‘Meeting Audience for First Time Is Best Feeling Ever,’ Guy Manoukian Tells Asharq Al-Awsat

Guy Manoukian performs on stage. (Getty Images file)
Guy Manoukian performs on stage. (Getty Images file)
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‘Meeting Audience for First Time Is Best Feeling Ever,’ Guy Manoukian Tells Asharq Al-Awsat

Guy Manoukian performs on stage. (Getty Images file)
Guy Manoukian performs on stage. (Getty Images file)

If you haven’t attended a Guy Manoukian concert yet, then you definitely lost the chance of having an artistic dose of happiness and enthusiasm.

On stage, Manoukian turns into a mass of musical notes as he plays the piano. His presence doesn’t resemble that of other musicians, and his concerts are not just about entertainment. He sings and triggers excitement and energy in his audience through a three-dimensional artistic language that few can master.

Manoukian recently performed at the French Olympia Theater, and he's set to play a concert at Lebanon’s Beiteddine Festival on July 16. His fans in Detroit, Montreal, Houston, London, and many other places, are also waiting his concerts.

His Beiteddine concert, whose tickets sold out a few days after the official announcement, brings Manoukian back to his artistic origins. He has already performed twice on that stage to great acclaim.

Today, the festivals are returning with the Lebanese-Armenian musician, to reclaim their charm and significant position on the map of Lebanese festivals.

“It’s my third concert in Beiteddine. This stage is like a home that I miss and want to visit every now and then. When I perform in Lebanon close to my people and my audience, it feels different, especially after a long time away,” he told Asharq Al-Awsat.

Manoukian has prepared a diverse musical program that features both Lebanese and Arabic music. “The concerts will include a blend of the music and a lot of positive energy. Those who have already attended my concerts know what I am talking about.”

“I love to give my audience some hope and optimism inspired by the Lebanon of tomorrow we dream of, and the Beiteddine festivals are the best place to deliver this message.”

He recently performed an unforgettable concert at France’s Olympia. “Every artist dreams of standing on this international stage, especially Lebanese artists, as we have a special bond with France.”

“I must say that I felt a little nervous at first because of the significance of the place, but it was the best concert I performed, and it turned into a celebration. The interaction of the audience was remarkable, and I will never forget it because it has given me much strength,” he recalled.

How does the musician cope with a new audience every time?

“Meeting an audience for the first time is the best feeling ever. When I visit a new city and meet a new audience, I feel so excited. That’s what I remember from concerts I performed in Sydney, Montreal, Los Angeles, and many more,” said Manoukian.

“Usually, the audience includes Lebanese, Arabic, and Armenian fans, so I feel like they are welcoming me on their own way. These ‘first times’ give me an amazing energy that I translate in my performance,” he explained.

Manoukian owes a lot to his father, who played a major role in encouraging him to build a career in music and fulfil his dream. But is he still pursuing his dreams?

“Despite all my achievements and awards, yes, I’m still pursuing my dream, which for me, is enjoying an artistic journey, not a goal or a position.”

“Therefore, I urge all young men and women not to give up on their dreams. They should keep trying despite hardships. Life is short and worth trying,” he remarked.

Manoukian has gained international fame, and many prizes, but the most valuable for him is the Best Armenian Dance Album Award that he won in Los Angeles.

The musician had to take a forced break from music because of the coronavirus pandemic. Did it affect his work?

“It helped me fix the rhythm of my life. Before, I was living a loud and hectic and I felt my children were growing up away from me. During the pandemic, I seized the opportunity to enjoy a warm family life,” said Manoukian.

“I also managed to finish music pieces that I couldn’t complete because of my busy schedule”, he explained.

“In my opinion, it was a positive break that allowed me to see things differently. It helped me focus on my priorities, mostly my family,” he added.

Manoukian has stood on many Arabic and global stages, but what about Saudi Arabia? Is he planning a concert there? “Saudi Arabia is always on my mind and in my future plans,” he revealed.

“I believe it’s the future of the Middle East, and the prospering tomorrow of art and openness we are all aspiring to. I am really excited to meet the Saudi people on the right occasion,” he added.



‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
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‘Jurassic World Rebirth’ Bites Off $318 Million at the Global Box Office

This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)
This image released by Universal Pictures and Amblin Entertainment shows Scarlett Johansson in a scene from " Jurassic World: Rebirth." (Jasin Boland/Universal Pictures and Amblin Entertainment via AP)

Dinosaur fatigue may be a theme in “Jurassic World Rebirth,” but moviegoing audiences don’t seem to have that reservation. The newest installment in the “Jurassic World” franchise ruled the Fourth of July holiday box office with a global, five-day launch of $318.3 million, according to studio estimates Sunday.

The Universal Pictures release, directed by Gareth Edwards, opened on Wednesday and earned $147.3 million in its first five days in 4,308 North American theaters. An estimated $91.5 million of that comes from the traditional “three day” weekend, which includes the Friday holiday, Saturday and projected Sunday ticket sales.

Internationally, it opened in 82 markets including China, adding $171 million to the opening total. According to the studio, $41.5 million of that came from China alone, where it played on 65,000 screens, 760 of which were IMAX. It's the country's biggest MPA (Motion Picture Association) opening of the year.

“Rebirth,” starring Scarlett Johansson, Mahershala Ali and Jonathan Bailey, is the fourth movie in the “Jurassic World” series and the seventh since Steven Spielberg’s original Michael Crichton adaptation stormed theaters in the summer of 1993. The new film received mixed reviews from critics, carrying a 51% on Rotten Tomatoes, and B CinemaScore from opening weekend audiences, The Associated Press reported.

Factors like the holiday weekend, inflation and post-COVID moviegoing realities make it difficult to fairly compare the “Rebirth” launch to the other films in the “Jurassic World” franchise, the first of which opened to $208 million domestically in 2015. The other two, “Fallen Kingdom” and “Dominion” opened to $148 million and $145 million respectively.

“Jurassic World Rebirth” introduced a new main cast to the series and brought back a familiar voice in “Jurassic Park” screenwriter David Koepp to guide the story about a dangerous hunt for dinosaur DNA (not for making dinosaurs this time, but for curing heart disease). It cost a reported $180 million net to produce, not including marketing and promotion costs.

The campaign was far reaching, including a global press tour, with stops everywhere from London to Seoul, integrated marketing across NBC Universal platforms and brand tie-ins with everything from Jeep and 7-11 to Johansson’s skincare line.

No major new films dared go up against the dinosaurs, who left last week’s champion, the Brad Pitt racing movie “F1,” in the dust. “F1” fell a modest 54% in its second weekend with $26.1 million, helping bring its domestic total to $109.5 million. It continues to play on IMAX screens with accounted for $7.6 million of the North American weekend ticket sales. Globally, it's nearing $300 million with a running total of $293.6 million.

Third place went to Universal's live-action “How to Train Your Dragon,” which earned $11 million in its fourth weekend, bringing its domestic total to $224 million. Disney and Pixar's “Elio” landed in fourth place with $5.7 million. Globally, “Elio” has just crossed $96 million in three weekends.