Japan’s Landmark Capsules Coming Down to Sit in Museums

Demolition teams start to take down the Nakagin Capsule Tower, an iconic structure designed by Japanese architect Kisho Kurokawa and built in 1972, in Tokyo's Ginza district on April 12, 2022. (AP)
Demolition teams start to take down the Nakagin Capsule Tower, an iconic structure designed by Japanese architect Kisho Kurokawa and built in 1972, in Tokyo's Ginza district on April 12, 2022. (AP)
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Japan’s Landmark Capsules Coming Down to Sit in Museums

Demolition teams start to take down the Nakagin Capsule Tower, an iconic structure designed by Japanese architect Kisho Kurokawa and built in 1972, in Tokyo's Ginza district on April 12, 2022. (AP)
Demolition teams start to take down the Nakagin Capsule Tower, an iconic structure designed by Japanese architect Kisho Kurokawa and built in 1972, in Tokyo's Ginza district on April 12, 2022. (AP)

Nakagin Capsule Tower, a building tucked away in a corner of downtown Tokyo that is made up of boxes stacked on top of each other, is an avant-garde honeycomb of science-fiction-era housing long admired as a masterpiece.

It’s now being demolished in a careful process that includes preserving some of its 140 capsules, to be shipped to museums around the world.

Preparations have been going on for months to clear the surrounding areas, for safely dismantling the landmark near Ginza. The first capsule will be removed in the next few weeks.

Built in 1972, the 13-floor building embodies the so-called "metabolism" vision of its architect Kisho Kurokawa: The idea that cities and buildings are always changing, reflecting life, in rhythm with the human body.

"No one exists divorced from the thoughts of those around him. All comes into existence through an assembly of causes. All things are interrelated. In accord with this principle, it is our aim to build an ideal world, step by step," Kurokawa wrote in his 1994 book, "Philosophy of Symbiosis."

Kurokawa died in 2007, at 73.

Although striking in appearance and concept, the building outlived modern construction guidelines and needed to be torn down.

Skyscrapers have popped up nearby, dwarfing Nakagin. A developer took over the property in 2021.

Tatsuyuki Maeda, who started using Nakagin as a second home in 2010, said he simply loved being in that 2.5 meter (8.2 foot) wide space, so tiny but cozy it felt like a child’s hideaway. And it got his creative juices going, he said.

"The view from that round window felt so good. At night, when cars sped by, their lights on the nearby freeway were pretty. And the cityscape was beautiful," Maeda said.

Appliances and shelves are built into the walls. A desk pops out in one section. In another is a Sony reel-to-reel tape recorder, state-of-the-art electronics of the 1970s that’s historical memorabilia now like the building itself.

Only about a third of Nakagin's residents lived there full-time in recent years. Most used it as offices and workspaces. They tended to be creative people, musicians, filmmakers and architects, as though it drew people sharing similar values.

Maeda, who does public relations work, owned 15 capsules, mainly to have a say in the building’s fate, and had rented some of them out. Residents would party together, he recalled.

He and others had been working together since 2014 to save Nakagin, first to prevent its destruction and rebuild it, but eventually to hand down its legacy as an artwork. The project raised money through crowd-funding and put out a book, complete with photos, in March, titled, "Nakagin Capsule Tower: The Last Record."

The preservation project calls for some of the capsules to allow for real-life living in a separate locale. Those in museums will be refinished by the Kurokawa architectural office, which went over the original designs to figure out how each box could be detached with minimal damage, a feat especially difficult in the crowded Ginza area.

Will Gardner, a Swarthmore College professor whose specialty is Japanese modernism, says the metabolist movement had its "moment" of recognition for its organic approach to Tokyo’s 20th Century urban-planning problems, such as over-crowding and a lack of infrastructure.

It was an era when Japan was rebuilding from the ruins of World War II, undergoing rapid economic growth, buzzing with creative energy and trying to define itself.

But metabolist designs did not win wide acceptance among real estate developers, construction companies or consumers, who all turned to more conservative prefabricated housing, said Gardner, who wrote "The Metabolist Imagination: Visions of the City in Postwar Japanese Architecture and Science Fiction."

"This was a generation of architects that came out in this era when everything had been destroyed. But at the same time there was a lot of dynamism, and the economy was on the rebound, and there seemed to be a moment when this big vision could really thrive," he said.

"For a lot of reasons, today’s Japan is very different."

Kurokawa was heavily influenced by Kenzo Tange, who designed the Yoyogi National Gymnasium, built for the 1964 Tokyo Olympics. An art museum in Tokyo’s Roppongi that looks like a waving wall of glass, which opened in 2007, and the 1999 new wing of the Van Gogh Museum in Amsterdam were designed by Kurokawa.

