Review: ‘Thor: Love and Thunder’ Is Pure Bonkers Filmmaking

This image released by Marvel Studios shows Chris Hemsworth in a scene from "Thor: Love and Thunder." (Marvel Studios-Disney via AP)
This image released by Marvel Studios shows Chris Hemsworth in a scene from "Thor: Love and Thunder." (Marvel Studios-Disney via AP)
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Review: ‘Thor: Love and Thunder’ Is Pure Bonkers Filmmaking

This image released by Marvel Studios shows Chris Hemsworth in a scene from "Thor: Love and Thunder." (Marvel Studios-Disney via AP)
This image released by Marvel Studios shows Chris Hemsworth in a scene from "Thor: Love and Thunder." (Marvel Studios-Disney via AP)

The last full Thor movie was the overstuffed 2017 “Thor: Ragnarok,” with the God of Thunder dealing with dueling brother and sister issues, the imminent destruction of his planet, a boozy sidekick, a huge dog, pal Hulk having a panic attack and the death of his father.

It was Taika Waititi filmmaking at its most intense, with slo-mo sauntering, stupid antlered headdresses, slicing swords and laser cannons, capes and undead soldiers, a hair-cropped Thor, a typically unbalanced Jeff Goldblum character, a prophecy, alien spacecrafts and lots of Led Zeppelin.

If you thought that was bananas filmmaking, its sequel is the whole fruit basket.

“Thor: Love and Thunder” — a rare Marvel fourth installment for one character — has giant bleating goats, a horrible Zeus, children in cages, space dolphins, Jodie Foster jokes, teddy bears with laser eyes, an Old Spice commercial parody, Natalie Portman headbutting a villain, blue aliens and lots of Guns N’ Roses.

Waititi is back as the co-writer, director and the voice for the stony Korg, with Chris Hemsworth as our space Viking, a man who really needs to get more credit for taking Thor over the years from glum to hysterical. His ability to pronounce superhero things dramatically and then become a goofball is endlessly endearing. Also back are Tessa Thompson as Valkyrie and Jaimie Alexander’s Sif.

One problematic character back is Jane Foster, Thor’s ex whom he still pines for eight years after they broke up and she skipped the third film. But now Foster — played by Portman — has his old magical hammer, Mjolnir, and has become a superhero of her own, the Mighty Thor. She’s working on a catchphrase, like “Eat this hammer!”

Thor, of course, has moved on — not with his romantic feelings, but with his favored weaponry. He wields the enchanted axe Stormbreaker now. He has no eyes for Mjolnir — or does he? “We good? I know it’s a little weird having my ex-weapon around,” he asks his axe in a deliciously loony scene, basically reflecting a love triangle between a Norse god and two metal armaments.

Our villain this time is superb: Christian Bale plays the deliciously named Gorr the God Butcher. A once-pious man who prayed in vain to the deities, he has now decided to wipe them out after having a personal setback. Bale is so creepy and so committed that you can feel his hatred melt your popcorn. “The gods will use you but they will not help you,” he snarls.

Another punch of the bizarre comes from Russell Crowe, who plays Zeus as a vainglorious tyrant with a Roman outfit (a riff off “Gladiator”?) and an atrocious Mediterranean accent. He is surrounded by lackeys — some called Zeusettes — and frustrates Thor, even stripping him of his clothes, to the delight of many in the audience. “You know what they say: Never meet your heroes,” says the Viking.

The whipsaw from death and suffering to idiocy is staggering, with Jennifer Kaytin Robinson credited alongside Waititi for a script that seems like it was pasted together after gerbils ripped up a bag of words. You go from a hospital room on Earth dealing with a terminal illness to Thor dressed as a hot dog to a shadow realm in low gravity where the film goes completely black and white. There is very little logic and the connections between scenes are tenuous, giving the film a feeling of not building to anything clear.

Peak lunacy is reached at the Omnipotence City, where the universe’s gods hang out. There is the Aztec God, various Maori Goddesses, the Mayan God and a round dough called Bao, God of Dumplings. It’s a gag that seems out of a Mel Brooks film but the way the Marvel Cinematic Universe is going, don’t be surprised to see the 47th installment called “Bao: Steam and Sauce.”

The film is stacked with cameos — many of which critics aren’t permitted to reveal — but look for Hemsworth’s real-life wife and one of his sons, a bunch of fed-up Guardians of the Galaxy and a pretty famous comedienne playing Cate Blanchett’s role from “Ragnarok.”

What to make of this glorious, intergalactic mess? There is no better answer than to swipe one of our hero’s catchphrases: “What a classic Thor adventure, Hurrah!”



Singer Julio Iglesias Accused of ‘Human Trafficking’ by Former Staff

Spanish singer Julio Iglesias sings during the Telethon television program in Paris on December 6, 2003. (AFP)
Spanish singer Julio Iglesias sings during the Telethon television program in Paris on December 6, 2003. (AFP)
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Singer Julio Iglesias Accused of ‘Human Trafficking’ by Former Staff

Spanish singer Julio Iglesias sings during the Telethon television program in Paris on December 6, 2003. (AFP)
Spanish singer Julio Iglesias sings during the Telethon television program in Paris on December 6, 2003. (AFP)

A criminal complaint filed by two former employees of veteran Spanish singer Julio Iglesias accuses him of "human trafficking" and "forced labor", according to advocacy groups supporting the women.

The women allege they suffered sexual and other forms of abuse while working at Iglesias's properties in the Dominican Republic and the Bahamas in 2021, Women's Link Worldwide and Amnesty International said late Tuesday.

The organizations said a complaint filed with Spanish prosecutors on January 5 outlined alleged acts that could be considered "a crime of human trafficking for the purpose of forced labor" and "crimes against sexual freedom".

