Travis Scott, Morgan Wallen Hit Billboard Music Awards Stage

Morgan Wallen performs at the Billboard Music Awards on Sunday, May 15, 2022, at the MGM Grand Garden Arena in Las Vegas. (AP)
Morgan Wallen performs at the Billboard Music Awards on Sunday, May 15, 2022, at the MGM Grand Garden Arena in Las Vegas. (AP)
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Travis Scott, Morgan Wallen Hit Billboard Music Awards Stage

Morgan Wallen performs at the Billboard Music Awards on Sunday, May 15, 2022, at the MGM Grand Garden Arena in Las Vegas. (AP)
Morgan Wallen performs at the Billboard Music Awards on Sunday, May 15, 2022, at the MGM Grand Garden Arena in Las Vegas. (AP)

Travis Scott and Morgan Wallen made controversial returns on the Billboard Music Awards stage on Sunday, while Mary J. Blige was honored for her musical excellence.

Wallen performed in his first major awards show after he was caught on camera more than a year ago using a racial slur. After not receiving a verbal introduction, the country star sat alongside his four-piece band and performed “Don’t Think Jesus” then his chart-topping “Wasted on You,” a single from his popular project “Dangerous: The Double Album.”

Shortly after his performance, rapper Pusha T presented Wallen with the top country artist award.

“I want to say, ‘Thank God.’ And thank my fans. I got the best damn fans,” said Wallen, who acknowledged his mother for accompanying him as his date to show. He also thanked for Billboard for inviting him. He did not mention last year’s incident, which once found the disgraced singer rebuked by the music industry.

“Thank you to my little boy,” he continued. “You inspire me every single day.”

Scott made his first televised performance since a massive crowd surge killed 10 people and injured thousands at his Astroworld Festival in Houston in November last year. The rapper performed his single “Mafia” in an icy, polar-themed set with heavily censored lyrics.

Mary J. Blige received the Icon Award for being an influential music maker. The singer, known as the Queen of Hip-Hop Soul, was presented the award by Janet Jackson and escorted on stage by Sean “Diddy” Combs – who emceed the show, which was broadcasted live on NBC from the MGM Grand Garden Arena in Las Vegas.

Blige said she was in a “dream right now” after she received the honor. She spoke about the journey of becoming an icon not being an easy feat during her stellar career.

“I’ve been on this journey for a long time, one that didn’t always look the way you see me now, one that is filled with a lot of heartache and pain,” she said. “But God helped me to channel those experiences and emotions in my music, which is where I started in music.”

Blige was honored through a video montage with appearances from Queen Latifah, Gabrielle Union and Taraji P. Henson. Previous award recipients include Prince, Steve Wonder, Mariah Carey, Neil Diamond, Jennifer Lopez, Garth Brooks, Pink, Celine Dion and Janet Jackson.

“I was ghetto fabulous and I still am,” said Blige, whose Dr. Dre-produced single “Family Affair” topped the Billboard Hot 100 in 2001 and had four No. 1 albums on the Billboard 200. “So ghetto and so fabulous and people were threatened by that. Now, everybody wants to be ghetto fabulous.”

Maxwell paid homage to Michael Jackson’s “Thriller” in a performance that celebrated the 40th anniversary of the King of Pop’s 1982 album. The singer took the stage with sparkling black gloves and a jacket before he performed the heartfelt jam “The Lady in My Life.”

Combs honored activist Tamika Mallory with the Revolt Black Excellence Award. He applauded Mallory’s efforts as an organizer of the Women’s March in 2017, being an advocate for gun control and supporter of the Black Lives Matter movement.

“You fight for us on the front lines, and we just have to pay so much respect for you, queen,” Combs said before calling her “fearless.”

After hearing Combs’ gracious remarks, Mallory was almost moved to tears. She then took the opportunity to bring up the deadly mass shooting Saturday that left 10 dead in Buffalo, New York.

The white gunman was arrested on a murder charge after the supermarket attack, in what police called a hate crime, where most of the victims were Black.

“While they arrested the person who did the killing, they haven’t arrested the hate,” Mallory said. “They haven’t arrested the harm and the pain. And if you are not doing anything at this time, you’re actually doing something by being silent. I ask you tonight: Get involved, fight for justice.”

Earlier, Drake was named top artist, male artist, rap artist, rap male artist and rap album for “Certified Lover Boy.” The rapper extended his record as the most decorated winner in the history of the awards show with 34 wins.

Olivia Rodrigo and Kanye West, known as Ye, won six awards during a non-televised ceremony. Rodrigo was awarded best new artist.

Ye made his mark in the faith-based categories - again: The rapper won top Christian artist for the first time, but he claimed top gospel artist and gospel song for a third year in a row. He also received top gospel album for the second time.

The Kid LAROI became a first-time winner, taking home awards for his song “Stay” with Justin Bieber - whose Billboard Music Awards win count rose to 26.

Doja Cat came away with four awards. She won top R&B artist and R&B female artist for the second consecutive year, along with top R&B album and female artist.

Taylor Swift - who has the second most-ever award show wins with 29 - won four awards. Bad Bunny received two wins while R&B duo Silk Sonic, comprised of Bruno Mars and Anderson .Paak, won their first-ever award for top R&B song for “Leave the Door Open.”

Amariyanna Copeny showed some nervousness after receiving the Changemaker Award for her community efforts in the Flint water crisis that began in 2014. The now 14-year-old Copeny, known as Little Miss Flint, often burst into laughter while reading the teleprompter on stage.

“I don’t do the work for accolades and clout,” Copeny said. “I do it for the kids back home in Flint that are still being poisoned by the water,” she continued. She was presented the award by Teyana Taylor.

Becky G, who released the album “Esquemas” on Friday, performed “Baile Con Mi Ex” and her hit song “MAMIII,” which topped the Billboard’s Hot Latin Songs chart. Ed Sheeran delivered a remote performance from Northern Ireland, where he is on tour.

Other acts who took the stage include Miranda Lambert, Meghan Thee Stallion and Grammy Awards darlings Silk Sonic.



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”