After War, Syrians in Jordan Find Joy and Jobs in Dance

Moutaz Boulad (L), leader of the "Bab al-Hara" traditional Syrian "Arada" dance troupe, assists members as they gear up to perform Khalil MAZRAAWI AFP
Moutaz Boulad (L), leader of the "Bab al-Hara" traditional Syrian "Arada" dance troupe, assists members as they gear up to perform Khalil MAZRAAWI AFP
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After War, Syrians in Jordan Find Joy and Jobs in Dance

Moutaz Boulad (L), leader of the "Bab al-Hara" traditional Syrian "Arada" dance troupe, assists members as they gear up to perform Khalil MAZRAAWI AFP
Moutaz Boulad (L), leader of the "Bab al-Hara" traditional Syrian "Arada" dance troupe, assists members as they gear up to perform Khalil MAZRAAWI AFP

Singing joyfully to beating drums, Syrian refugees who fled brutal civil war perform traditional "Arada" dances in neighboring Jordan, honoring their home culture and earning extra income.

Their performances, featuring traditional robes and whirling swords, have become increasingly popular in Jordan for marking festivities like weddings and parties.

"They add an atmosphere of joy to our celebration," said Fahed Shehadeh, who hired the Bab al-Hara dance troupe in the capital Amman to mark the graduation of his two sons from university.

"I am Jordanian but of Syrian origin, and I brought the group because I admire their dancing skills, music, clothes and their songs," said 55-year-old Shehadeh, celebrating with family, friends and neighbors.

Traditionally seen at weddings, the popularity of Arada -- rooted in the Arabic for a "performance" -- has had its songs modified to fit various celebrations.

A troupe typically consists of 10 to 20 dancers, wearing loose-fitting black trousers, white cotton shirts, embroidered vests, white skullcaps and a shawl wrapped around the waist.

Swords and decorative shields are worn, and the dance culminates in members spinning their blades in the air, before engaging in ceremonial fighting.

The troupe leader, Moutaz Boulad, 60, said Arada had grown in popularity in Amman, with daily events in the summer months and several engagements each week in winter.

Boulad, who left Syria in 1988, says the shows have become an important means to earn cash for some of those who fled the war that erupted in 2011.

"Some of the dancers were not good when they first came to us, but they learned from my sons and I in order to improve their financial situation," he said.

Syria's war is estimated to have killed nearly half a million people and displaced millions; more than 6.6 million fled to neighboring Jordan, Turkey and Lebanon.

Jordan hosts almost 650,000 Syrians registered with the United Nations, but Amman estimates close to 1.3 million Syrians have arrived since 2011.

The UN has said that close to 80 percent of Syrians in Jordan live below the national poverty line, surviving on three dollars per day or less.

Boulad said his dancers came from various professional backgrounds.

"Most dancers have different jobs beside the Arada," Boulad said. "Some are university students, accountants, restaurant workers, tailors and electricians -- but this is something that gives an amount of money to help cope with life."

For dancers like Ahmed Abu Shadi, 43, who fled Syria in 2013 and works as a plumber, performing the Arada helps him raise his three children.

"With plumbing there are days when I work, and days with no customers," he said. "For Arada, they pay me 15 dinars ($20) every time I go out to dance. Although it is a small amount, it helps in my life."

Another member, who worked in a medical laboratory and asked for his name to be withheld, fled the Syrian city of Homs in 2018.

The dancing helps add some $300 each month to his regular $700 salary from the laboratory to support his family, while they wait for applications through the UN refugee agency to be processed.

"I have applied for asylum through the UNHCR and hope we can start a new life abroad," he said.

Despite displacement and financial challenges, dancing the Arada remains a key part of Ahmed Abu Shadi's life.

"This dance is a very important part of our Syrian identity, heritage, culture and our daily life -- we must preserve and teach it to our children and grandchildren," he said.

"This art is in my blood, I love it, I can't imagine myself, my life without this."

He dreams of one day dancing again on his home soil.

"I will continue to dance wherever I go," he said.

"But of course, I prefer that the situation improves one day so that we can all return to our country, Syria."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”