Iglesias subjected them to "sexual harassment, regularly checked their mobile phones, restricted their ability to leave the home where they worked, and required them to work up to 16 hours a day without days off," according to testimony collected by the two groups.

One of the women, a Dominican identified as Rebeca, who was 22 at the time of the alleged incidents, said she spoke out to seek justice and set an example for other employees of the singer.

"I want to tell them to be strong, to raise their voices, to remember he is not invincible," she said, according to a statement by Women's Link.

The allegations were first detailed in an investigation published Tuesday by US television network Univision and Spanish newspaper elDiario.es.

Spain's Equality Minister, Ana Redondo, has called for "a full investigation" into the allegations.

Iglesias, 82, is one of the most successful Latin artists of all time. Best known for his romantic ballads, he enjoyed huge success during the 1970s and 1980s and has recorded with US artists including Diana Ross, Stevie Wonder and Willie Nelson.

Iglesias has not publicly responded to the allegations.


K-Pop Heartthrobs BTS to Kick Off World Tour in April

Pedestrians walk along the stairs displayed with the BTS logo and release date of BTS' 2026 album at Gwanghwamun Square in Seoul on January 14, 2026. (AFP)
Pedestrians walk along the stairs displayed with the BTS logo and release date of BTS' 2026 album at Gwanghwamun Square in Seoul on January 14, 2026. (AFP)
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K-Pop Heartthrobs BTS to Kick Off World Tour in April

Pedestrians walk along the stairs displayed with the BTS logo and release date of BTS' 2026 album at Gwanghwamun Square in Seoul on January 14, 2026. (AFP)
Pedestrians walk along the stairs displayed with the BTS logo and release date of BTS' 2026 album at Gwanghwamun Square in Seoul on January 14, 2026. (AFP)

K-pop megastars BTS will kick off their first world tour in four years in April, their label said on Wednesday, part of a hotly-anticipated comeback following a hiatus for the South Koreans whose music has become a global phenomenon.

BTS -- known for funky and fun hits like "Dynamite" and "Butter" -- hold the record as the most-streamed group on Spotify and are the first K-pop act to have topped both the Billboard 200 and the Billboard Artist 100 charts in the United States.

But the Bulletproof Boy Scouts -- as their name means in Korean -- haven't toured or released music since 2022 as they underwent the national military service required of all South Korean men under the age of 30.

Now that all seven members have completed their military service the band's label announced on New Year's Day they would release a new album in March before heading on tour the following month.

Spanning 34 cities with 79 performances, it will be the largest-ever single tour by a K-pop group in terms of total shows and the "widest regional reach for a South Korean artist," according to the band's agency, HYBE.

The world tour will kick off in South Korea's Goyang on April 9, with two additional concerts in the city before moving on to neighboring Japan.

They will then head to the United States and Europe, with the tour ending in March 2027 in Manila.

The band's label said that more cities will be announced, including additional stops in Japan and the Middle East.

Their new album -- as yet unnamed -- will be their first since the anthology "Proof", which became South Korea's bestselling record of 2022.

- 'Right kidney is waving' -

BTS's famously loyal fanbase -- known as ARMY -- reacted with elation at news of the world tour.

One fan wrote in response to the news on Facebook that to buy a ticket their "Right kidney is waving".

"Army hunger games are about to start," another wrote, drawing a comparison between fans trying to get tickets and a series of popular young adult novels in which contestants fight to the death.

BTS is big business in South Korea -- before their military service, they generated more than 5.5 trillion won ($3.7 billion) for the country per year, according to Seoul's Korea Culture and Tourism Institute.

The figure is equivalent to roughly 0.2 percent of South Korea's total GDP.

HYBE's shares traded higher at Wednesday's market open on news of their world tour, rising around three percent.

And investment bank IBK Securities on Wednesday projected the firm's operating profits this year would soar tenfold compared to 2025.


Nicolas Cage Film Stopped Amid Nazi Flag Concerns

Nicolas Cage is set to star in WWII espionage thriller Operation Fortitude (Getty Images) 
Nicolas Cage is set to star in WWII espionage thriller Operation Fortitude (Getty Images) 
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Nicolas Cage Film Stopped Amid Nazi Flag Concerns

Nicolas Cage is set to star in WWII espionage thriller Operation Fortitude (Getty Images) 
Nicolas Cage is set to star in WWII espionage thriller Operation Fortitude (Getty Images) 

The East London council shut down the production of an upcoming war film starring Nicolas Cage due to concerns over Nazi iconography, according to British METRO website.

The American Oscar-winning actor, 62, is due to star in Fortitude, a historical spy action-adventure film directed by Simon West.

Set during the Second World War, the film tells the true story of Operation Fortitude, which was undertaken by the Allied Forces in 1944 to deceive Nazi Germany leaders and mislead Nazi Intelligence.

British Intelligence operatives utilized unprecedented strategic operations such as double agents, fake armies, and military equipment to mislead the Nazis about the nature and timing of D-Day, the storming of Normandy.

Filming began in London on September 8, 2025, with other cast members including Matthew Goode, Ed Skrein, Alice Eve, Michael Sheen, and Ben Kingsley.

However, the crew encountered a hurdle when plans to shoot at Waltham Forest Town Hall fell through.

Set dressing would have included draping flags emblazoned with the swastika over the building.

While a filming permit was not formally granted and the council did not collect a fee for such, Waltham Forest Council initially signed off on the project under the conditions that residents would be consulted and “Nazi-era flags and symbols were not publicly visible.”

But production was “abruptly” brought forward to September, having originally been planned for October, meaning there was not enough time for consultation with locals.