The Chainsmokers to Perform at the Edge of Space

The Chainsmokers arrive at the day one of Maxim Big Game Weekend on Feb. 11, 2022, in Los Angeles. (AP)
The Chainsmokers arrive at the day one of Maxim Big Game Weekend on Feb. 11, 2022, in Los Angeles. (AP)
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The Chainsmokers to Perform at the Edge of Space

The Chainsmokers arrive at the day one of Maxim Big Game Weekend on Feb. 11, 2022, in Los Angeles. (AP)
The Chainsmokers arrive at the day one of Maxim Big Game Weekend on Feb. 11, 2022, in Los Angeles. (AP)

One of The Chainsmokers’ latest hits is “High” and they’re hoping to live up to their lyrics.

The hit-making duo of Drew Taggart and Alex Pall have signed up to get into a pressurized capsule tethered to a stratospheric balloon in a few years and perform some 20 miles above the Earth.

The feat would make Taggart and Pall the first musical artists to perform at the edge of space, said Ryan Hartman, chief executive officer at fledgling space tourism company World View, to The Associated Press.

World View says The Chainsmokers will be on one of the company’s inaugural flights slated for 2024 and will record a performance from inside the capsule, giving viewers the ability to experience the music and the trip firsthand.

“We have always dreamed of going to space and are stoked to collaborate with World View to have this adventure and experience,” said The Chainsmokers in a statement. “We know the views of both Earth and space are going to be incredible and inspiring and we hope to leverage this flight for creativity on future projects.”

The Chainsmokers have had five Top 10 Billboard Hot 100 hits, including “Closer” “Paris,” “Don’t Let Me Down” and “Something Just Like This” with Coldplay in 2017.

Hartman said that while most of the people who have made space flights are scientists and engineers, World View hopes sending up artists might “inspire them to do something different than they would have otherwise done.”

“We think about inspiring new perspectives and how those new perspectives can lead to a radically improved future for our Earth,” said Hartman. “To be able to reach the audience of The Chainsmokers through Alex and Drew’s work contributes to our mission as well. It’s something that I’m personally inspired by and excited about.”

World View is part of a new wave of private space exploration firms offering seats to the public, a list that includes Blue Origin, Virgin Galactic and SpaceX. Each World View balloon capsule is planned to seat eight passengers and reach a peak altitude of 100,000 feet (30,480 meters). Each flight will last six to 12 hours.

Picking The Chainsmokers for the honor was, in part, a personal decision as well as an attempt to excite a younger audience. Hartman said he watched as his youngest son belted out lyrics from the duo’s songs and was inspired by the band’s popularity. He explained the flight to the pair over dinner.

“I have just seen firsthand and personally how their music reaches a lot of different groups, a lot of different age groups and just how passionate they are about their music and their art. It matches our passion for what we do,” he said.



Mel Gibson’s ‘Flight Risk’ is No. 1 at Box Office, ‘The Brutalist’ Expands

FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)
FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)
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Mel Gibson’s ‘Flight Risk’ is No. 1 at Box Office, ‘The Brutalist’ Expands

FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)
FILE - Mel Gibson, right, interacts with crowd members as he leaves a Hollywood Walk of Fame star ceremony for actor Vince Vaughn, on Aug. 12, 2024, in Los Angeles. (AP Photo/Chris Pizzello, File)

Critics lambasted it and audiences didn’t grade it much better. But despite the turbulence, Mel Gibson’s “Flight Risk” managed to open No. 1 at the box office with a modest $12 million, according to studio estimates Sunday.
On a quiet weekend, even for the typically frigid movie-going month of January, the top spot went to the Lionsgate thriller starring Mark Wahlberg as a pilot flying an Air Marshal (Michelle Dockery) and fugitive (Topher Grace) across Alaska. But it wasn’t a particularly triumphant result for Gibson’s directorial follow-up to 2016’s “Hacksaw Ridge.” Reviews (21% fresh on Rotten Tomatoes) and audience scores (a “C” CinemaScore) were terrible.
President Donald Trump recently named Gibson a “special ambassador” to Hollywood, along with Jon Voight and Sylvester Stallone.
Going into the weekend, Hollywood’s attention was more focused on the Sundance Film Festival and on Thursday’s Oscar nominations, which were twice postponed by the wildfires in the Los Angeles region, The Associated Press reported.
The weekend was also a small test as to whether the once more common Oscar “bump” that can sometimes follow nominations still exists. Most contenders have by now completed the bulk of their theatrical runs and are more likely to see an uptick on VOD or streaming.
But the weekend’s most daring gambit was A24 pushing Brady Corbet’s “The Brutalist” a three–and-a-half-hour epic nominated for 10 Academy Awards, into wide release. Though some executives initially greeted “The Brutalist,” which is running with an intermission, as “un-distributable,” Corbet has said, A24 acquired the film out of the Venice Film Festival and it’s managed solid business, collecting $6 million in limited release.
In wide release, it earned $2.9 million — a far from blockbuster sum but the best weekend yet for “The Brutalist.”
The audience was downright miniscule for another best-picture nominee: RaMell Ross’ “Nickel Boys.” Innovatively shot almost entirely in first-person POV, the Amazon MGM Studios release gathered just $340,171 in 540 locations after expanding by 300 theaters.
Coming off one of the lowest Martin Luther King Jr. weekends in years, no new releases made a major impact.
Steven Soderbergh’s “Presence,” a well-reviewed horror film shot from the perspective of a ghost inside a suburban home, debuted with $3.4 million in 1,750 locations. The film, released by Neon and acquired out of last year’s Sundance, was made for just $2 million.
The top spots otherwise went to holdovers. The Walt Disney Co.’s “Mufasa: The Lion King,” in its sixth weekend of release, scored $8.7 million to hold second place. After starting slow, the Barry Jenkins-directed film has amassed $626.7 million globally.
“One of Them Days,” the Keke Palmer and SZA led comedy from Sony Pictures, held well in its second weekend, dropping just 32% with $8 million in ticket sales. In recent years, few comedies have found success on the big screen, but “One of Them Days” has proven an exception.