‘Thor’ Stays No. 1, While ‘Crawdads’ Opens Strong

This image released by Marvel Studios shows Natalie Portman, left, and Chris Hemsworth in a scene from "Thor: Love and Thunder." (Marvel Studios-Disney via AP)
This image released by Marvel Studios shows Natalie Portman, left, and Chris Hemsworth in a scene from "Thor: Love and Thunder." (Marvel Studios-Disney via AP)
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‘Thor’ Stays No. 1, While ‘Crawdads’ Opens Strong

This image released by Marvel Studios shows Natalie Portman, left, and Chris Hemsworth in a scene from "Thor: Love and Thunder." (Marvel Studios-Disney via AP)
This image released by Marvel Studios shows Natalie Portman, left, and Chris Hemsworth in a scene from "Thor: Love and Thunder." (Marvel Studios-Disney via AP)

The Marvel sequel “Thor: Love & Thunder” dropped a hefty 68% in its second weekend of release but still held the top spot at the box office, according to studio estimates Sunday, while the bestseller adaptation “Where the Crawdads Sing” debuted with a better-than-expected $17 million.

Taika Waititi’s “Love and Thunder” led all films with an estimated $46 million, bringing its two-week global total to $498 million. The sizable decline is more than most Marvel films but in line with recent releases from the Walt Disney Co. superhero studio, including “Spider-Man: No Way Home” (68%), “Black Widow” (68%) and “Doctor Strange in the Multiverse of Madness” (67%).

“Love and Thunder” also faced a trio of newcomers, though none came close to toppling Chris Hemsworth’s god of thunder. Best among them was Sony Pictures’ “Where the Crawdads Sing,” Olivia Newman’s adaptation of Delia Owens’ 2018 North Carolina-set novel. It opened well despite weak reviews (36% fresh on Rotten Tomatoes).

The Reese Witherspoon-produced mystery stars Daisy Edgar-Jones as a woman who raised herself in the coastal Carolina marshlands and focuses on a murder investigation of a local celebrity. Moviegoers liked it better than critics, giving it an A- CinemaScore.

It was a particularly good result for a page-to-screen drama, and another sign that adult audiences — who have also helped fuel the success of “Top Gun: Maverick” (still in fourth place with $12 million in its eighth weekend) and “Elvis” (up to $106.2 million after four weeks) — are nearly all the way back to pre-pandemic levels after going largely absent for much of the last two-plus years.

Appealing to a similar demographic, Focus Features’ “Mrs. Harris Goes to Paris,” starring Lesley Manville as a London cleaner who pines for a Dior dress, also opened strongly, with $1.9 million in 980 theaters. Said Focus distribution chief Lisa Bunnell: “Older movie-goers are returning to enjoy the in-theater experience.”

Meanwhile, the Illumination animated sequel “Minions: The Rise of Gru” held the second spot with $26 million in its third weekend of release. The Universal Pictures release has thus far grossed $262.6 million domestically and $532.7 million worldwide, setting box-office records along the way.

The Minions made it difficult for a new family entry: “Paws of Fury: The Legend of Hank.” The Paramount Pictures animated release, loosely adapted from Mel Brooks’ “Blazing Saddles,” launched with a modest $6.3 million.



‘Avatar: The Last Airbender’ Expands with New Prequel Series ‘Avatar Kuruk: Wave of Chaos’

Michael Dante DiMartino and Bryan Konietzko. (Getty Images)
Michael Dante DiMartino and Bryan Konietzko. (Getty Images)
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‘Avatar: The Last Airbender’ Expands with New Prequel Series ‘Avatar Kuruk: Wave of Chaos’

Michael Dante DiMartino and Bryan Konietzko. (Getty Images)
Michael Dante DiMartino and Bryan Konietzko. (Getty Images)

The world of successful TV franchise "Avatar: The Last Airbender" is expanding once again, with a new prequel series that will follow the story of a rebellious teenager Avatar — a being who controls the elements.

Franchise co-creators Michael Dante DiMartino and Bryan Konietzko announced the animated TV series, titled "Avatar Kuruk: Wave of Chaos," on ‌Friday at ‌New York Comic Con, ‌with attendees ⁠getting a first ⁠look at Kuruk and his pet, Nikik.

Kuruk aims to stay "one step ahead of his angry teacher, rowdy pirates, and chaotic spirits, all while helping the world in his own unique ways," ⁠said a statement from Skydance.

The ‌series is set ‌to stream on Paramount+. No release date has ‌been announced.

The Asian-inspired "Avatar: The Last Airbender" ‌franchise follows a world divided into four elemental nations, where the Avatar alone can control water, fire, earth and air to maintain balance.

The ‌original TV series has spawned two sequels, "The Legend of Korra," and "Avatar: ⁠Seven ⁠Havens."

"Seven Havens" has been renewed for two additional seasons, the statement from Skydance said.

DiMartino and Konietzko were involved in developing a live-action adaptation of the original "Avatar" series for Netflix before parting ways with the streamer in 2020, citing "creative differences."

In 2021, they teamed with Nickelodeon to launch Avatar Studios, focused on expanding the universe of the original series through new films and television projects.