Nakagin was one of his early pieces. Its defiantly repetitive motif both celebrated and challenged mass production, appealing to individuals, especially those lost in conformist Japan.

Kurokawa developed the technology to install the units into a concrete core shaft with four high-tension bolts. The capsules were designed to be detachable and changed to new ones, or recycled, every 25 years.

That never happened.

Instead, after 50 years, the pieces are coming apart.

Kurokawa used to say that, long after his buildings were gone, his thinking would live on.

Kurokawa’s designs address sustainability and social accountability, said Tomohiro Fujisawa of Kisho Kurokawa Architect and Associates, issues that remain urgent today.

"The world maybe has finally caught up with him," Fujisawa said.



Prince William Begins a Visit to South Africa That Focuses on Climate and the Environment

Britain's Prince William, the Prince of Wales attends the "Homelessness: Reframed" exhibition at the Saatchi Gallery, Sept. 5, 2024 in London. (Chris Jackson/Pool Photo via AP, File)
Britain's Prince William, the Prince of Wales attends the "Homelessness: Reframed" exhibition at the Saatchi Gallery, Sept. 5, 2024 in London. (Chris Jackson/Pool Photo via AP, File)
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Prince William Begins a Visit to South Africa That Focuses on Climate and the Environment

Britain's Prince William, the Prince of Wales attends the "Homelessness: Reframed" exhibition at the Saatchi Gallery, Sept. 5, 2024 in London. (Chris Jackson/Pool Photo via AP, File)
Britain's Prince William, the Prince of Wales attends the "Homelessness: Reframed" exhibition at the Saatchi Gallery, Sept. 5, 2024 in London. (Chris Jackson/Pool Photo via AP, File)

Britain's Prince William will speak with young environmentalists and local fishermen during a visit to South Africa starting Monday that will see his annual Earthshot Prize award $1.2 million in grants to five organizations for innovative environmental ideas.

The 42-year-old heir to the throne will also attend a global wildlife summit and spend time at a sea rescue institute during his four days in Cape Town, with the centerpiece of his trip the Earthshot awards ceremony on Wednesday night.

He'll use the visit to highlight other issues close to his heart, like the work of rangers on the frontline of conservation efforts, officials said.

William, the Prince of Wales, last visited Africa in 2018, but he has a strong connection to the continent. William traveled to Africa as a boy after the death of his mother, Princess Diana, in a Paris car crash in 1997. He and his wife, Kate, got engaged at a wildlife conservancy in Kenya in 2010. And he said he came up with the idea for the Earthshot awards while in Namibia in 2018.

"Africa has always held a special place in my heart as somewhere I found comfort as a teenager, where I proposed to my wife, and most recently as the founding inspiration behind the Earthshot Prize," William said in a statement ahead of his visit.

Kate, Princess of Wales, and their children Prince George, Princess Charlotte and Prince Louis are not traveling to South Africa. Kate, 42, only recently returned to some public duties after completing treatment for an undisclosed type of cancer.

William's trip follows soon after his brother Harry, the Duke of Sussex, visited South Africa and neighboring Lesotho last month for a youth charity he set up with a member of Lesotho's royal family.

William formed the Earthshot Prize through his Royal Foundation in 2020 to encourage new ideas to solve environmental problems and it launched in 2021. The first three awards ceremonies were held in Britain, the U.S. and Singapore. William said he wanted this year's awards to inspire young people involved in climate action across Africa, a continent of some 1.5 billion people that contributes the least to global warming but is especially vulnerable to climatic shocks.

The wider southern African region is currently experiencing its worst drought and hunger crisis in decades, with 27 million people severely affected, according to the United Nations.

The Earthshot prizes are awarded in five categories: protecting and restoring nature, clean air, reviving oceans, building a waste-free world and fixing the climate. This year's finalists include a company in Kenya that develops solar-powered systems for homes, a group in Ecuador that brings Indigenous communities together to protect forests, and a conservation project in Kazakhstan that is saving the critically endangered Saiga antelope from extinction.

The awards ceremony will be held in a temporary, reusable dome that has been erected on a field next to a sports stadium in Cape Town. The 470-foot-long dome has hosted other events in South Africa and will be packed to be used again after the Earthshot prizes, organizers said.

While climate change and threats to the environment are at the center of William's visit, he will briefly break away from those topics to go to a high school in an underprivileged Cape Town neighborhood, where he's expected to join kids at a rugby practice.

Rugby is one of South Africa's most popular sports and the country's national team, the Springboks, are the reigning world champions. William is also a rugby follower.

“I can promise that you will see the Prince of Wales playing some rugby,” a Kensington Palace spokesperson said of the planned school visit.