New Book Explores Egyptian-Ottoman Campaign on Hejaz, Nejd

New Book Explores Egyptian-Ottoman Campaign on Hejaz, Nejd
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New Book Explores Egyptian-Ottoman Campaign on Hejaz, Nejd

New Book Explores Egyptian-Ottoman Campaign on Hejaz, Nejd

In his new book, Researcher Dr. Ismail al-Salamat, explores the campaign of Turkish commander Ahmed Tusun Pasha known as ‘Tusun Pasha’ (second son of Muhammad Ali of Egypt) in the Arabian Peninsula, mainly Hejaz and Nejd in 1811 AD.

Few researches studied this campaign despite its significance in the political and military history of the first Saudi state that emerged in the heart of the Arabian Peninsula and resisted all the invasive campaigns.

Dr. Salamat’s book “Tusun Pasha’s Campaign against Saudis” presents a study with a historical narrative style that avoids illusions and emotions. It provides the details and results of this Egyptian-Turkish military campaign against the Saudi state; discusses its political, religious, and military incentives with a description of its launch from Egypt to Yanbu; and records all its military, political, and social events in Hejaz and Nejd including the injury of its commander, Ahmed Tusun Pasha in the Battle of Al-Safra and his defeat against the Saudi army, his return to Egypt, and death there.

Salamat explains that the first Saudi state was founded amidst local and foreign opposition that led to battles and conflicts, and highlights its strength in defeating its opponents inside and outside the Arabian Peninsula through the Saudi army’s attacks on Iraq and Syria. According to the researcher, “the local and foreign enemies of the Saudi state, especially in Iraq, cooperated in campaigns launched by the Ottoman Empire from Iraq.”

The author believes that these campaigns highlighted the loyalty of the resistant groups that joined the Saudi army to fight the Iraqi army in 1211 AD, and “the honorable, popular stance backing the first Saudi state against the local and foreign campaigns.”

Salamat also explored the situation in Syria at the time. Saudi Arabia led by Abdelaziz bin Muhammad Al Saud used to receive some Zakat money from the Syrian desert, which indicates that the Saudi ruler had some influence there. Then, several Saudi campaigns headed to Syria, but the Vilayet of Syria failed to resist it. Therefore, the Ottoman Empire assigned Ahmed Tusun Pasha to lead a campaign in Hejaz to undermine the first Saudi state. The author writes that Tusun Pasha used bribes to gain the support of locals and tribes, exploiting the hard economic circumstances that dominated the country at the time.

The book cites the facts of Tusun Pasha’s campaign and how it didn’t achieve its goals. The conflicting parties were convinced that the war will have catastrophic consequences for both, so, they signed a reconciliation agreement and a truce. After the reconciliation, Tusun returned to Cairo, but the truce fell after almost one year, when Abdullah bin Saud launched wide-scale campaigns against the regions and tribes that backed Mohammed Ali Pashsa, who, in turn, realized that he had to launch a new campaign to Nejd and Hijaz, and assigned his son, Ibrahim Pasha as the leader, knowing that Tusun can’t destroy the Saudi state.

The author believes that this campaign was a response to the geographic expansion of the emerging Saudi state, which comprised most of the Arabian Peninsula. The Ottoman Empire, which represented the Islamic world at the time, acknowledged the danger that threats it influence, and decided to fight the first Saudi state. And when they realized they cannot undermine it with the help of their proxies in Iraq and Syria, they decided to send their armies to fight.



India to Build Mega-Museum with World’s ‘Largest Display Area’

 Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
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India to Build Mega-Museum with World’s ‘Largest Display Area’

 Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)

India's cabinet approved on Wednesday a mega-museum showcasing the country's history and civilization, which the government said will cost around $340 million and have the largest display area in the world.

First announced in 2023, the project received approval as Prime Minister Narendra Modi's Hindu nationalist government renewed its emphasis on the country's pre-colonial cultural identity.

The museum's name, Yuge Yugeen Bharat, translates roughly as "India through the ages" and invokes the country's ancient Sanskrit name, Bharat.

It will occupy former civil service offices in New Delhi, known as North and South Blocks, which were designed by British architects Edwin Lutyens and Herbert Baker in the 1920s.

In a statement, the cabinet said the museum will be "spread over a proposed built-up area of approximately 178,509 square meters".

"Benchmarked against major international museums, Yuge Yugeen Bharat Museum is going to be the museum (with) the largest display area in the world," it added.

India's cabinet said the Yuge Yugeen Bharat is "envisaged as a landmark civilizational museum showcasing the continuity, diversity and richness of Bharat's (India's) civilizational heritage".

The first gallery is expected to open to the public by the end of 2027, with project completion scheduled for financial year 2030-31.

