Rich Heritage Buried under Impoverished Gaza Strip

Saint Hilarion monastery is one of the heritage sites in the Gaza Strip, a Palestinian territory home to rich, if under-developed, archaeological treasures MAHMUD HAMS AFP
Saint Hilarion monastery is one of the heritage sites in the Gaza Strip, a Palestinian territory home to rich, if under-developed, archaeological treasures MAHMUD HAMS AFP
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Rich Heritage Buried under Impoverished Gaza Strip

Saint Hilarion monastery is one of the heritage sites in the Gaza Strip, a Palestinian territory home to rich, if under-developed, archaeological treasures MAHMUD HAMS AFP
Saint Hilarion monastery is one of the heritage sites in the Gaza Strip, a Palestinian territory home to rich, if under-developed, archaeological treasures MAHMUD HAMS AFP

While workers labored on a large construction site in the Gaza Strip, a security guard noticed a strange piece of stone sticking out of the earth.

"I thought it was a tunnel," said Ahmad, the young guard, referring to secret passages dug by the group Hamas to help it battle Israel.

In the Gaza Strip, ruled by Hamas and repeatedly ravaged by war, people are more familiar with burying the dead than digging up their heritage, AFP said.

But what Ahmad found in January was part of a Roman necropolis dating from about 2,000 years ago -- representative of the impoverished Palestinian territory's rich, if under-developed, archaeological treasures.

After the last war between Israel and Hamas in May 2021 left a trail of damage in Gaza, Egypt began a reconstruction initiative worth $500 million.

As part of that project in Jabaliya, in the north of the coastal enclave, bulldozers were digging up the sandy soil in order to build new concrete buildings when Ahmad made his discovery.

"I notified the Egyptian foremen, who immediately contacted local authorities and asked the workers to stop," said Ahmad, a Palestinian who preferred not to give his full name.

With rumors on social media of a big discovery, Gaza's antiquities service called in the French non-governmental group Premiere Urgence Internationale and the French Biblical and Archaeological School of Jerusalem to evaluate the site's importance and mark off the area.

"The first excavations permitted the identification of about 40 tombs dating from the ancient Roman period between the first and second centuries AD," said French archaeologist Rene Elter, who led the team dispatched to Jabaliya.

"The necropolis is larger than these 40 tombs and should have between 80 and 100," he said.

One of the burial sites found so far is decorated with multi-colored paintings representing crowns and garlands of bay leaves, as well as jars for funereal drinks, the archaeologist added.

- 'Treasures' of Gaza -
Archaeology is a highly political subject in Israel and the Palestinian territories, and discoveries are used to justify the territorial claims of each people.

While the Jewish state has a number of archaeologists reporting on an impressive number of ancient treasures, the sector is largely neglected in Gaza.

Authorities periodically announce discoveries in the territory, but tourism at archaeological sites is limited.

Israel and Egypt, which shares a border with Gaza, tightly restrict the flow of people in and out of the enclave administered by Hamas since 2007.

"However, there is no difference between what you can find in Gaza and on the other side of the barrier" in Israel, Elter said. "It's the same great history."

"In Gaza, a lot of sites have disappeared because of conflict and construction, but the territory is an immense archaeological site which needs many teams of experts," he added.

Stakes and fences have been erected around the Roman necropolis, which is watched over constantly by guards as new buildings go up nearby.

"We are trying to fight antiquities trafficking," said Jamal Abu Rida, director of the local archaeological service tasked with protecting the necropolis and which hopes to find investors for further excavation.

Since Hamas took control 15 years ago, Gaza has endured four wars and numerous escalations of tension.

"The image of Gaza is often associated with violence, but its history is bursting with archaeological treasures that need to be protected for future generations," said Jihad Abu Hassan, director of the local Premiere Urgence mission.

Demographics add to the pressure.

Gaza is a tiny, overcrowded strip of land whose population in 15 years has ballooned from 1.4 million to 2.3 million. As a result, building construction has accelerated.

"Some people avoid telling authorities if there is an archaeological discovery on a construction site out of fear of not being compensated" for the resulting work stoppage, Abu Hassan said.

"We lose archaeological sites every day," which shows the need for a strategy to defend the enclave's heritage, including training local archaeologists, he said.

Over the last few years, his organization has helped to educate 84 archaeological technicians. Doing so also offers employment prospects, in an impoverished territory where youth joblessness exceeds 60 percent.

- Still hunting stones -
One rare success is the preservation of the Byzantine monastery of Saint Hilarion.

It opened several years ago to the public and includes an atrium, baths and multiple churches, standing as testament to an era when Gaza was a crossroads for Mediterranean pilgrims.

"We receive around 14,000 visitors a year, including school students," said Fadel al-Otol, 41, a Palestinian archaeologist whose early passion for ancient ruins was formalized with training in France.

As a child during the first Palestinian intifida, or uprising, Otol said he hunted stones to hurl at Israeli soldiers.

"Today I look for stones to prove to the military that we have a great history," he said.

Wandering around the Saint Hilarion site, Otol pondered his dream: "That we excavate all the archaeological sites of Gaza and that they be accessible to the public to show our history and culture to the entire world."

If nothing is done, he said, "the sites would disappear forever."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”