US Actor Keegan Allen Says He Was Victim of Armed Robbery

Keegan Allen attends the Los Angeles premiere of Netflix’s “The Umbrella Academy” held at ArcLight Hollywood on February 12, 2019 in Hollywood. (Getty Images)
Keegan Allen attends the Los Angeles premiere of Netflix’s “The Umbrella Academy” held at ArcLight Hollywood on February 12, 2019 in Hollywood. (Getty Images)
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US Actor Keegan Allen Says He Was Victim of Armed Robbery

Keegan Allen attends the Los Angeles premiere of Netflix’s “The Umbrella Academy” held at ArcLight Hollywood on February 12, 2019 in Hollywood. (Getty Images)
Keegan Allen attends the Los Angeles premiere of Netflix’s “The Umbrella Academy” held at ArcLight Hollywood on February 12, 2019 in Hollywood. (Getty Images)

American actor Keegan Allen said he was violently robbed outside a Los Angeles grocery store, an attack he recounted in a graphic video on social media posted overnight Thursday.

"Robbed at gunpoint and knifepoint by two young men that threatened to KILL me over my watch and would have! God said no tonight. My life for a watch," posted the actor who appeared in the hit television series "Pretty Little Liars."

His post included a video of himself, visibly shaken, describing the episode, blood streaming down his face.

The Los Angeles County Sheriff's Department said in a statement that they responded to an alleged armed robbery, without naming Allen.

"According to the victim, one suspect pointed a silver handgun at him while the second suspect brandished a knife. The suspects demanded the victim's watch and bracelet," read the statement.

Officers said the victim was struck in the face with a handgun, leaving a laceration on his forehead, before fleeing in a vehicle with the watch.

Allen's video post included grainy video from an apparent security camera, footage that showed two people wearing black who appeared to threaten the 37-year-old actor, who removes his watch before one of the hooded people pistol whips him.


'Mad Dream': New Showcase for African Film Opens in London

Nigerian film director and media mogul Mo Abudu poses ahead of the opening the UK's first cinema dedicated exclusively to African and black films. Justin TALLIS / AFP
Nigerian film director and media mogul Mo Abudu poses ahead of the opening the UK's first cinema dedicated exclusively to African and black films. Justin TALLIS / AFP
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'Mad Dream': New Showcase for African Film Opens in London

Nigerian film director and media mogul Mo Abudu poses ahead of the opening the UK's first cinema dedicated exclusively to African and black films. Justin TALLIS / AFP
Nigerian film director and media mogul Mo Abudu poses ahead of the opening the UK's first cinema dedicated exclusively to African and black films. Justin TALLIS / AFP

Nigerian producer and media mogul Mo Abudu has realized a "mad dream" by opening a unique cultural center in London complete with a cinema dedicated to African film and black culture.

Close to the Houses of Parliament and its Big Ben clock, a massive concrete facade conceals the venue, which opens to the public this weekend - the first of its kind in Britain and Europe.

A small sign reads "EbonyLife Place London".

While the name may mean little to many passers-by, film lovers will recognize the reference to EbonyLife, a leading African production company and a major player in Nollywood, Nigeria's film industry.

Mosunmola "Mo" Abudu, 62, heads a media empire that stretches far beyond Nigeria's borders.

In 2025, Forbes ranked her among the world's 100 most influential women.

"It's time to tell our own stories," she told AFP. "I want to showcase the best of who we are, celebrate who we are. Let them see us at our very best."

Abudu, who was born in London, is pursuing that ambition in the British capital through the cultural center, which she describes as both "literally a blank canvas" and "a bit of a mad dream".

"We have to make the journey because the thing is that we have consumed so much of the world. How much of the world has consumed us?" she asked.

She recalled that growing up in England: "I could never go anywhere during my youth and watch a black movie."

So she decided to act.

"I'm not waiting anymore for anyone to take a six-hour trip from London to understand what it is to watch a Nigerian film or to see Nigerian fashion and so on and so forth. It's right here in London."

- 'Open to everyone' -

The two-storey venue includes a bar, a lounge called "Fehinti" -- a Yoruba word meaning to lean back and rest -- a restaurant and a boutique showcasing designers from Africa and its diaspora. Paintings by artists from across the continent line the walls.

Its centerpiece, however, is the new cinema, fitted with red seats, wood paneling and soft lighting. It has been named "Amani", meaning peace and harmony in Swahili.

The project, financed almost entirely by Abudu's media group, mirrors the upscale lifestyle complex she launched in Lagos in 2019.

Abudu, who is widely credited with helping usher in the era of Nollywood blockbusters, said African creatives should stop asking others to make room for them and instead "take responsibility for creating our own spaces".

Describing the center as a "safe space", she said it would be a place where "you can shop our fashion, you can view our art, you can listen to our music, and we can tell our stories".

Access will be through a membership scheme, details of which have yet to be announced. Such systems are common in Britain, particularly among cultural institutions.

There will be no ethnic or nationality restrictions. "Membership is open to everyone," she insisted.

The cinema's program is still being finalized. But here too, the objective is clear.

"We will have films from all parts of Africa. Everything should be on the table. We would show movies that celebrate black actors, black storytelling; that is why we are here," Abudu said.

Will audiences be able to see films by Senegalese director Ousmane Sembene or by Algerian filmmaker Mohammed Lakhdar-Hamina, the only African director ever to win the Cannes Palme d'Or? Her answer was an emphatic "yes".

The center will also showcase its own productions and films with black actors, including the next in the "Black Panther" series. Opening week will feature Nigerian filmmakers including Nwani Orire and Ifeyinwa Arinze.

And after London?

"I would love to do the same thing in Paris, perhaps through a partnership. I'm always open to collaborating with others," Abudu said.