60s Filmstar Claudia Cardinale Honored in Tunisian Birthplace

Italian-Tunisian actress Claudia Cardinale (2nd-L) poses in front of a mural of her during a street naming ceremony in her honor in Tunisia FETHI BELAID AFP
Italian-Tunisian actress Claudia Cardinale (2nd-L) poses in front of a mural of her during a street naming ceremony in her honor in Tunisia FETHI BELAID AFP
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60s Filmstar Claudia Cardinale Honored in Tunisian Birthplace

Italian-Tunisian actress Claudia Cardinale (2nd-L) poses in front of a mural of her during a street naming ceremony in her honor in Tunisia FETHI BELAID AFP
Italian-Tunisian actress Claudia Cardinale (2nd-L) poses in front of a mural of her during a street naming ceremony in her honor in Tunisia FETHI BELAID AFP

Actress Claudia Cardinale may have been a sixties legend of Italian and French cinema, but in Tunisia, in the portside district where she grew up, she says she feels "at home".

"I left very young, but I spent my whole childhood here, my adolescence," said Cardinale, now 84. "My origins are here."

To celebrate her connection to the North African country, authorities on Sunday named a street after her in the La Goulette suburb of the capital Tunis, where petals were scattered in a ceremony in her honor.

"You marked the world of cinema for almost half a century with your dazzling beauty, your charisma and through the roles you played," said Amel Limam, the mayor of La Goulette.

"I am very honored, because it is here that I was born and spent my childhood," Cardinale said. "I kiss you!"

The multicultural beachfront neighborhood was once home to a sizeable Sicilian population -- including Cardinale's parents.

Before Tunisia's independence from France in 1956, more than 130,000 Italians were residents, and many of their ancestors had settled there before French colonial rule.

"I still keep a lot of Tunisia inside me -- the scenery, the people, sense of welcome, the openness," Cardinale told AFP.

'We're all equal'
In 1957, aged 19, Cardinale won a beauty contest for "the prettiest Italian" in newly independent Tunisia.

Her prize was a trip to the Venice film festival, where she caught the eye of influential cinema figures.

That led to her first film role, in Mario Monicelli's Le Pigeon.

Soon afterwards, she moved with her family to Rome to pursue her career, which took off with a role in Luchino Visconti's film The Leopard, alongside French film star Alain Delon and Hollywood legend Burt Lancaster.

That was the start of a long career that has continued into her 80s. After starring in The Pink Panther opposite David Niven in 1963, she shot to attention in the United States and Britain.

In one of her latest roles, she plays a grandmother in a film by Tunisia's Ridha Behi, "L'ile du Pardon", currently in post-production.

Her parents never recovered from their departure from Tunisia, which they experienced as an exile.

"It was very hard. My father never wanted to come back, that's how much he dreaded the pain of what was for him a real heartbreak," she said.

"My mother recreated Tunisia in Italy. She planted all Tunisian plants and kept on cooking Tunisian meals."

But Cardinale said the Tunisian sense of hospitality can be a model for how to treat migrants.

The country "can and should be proud of its history," she said.

And in an era when many Tunisians are willing to risk their lives boarding unseaworthy boats to reach Europe, she stresses the importance of "remembering this shared past to build the future".

"The wind changes, and we're all equal in terms of the need to leave," she said.

"Tunisia for us was a welcoming land. I wish everyone in the world who needs to leave somewhere could receive the same welcome."


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‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

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With a combined $270 million in worldwide ticket sales, “Wicked” and “Gladiator II” breathed fresh life into a box office that has struggled lately, leading to one of the busiest moviegoing weekends of the year.

Jon M. Chu’s lavish big-budget musical “Wicked,” starring Ariana Grande and Cynthia Erivo, debuted with $114 million domestically and $164.2 million globally for Universal Pictures, according to studio estimates Sunday. That made it the third-biggest opening weekend of the year, behind only “Deadpool & Wolverine” and “Inside Out 2.” It’s also a record for a Broadway musical adaptation.

Ridley Scott’s “Gladiator II,” a sequel to his 2000 best picture-winning original, launched with $55.5 million in ticket sales. With a price tag of around $250 million to produce it, “Gladiator II” was a big bet by Paramount Pictures to return to the Coliseum with a largely new cast, led by Denzel Washington and Paul Mescal. While it opened with a touch less than the $60 million predicted in domestic ticket sales, “Gladiator II” has performed well overseas. It added $50.5 million internationally.

Going into the weekend, box office was down about 11% from last year and some 25% from pre-pandemic times. That meant this week's two headline films led a much-needed resurgence for theaters. With “Moana 2” releasing Wednesday, Hollywood might be looking at historic sales over the Thanksgiving holiday.

“This weekend’s two strong openers are invigorating a box office that fell apart after a good summer,” said David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

The collision of the two movies led to some echoes of the “Barbenheimer” effect of last year, when “Barbie" and “Oppenheimer” launched simultaneously. The nickname this time, “Glicked,” wasn’t quite as catchy and the cultural imprint was also notably less. Few people sought out a double feature this time. The domestic grosses in 2023 – $162 million for “Barbie” and $82 million for “Oppenheimer” – were also higher.

But the counter-programming effect was still potent for “Wicked” and “Gladiator II,” which likewise split broadly along gender lines. And it was again the female-leaning release – “Wicked,” like “Barbie” before it – that easily won the weekend. About 72% of ticket buyers for “Wicked” were female, while 61% of those seeing “Gladiator II” were male.

And while “Barbenheimer” benefitted enormously from meme-spread word-of-mouth, both “Wicked” and “Gladiator II” leaned on all-out marketing blitzes.

Both movies pulled out all the stops in global advertising campaigns that spanned everything from “Wicked” Mattel dolls (some of which led to an awkward recall) to an Airbnb cross-promotion with the actual Colosseum in Rome. For “Gladiator II,” Paramount even took the unusual step of simultaneously running a one-minute trailer on more than 4,000 TV networks, radio station and digital platforms.

Though “Wicked” will face some direct competition from “Moana 2,” it would seem to be better set up for a long and lucrative run in theaters. Even at 2 hours and 40 minutes, the film has had mostly stellar reviews. Audiences gave it an “A” on CinemaScore. The reception for “Wicked” has been strong enough that Oscar prognosticators expect it to be a contender for best picture at the Academy Awards, among other categories.

Producers, perhaps sensing a hit, also took the step of splitting “Wicked” in two. Part two, already filmed, is due out next November. Each “Wicked” installation cost around $150 million to make.

“Gladiator II” has also enjoyed good reviews, particularly for Washington's charismatic performance. Audience scores, though, were weaker, with ticket buyers giving it a “B” on CinemaScore. “Gladiator II” will make up for some of that, however, with robust international sales. It launched in many overseas markets a week ago, earning $87 million before landing in North America.