Mo'Nique, Netflix Reportedly Settle Her Suit Alleging Bias

This Aug. 13, 2020, photo shows a logo for Netflix on a remote control in Portland, Ore. (AP Photo/Jenny Kane)
This Aug. 13, 2020, photo shows a logo for Netflix on a remote control in Portland, Ore. (AP Photo/Jenny Kane)
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Mo'Nique, Netflix Reportedly Settle Her Suit Alleging Bias

This Aug. 13, 2020, photo shows a logo for Netflix on a remote control in Portland, Ore. (AP Photo/Jenny Kane)
This Aug. 13, 2020, photo shows a logo for Netflix on a remote control in Portland, Ore. (AP Photo/Jenny Kane)

Mo'Nique and Netflix reportedly have settled her lawsuit that accused the streaming service of racial and sexual discrimination for allegedly making her a lowball offer for a proposed comedy special.

The matter has been “amicably resolved,” Michael Parks, an attorney representing Mo'Nique in the suit, told The Hollywood Reporter, The Associated Press said.

The terms of the settlement between the streaming giant and the comedian and Oscar-winning actor weren’t disclosed Wednesday, when they jointly filed in a Los Angeles federal court for the case’s dismissal, The Associated Press said.
Netflix didn't respond to a request for comment, and the law firm representing the company in the suit declined comment.

Mo'Nique's lawsuit said Netflix officials warmly praised her work before they offered her $500,000 in early 2018 for a comedy special and refused to negotiate further. Her suit said that reflected a company tendency to underpay Black women.

In contrast, the suit claimed, Netflix was willing to negotiate with other comics and made deals reportedly worth tens of millions of dollars for comedy specials from Chris Rock, Ellen DeGeneres, Dave Chappelle and Ricky Gervais.

Netflix denied the main allegations of the suit, filed in November 2019, in a statement made at the time.

“We care deeply about inclusion, equity, and diversity and take any accusations of discrimination very seriously,” Netflix said then. “We believe our opening offer to Mo’Nique was fair - which is why we will be fighting this lawsuit.”

The suit alleged that Netflix violated California’s fair employment and civil rights laws and is representative of the major pay inequity in all employment for Black women.

“I had a choice to make,” Mo'Nique said in a post on her Instagram account after the filing. “I could accept what I felt was pay discrimination or I could stand up for those who came before me and those who will come after me. I chose to stand up.”

Mo'Nique, whose birth name is Monique Angela Hicks, first gained fame as one of stand-up’s Queens of Comedy and starred in the UPN series “The Parkers.” She won an Academy Award for best supporting actress for the 2009 film “Precious.”



‘Kraven the Hunter’ Flops while ‘Moana 2’ Tops Box Office Again

This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)
This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)
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‘Kraven the Hunter’ Flops while ‘Moana 2’ Tops Box Office Again

This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)
This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)

The Spider-Man spinoff “Kraven the Hunter” got off to a disastrous start in North American theaters this weekend.
The movie starring Aaron Taylor-Johnson earned only $11 million, according to studio estimates Sunday, making it one of the worst openings for a Marvel-adjacent property. Its box office take was even less than the film “Madame Web,” The Associated Press reported.
The weekend's other major studio release was Warner Bros.’ animated “The Lord of the Rings: The War of the Rohirrim,” which made $4.6 million. Made for about $30 million, the movie is set 183 years before the events of “The Lord of the Rings” films and was fast-tracked to ensure New Line did not lose the rights to Tolkien’s novels. Peter Jackson, Fran Walsh and Philippa Boyens have been working on future live-action films for the franchise.
Meanwhile, the top of the charts again belonged to “Moana 2" and “Wicked.”
“Moana” added $26.6 million to its domestic total in its third weekend and $57.2 million internationally, bringing its global tally to $717 million. It's now the fourth highest grossing film of the year, surpassing “Dune: Part Two."
“Wicked,” which is in its fourth weekend, brought in another $22.5 million to take second place. The Universal musical has made over $359 million domestically and over $500 million worldwide.
“Gladiator II” also made $7.8 million, bringing its domestic total to $145.9 million in four weeks.
“Kraven the Hunter” is the latest misfire from Sony in its attempt to mine the Spider-Man universe for spin-off franchises without the lucrative web slinger himself. “Kraven” joins “Madame Web” and “Morbius” in franchise additions that fell flat with both audiences and critics. The one exception on this rollercoaster journey has been the “Venom” trilogy, which has made over $1.8 billion worldwide.
The R-rated “Kraven the Hunter” was directed by J.C. Chandor and faced a number of delays, partly due to the Hollywood strikes. It was shot nearly three years ago and originally slated to hit theaters in January 2023. The film cost a reported $110 million to produce and was co-financed by TSG. Internationally, it made $15 million, but its potential for longevity appears limited: It currently carries a 15% “fresh” rating on Rotten Tomatoes and got a C grade on CinemaScore from opening weekend audiences.
“It’s not always a guarantee that you’ll be able to connect with audiences when you have a spinoff character," said Paul Dergarabedian, the senior media analyst for Comscore. “General audiences seem to want to know exactly what they’re getting.”
Several awards contenders opened in limited release over the weekend, including Paramount’s “September 5” about ABC's coverage of the Munich Olympics hostage crisis. Amazon MGM and Orion's “Nickel Boys,” based on Colson Whitehead’s Pulitzer-winner about an abusive reform school in Florida, opened in two theaters in New York. It averaged $30,422 per screen and will be expanding to Los Angeles before going nationwide in the coming weeks.
The box office has seen a dramatic recovery since June, when it was down nearly 28% from the previous year. The deficit now stands at 4.8%.
Final domestic figures will be released Monday.