Ex-prosecutor: US Judge Planned to Renege on Polanski Deal

Director Roman Polanski appears at an international film festival, where he promoted his film, "Based on a True Story," in Krakow, Poland, on May 2, 2018. (AP)
Director Roman Polanski appears at an international film festival, where he promoted his film, "Based on a True Story," in Krakow, Poland, on May 2, 2018. (AP)
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Ex-prosecutor: US Judge Planned to Renege on Polanski Deal

Director Roman Polanski appears at an international film festival, where he promoted his film, "Based on a True Story," in Krakow, Poland, on May 2, 2018. (AP)
Director Roman Polanski appears at an international film festival, where he promoted his film, "Based on a True Story," in Krakow, Poland, on May 2, 2018. (AP)

A Los Angeles judge privately told lawyers he would renege on a plea deal and imprison Roman Polanski for having sex with a teenage girl in 1977, a former prosecutor testified, setting the stage for the renowned director to flee the US as a fugitive.

A previously sealed transcript obtained late Sunday by The Associated Press late Sunday of testimony by retired Deputy District Attorney Roger Gunson supports Polanski’s claim that he fled on the eve of sentencing in 1978 because he didn’t think he was getting a fair deal.

Gunson said during closed-door testimony in 2010 that he wasn't surprised Polanski fled after the judge had broken several promises made to his defense lawyer.

"The judge had promised him on two occasions ... something that he reneged on," Gunson said. "So it wasn’t surprising to me that, when he was told he was going to be sent off to state prison ... that he could not or would not trust the judge."

Defense lawyer Harland Braun said Friday - in expectation of the transcript's release - that the development would renew his effort to have Polanski sentenced in absentia, which would end his status as a fugitive from justice.

Braun has unsuccessfully tried that before with prosecutors asserting and judges agreeing that Polanski needs to show up in Los Angeles Superior Court to resolve the matter.

Release of the transcript, which was ordered by a California appeals court Wednesday after Los Angeles District Attorney George Gascón dropped longstanding objections his predecessors made to its release, may support Polanski's claims that he was going to be railroaded by a corrupt judge.

The legal saga has played on both sides of the Atlantic as a recurring scene over four decades of a life marred by tragedy and also triumph.

As a child, Polanski escaped the Krakow Ghetto during the Holocaust. His wife, Sharon Tate, was among the seven people murdered in 1969 by followers of Charles Manson.

Polanski, 88, who was nominated for Oscars for 1974′s "Chinatown" and 1979′s "Tess," won the best director statuette for "The Pianist" in 2003. But he wasn't able to accept it because he faces arrest in the US.

France, Switzerland and Poland rejected bids to extradite him back to the United States and he continues to be feted in Europe, winning praise and working with major actors. The Academy of Motion Picture Arts and Sciences, however, expelled him from its membership in 2018 after the "MeToo" movement spurred a reckoning about sexual misconduct.

Polanski’s 13-year-old victim testified before a grand jury that during a photo shoot at Jack Nicholson’s house in March 1977 when the actor wasn’t home, Polanski gave her champagne and part of a sedative, then forced her to have sex. The girl said she didn’t fight him because she was afraid of him but her mother later called the police.

When the girl refused to testify in court, Polanski pleaded guilty to unlawful sex with a minor in exchange for prosecutors dropping drug, rape and sodomy charges.

Polanski has argued that there was judicial misconduct in his case. In 2010, a Los Angeles court took sealed testimony from Gunson about his recollections of promises made to the director by the judge in 1977.

Polanski’s lawyers, who were in the room during Gunson's testimony but couldn't use it in court, have long sought to unseal that transcript to help their case.

Judge Laurence Rittenband, now deceased, had been swayed by publicity in the case and changed his mind several times about the punishment Polanski should face, Braun said.

After a report by probation officials that Polanski should serve no time behind bars, Rittenband sent the director for a further 90-day evaluation in state prison.

After 42 days of evaluation in prison, Polanski was released with a recommendation he only serve probation, Braun said.

But the judge then privately told lawyers he had to be tougher because of criticism in the news media. He said he would send Polanski to prison for a longer term but would then get him released within 120 days, which was possible under sentencing rules.

"Roman says, ‘How can I trust the judge that’s lied twice?’ So he takes off to Europe," Braun said.

Gunson acknowledged during his testimony that the judge had discretion to sentence Polanski to any term because there had been no agreed-upon sentence. But he felt Rittenband had broken promises to Polanski.

The victim, Samantha Geimer, has long advocated that the case be dismissed or that Polanski be sentenced in absentia. She went so far as as to travel from her home in Hawaii to Los Angeles five years ago to urge a judge to end "a 40-year sentence which has been imposed on the victim of a crime as well as the perpetrator."

"I implore you to consider taking action to finally bring this matter to a close as an act of mercy to myself and my family," Geimer said.

The Associated Press does not typically name victims of sex abuse, but Geimer went public years ago and wrote a memoir titled "The Girl: A Life in the Shadow of Roman Polanski." The cover features a photo shot by Polanski.

Polanski agreed to pay Geimer over $600,000 to settle a lawsuit in 1993.

Geimer, who has pressed for investigation of judicial misconduct, asked that the transcript be unsealed and in a letter last month and urged the DA’s office to take a fresh look at the case.

Prosecutors have consistently objected to releasing the material but relented earlier this week to honor Geimer’s wishes and be transparent with the public.

"This case has been described by the courts as ‘one of the longest-running sagas in California criminal justice history,’" Gascón said in a statement. "For years, this office has fought the release of information that the victim and public have a right to know."

However, the DA did not indicate that Polanski would be able to avoid a court appearance. The press release said Polanski remains a fugitive and should surrender to the court for sentencing.



Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
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Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)

Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation.

But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84.

The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985.

Its popularity has been fueled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world.

In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator, raising questions over copyright.

The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region.

Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child.

"I started collecting all the DVDs," she told AFP.

Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26.

"I probably watch 'Spirited Away' about 10 times a year still."

- 'Whiff of death' -

Before Ghibli, most cartoons in Japan, known as anime, were made for children.

But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP.

"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films.

For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude," Goro said.

Even "My Neighbor Totoro," with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.

Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees.

"In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said.

The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example.

The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued," Napier said.

- Natural world -

Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world.

A case in point was 1997's "Princess Mononoke", distributed internationally by Disney.

The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie," Napier said.

It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess."

Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change," she added.

Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature.

"That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time."

- French connection -

Miyazaki and Takahata, who died in 2018, could create imaginative worlds because of their openness to other cultures, Yonemura said.

Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees".

Takahata studying French literature at university "was a big factor," Yonemura said.

"Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories."

Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology.

Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges," Yonemura said.

Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive," Napier said.

"The more I study, the more I realize this was a unique cultural moment," she said.

"It's so widely loved that I think it will carry on," said Ghibli fan Divall.

"As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said.