In Bali, Bird Sellers Help Endangered Mynah Make a Comeback

A Bali mynah prepared to be released into the wild perch on three branches inside an enclosure in Tabanan, Bali, Indonesia on April 17, 2022. (AP)
A Bali mynah prepared to be released into the wild perch on three branches inside an enclosure in Tabanan, Bali, Indonesia on April 17, 2022. (AP)
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In Bali, Bird Sellers Help Endangered Mynah Make a Comeback

A Bali mynah prepared to be released into the wild perch on three branches inside an enclosure in Tabanan, Bali, Indonesia on April 17, 2022. (AP)
A Bali mynah prepared to be released into the wild perch on three branches inside an enclosure in Tabanan, Bali, Indonesia on April 17, 2022. (AP)

Tossing flowing crests back and forth, three snow-white Bali mynahs share a branch, squawking and looking around with the trademark blue patches around their eyes catching sunlight. Minutes later, four more join - a sight that would have been impossible in the wild two decades ago.

But by working with bird breeders and sellers - the very group that contributed to the prized birds becoming critically endangered - conservationists are releasing them in Bali province, hoping to boost the wild population.

Experts say more research and monitoring is needed, but the conservation model has shown promise over the past 10 years and could be replicated for other vulnerable birds in Indonesia.

Endemic to Bali, the Bali mynah has been a highly sought collector's item in the international cage bird trade for more than a century due to their striking white plumage and song. Capture of the birds for sale coupled with habitat loss from land conversion to farming and settlements led to the bird being listed as "threatened" by the International Union for Conservation of Nature in 1988 and upgraded to "critically endangered" in 1994. By 2001 experts estimated only about six Bali mynahs were living in the wild, with thousands in captivity across the globe.

Recognizing Indonesia's deeply engrained bird breeder culture and the dire need for Bali mynah conservation, the nongovernmental organization now called BirdLife International paired with the government to launch a captive breeding program in the 1980s.

Breeders are able to apply for licenses to breed the birds. If approved, they're given mynahs by the government and are allowed to keep 90% of the offspring for private sale. The remaining birds are rehabilitated and released at West Bali National Park, where they can be monitored by park authorities.

The conservation method is compatible with Indonesian culture, where it's common to have cage birds and people rely on the bird trade for their income, said Tom Squires, a PhD candidate at Manchester Metropolitan University studying Bali mynah ecology and other threatened birds in Indonesia.

"The national park began to understand that and ... create the conditions where you could have a wild population that still thrives," said Squires. "Bird keepers can still keep birds and follow their hobby without causing real problems for wild populations - which is, I think, a lot better than species going extinct in the world."

Early mynah releases were plagued with issues: some birds were infected with a parasite that caused high fledgling mortality, others were killed by natural predators. Poaching also continued - and the national park's captive breeding facility was even robbed at gunpoint, with nearly 40 birds stolen.

Yet conservation efforts in the last decade have seen greater success through increased monitoring of the birds, stronger census data and more research, said Squires.

Agus Ngurah Krisna Kepakisan, the head of the West Bali National Park, also attributes the success of the breeding program to the creation and proliferation of "buffer villages" around the park. Villagers get assistance in obtaining permits to breed Bali mynahs there.

"With the community being the breeders ... they are helping us to take care of the birds that exist in nature," he said. "There are also those who used to often look for and take Bali mynah from nature."

Squires said there's definitive evidence some released birds have produced offspring. "So that leads me to believe that the population is is certainly self-sustaining to an extent," he said.

The breeding program's strides are visible throughout the park, where Kepakisan says 420 Bali mynahs now live and hop around in trees, pop their heads out of bird boxes and squawk at tourists passing beneath them.

Conservation efforts have spread to Tabanan Regency - a three-hour drive from the park - where mynahs fly over lush rice fields framed by mountains and forest.

The area is a recent release site for Friends of the National Parks Foundation, an Indonesia-based non-profit that works with donors and breeders to purchase, rehabilitate and release the birds.

