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo
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'Snow White' Opens with Sleepy $43 Million at Box Office

FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Cast member Rachel Zegler attends a premiere for the film "Snow White", in Los Angeles, California, US March 15, 2025. REUTERS/Mario Anzuoni/File Photo

The Walt Disney Co.’s live-action, controversy-bedeviled “Snow White” opened in theaters with a sleepy $43 million in ticket sales, according to studio estimates Sunday.
With a budget above $250 million, “Snow White” had set out with higher ambitions, particularly since it returns Disney to its very origins. The 1937 original “Snow White and the Seven Dwarfs” was the company’s first animated feature, and paid for its Burbank studio lot.
But this “Snow White” struggled to find anything like a fairy tale ending. The runup to release was plagued by controversies over the film’s handling of the dwarfs, who are rendered in CGI, and backlashes over comments by its star, Rachel Zegler. The PR headaches prompted Disney to pull back on its premiere.
Also working against the film, directed by Marc Webb: poor reviews. Critics were largely not impressed with Disney’s latest live-action remake, with reviews coming in just 43% “fresh” on Rotten Tomatoes.
There’s been a wide variance between the box-office performance of other “live-action” Disney remakes, but “Snow White” might mark a new nadir. Jon Favreau’s photorealistic “The Lion King” (2019) didn’t have great reviews, either, but grossed more than $1.6 billion worldwide. “Snow White” opened worse than “Dumbo” (a $46 million opening in 2019) and well shy of “Cinderella” territory ($67.9 million in 2015).
Overseas, “Snow White” added $44.3 million for a global launch of $87.3 million. But going into the weekend, “Snow White” had been eyeing a worldwide total closer to $100 million – and a few weeks back, expectations were significantly higher.
The result will surely add to questions over Disney’s long-term strategy of mining its vault for live-action remakes. In the pipeline are upcoming new versions of “Moana" and “Tangled." A live-action “Lilo & Stitch” launches in May, The Associated Press reported.
Efforts to modernize “Snow White," though, quickly ran afoul. In 2022, actor Peter Dinklage criticized the remake plans as “backward.” Disney ultimately opted to drop “and the Seven Dwarfs” from the original's title, and animate the dwarfs. Some right-wing commentators targeted “Snow White” and Zegler's casting as an overly “woke” production. Delays and reshoots also ran up costs.
Disney, though, has recently steered a handful of films from modest starts to enviable final hauls. The Barry Jenkins-directed “Mufasa: The Lion King” opened with $35.4 million domestically, but ultimately surpassed $717 million worldwide. “Snow White” will face little direct competition in the coming weeks. Audiences gave it a “B+” CinemaScore.
Warner Bros.’ “Alto Knights,” a period gangster film starring Robert De Niro in both lead roles, was a total misfire. The Barry Levinson-directed film, which cost about $45 million to make, opened with just $3.2 million from 2,651 theaters. The flop of “Alto Knights” followed another misfire for Warner Bros. with Bong Joon Ho’s big-budget sci-fi “Mickey 17.” In three weeks, it’s tallied $40.2 million domestically against a $118 million budget.
“Magazine Dreams,” starring Jonathan Majors as a disturbed aspiring bodybuilder, opened with $700,000 for Briarcliff Entertainment in 815 locations. The film was dropped by Searchlight Pictures after Majors was convicted of two misdemeanor counts of assault and harassment against Grace Jabbari, his ex-girlfriend. Majors avoided jail time but was given a year of probation.
The disappointment-filled weekend added to a rough 2025 so far for Hollywood. The box office is down 6.9% from last year, according to data firm Comscore, and 38.6% from 2019.