Veterinarian I Gede Nyoman Bayu Wirayudha, who founded the organization and has worked in Bali mynah conservation for years, said its conservation efforts focus in part on grassroots community investment in the birds' welfare.

Traditionally, communities around conservation areas have thought there's no money to be made from them, he said. But Wirayudha believes the rare birds' presence will help draw tourists, which will provide additional tourism income to the region as it has in other parts of Bali province where mynahs have been released.

"You need to give something back to the community so they can feel that conservation gives them benefits," he said.

Community outreach seems to be working. At the organization's April release of mynahs, groups of students, police, military and neighboring villagers eagerly watched as the mynahs made their first flight into the wild.

Squires, the researcher, says the conservation model could be applied to other vulnerable or endangered birds in Indonesia such as the black-winged mynah. "For any of the lowland birds affected by the caged bird trade ... this is the sort of approach that’s going to be needed," he said.



Noor Riyadh 2024: World’s Largest Light Art Festival Returns with Over 60 Installations

The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.” - SPA
The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.” - SPA
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Noor Riyadh 2024: World’s Largest Light Art Festival Returns with Over 60 Installations

The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.” - SPA
The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.” - SPA

Noor Riyadh, the world’s largest light art festival, has returned under the Riyadh Art Project. Running from November 28 to December 14, 2024, the festival spans three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District.

The fourth edition, themed Light Years Apart, features over 60 light-based artworks created by 61 artists from 18 countries, transforming Riyadh into a “gallery without walls.”
This year’s festival includes contributions from 18 Saudi artists alongside 43 international creators. Participating artists include Architect Saad Al-Howede, Artist Asmaa Aljohani, Artist Anna Ridler, Artist Jiyen Lee, Artist Stefano Cagol, Artist Krista Kim, Artist Stanza, Artist Javier Riera, Studio Atelier Sisu, and Artist Ryoji Ikeda, SPA reported.
Director of Riyadh Art Project Architect Khalid Al-Hazani emphasized Noor Riyadh’s vision of transforming the city into an accessible and inspiring artistic space where creativity flourishes in public areas. Festival Director Nouf Almoneef highlighted Noor Riyadh as a beacon of creativity and connection, inviting visitors to explore this year’s theme through a vibrant collection of installations across Riyadh.
Curators Dr. Effat Abdullah Fadag and Dr. Alfredo Cramerotti present Light Years Apart as an exploration of the profound connection between Althara (the earth) and Althuraya (the stars), reflecting on humanity’s journey from its current realities to its greatest aspirations.
The festival’s installations are strategically placed across its three hubs, reflecting Riyadh’s historical and cultural significance. The King Abdulaziz Historical Center bridges the city’s past and future, Wadi Hanifah provides a natural backdrop, and JAX District serves as an interactive space blending digital creativity, art, and technology.
Prominent installations include Artist Chris Levine’s Higher Power (2024), a city-wide light projection from the Al Faisaliah Tower delivering a Morse code message of hope and unity visible across Riyadh. In Wadi Hanifah, Artist Daan Roosegaarde’s SPARK creates a mesmerizing display of biodegradable floating sparks, while Shifting Perspectives by Saudi Artist Maryam Tariq explores perceptual ambiguity through pixelated imagery at Digital City.
At the King Abdulaziz Historical Center, Studio United Visual Artists’ Aether features 1,500 drones performing a synchronized light show, while Artist Rashed AlShashai’s The Fifth Pyramid uses illuminated pathways to reimagine the ancient structure, symbolizing Riyadh’s transformation into a global art capital.
Noor Riyadh also offers dynamic community projects, including free workshops, guided tours, family activities, and interactive events. Adults can participate in photography and mixed media workshops, while children engage in creative activities like crafting kaleidoscopes and puppetry.
Since its inception in 2019, Riyadh Art has showcased over 500 artworks by more than 500 artists, welcoming over six million visitors. Noor Riyadh has achieved 14 Guinness World Records, solidifying its status as the most impactful light art festival globally. With its 2024 edition, Noor Riyadh continues to position Riyadh as a hub of culture, innovation, and artistic expression.