Modi came to national power in May 2014, and has since taken multiple steps to glorify the country's heritage and culture.

His government built the world's tallest statue, a 182-meter (597-foot) monument to Vallabhbhai Patel, for his role in bringing princely states into India.

Modi also backed the revamp of New Delhi's historic administrative district in his second term and moved lawmakers to a new parliament building in 2023.

"The Museum is envisaged as a national public cultural institution... it will provide opportunities for learning, research, cultural engagement and appreciation of India's civilizational heritage," the government statement said on Wednesday.

Around 1.8 million objects have been identified from national and state museums, archaeological collections and private holdings for potential display.

The museum is designed to accommodate up to 10 million visitors a year.


The Hidden, Teeming World of Rembrandt’s Night Watch

 Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)
Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)
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The Hidden, Teeming World of Rembrandt’s Night Watch

 Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)
Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)

For years, millions of people have marveled at Rembrandt's use of light and shadows to depict the militia in his masterpiece, the "Night Watch".

Little did they know they were also looking at a hidden world of characters, some of them from as far away as Japan.

A new exhibition, "The Night Watch Lives," lifts the veil on this clandestine universe: the microbes covering one of the most famous works of the Dutch Golden Age paintings.

A joint effort by Rijksmuseum, where "The Night Watch" hangs and Amsterdam's Artis-Micropia Museum (more commonly known as the city's "microbe zoo") reveals the microscopic world covering the iconic painting.

The bacteria, isolated from samples taken over six months at around sixty different spots on the painting and subsequently cultivated into colonies, are displayed in Petri dishes alongside a life-size reproduction of the painting at the Artis-Micropia museum.

"We found a lot of microbes that are very commonly found, for instance, on human skin, or in the soil," Eline van Bloois, a microbiologist at the museum, told AFP.

The microbes are not harmful to the painting itself, van Bloois said, and it was impossible to determine if some of them could be a remnant from the great master himself.

"It would be really cool, right? If they could be linked to Rembrandt. But unfortunately, from one microbe, you cannot say whether it's been on there for 400 years or for a day," she said.

- 'Beauty of science' -

One of the most surprising findings was Microbacterium saccharophilum, a bacteria commonly found at a Japanese sugar refinery. It was found in an area where the varnish had been removed.

"That's something that will keep me up for years," van Bloois said.

"That's the beauty of science, because you ask one question, and you get 100 questions in return."

"As a microbiologist, I never imagined I would have the chance to get so close to this masterpiece," she said.

"Art and science are often seen as being at opposite ends of the spectrum, but this installation shows how closely these worlds are connected."

"And surely these Petri dishes full of microbes are little works of art in their own right?"

The idea behind the exhibit was to spark people's curiosity about microbes, the life teeming all around humans.

It's part of "Operation Night Watch," a large-scale research and restoration project on the painting, which has been ongoing since 2019, in a specially designed glass chamber at the Rijksmuseum.

The exhibition will be open to the public from November 11.


Greek Theater Production Seeks to Show That Art Has No Age

 Participants rehearse “My Incurable Love: A Date with History,” a music production that is part of the Greek National Opera’s 65+ program, in Athens, Greece, Thursday, Oct. 22, 2026.(AP)
Participants rehearse “My Incurable Love: A Date with History,” a music production that is part of the Greek National Opera’s 65+ program, in Athens, Greece, Thursday, Oct. 22, 2026.(AP)
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Greek Theater Production Seeks to Show That Art Has No Age

 Participants rehearse “My Incurable Love: A Date with History,” a music production that is part of the Greek National Opera’s 65+ program, in Athens, Greece, Thursday, Oct. 22, 2026.(AP)
Participants rehearse “My Incurable Love: A Date with History,” a music production that is part of the Greek National Opera’s 65+ program, in Athens, Greece, Thursday, Oct. 22, 2026.(AP)

A recent Greek National Opera production afforded a group of seniors the chance to channel their young-at-heart energy into onstage performances, proving that no one's too old to learn something new.

It started with a class in 2018 that taught a simpler method for playing the guitar. The initiative took hold, eventually attracting more than 100 senior citizens who learned to play and sing during weekly sessions on the opera’s alternative stage.

End-of-season recitals evolved into the Oct. 23 sold-out production involving music, dance and stories from the 1980s — a decade of soaring hopes and deep disappointments that profoundly shaped modern Greece.

The roughly 70 performers' experiences formed the foundation of the show, titled “My Incurable Love: A Date with History,” and turned the stage into a space for collective memory and expression. It challenged the premise that retirement means surrendering to a sedentary lifestyle and extinguishing one’s creative spirit.

“We have a preconceived notion that, as you age, you stop learning and you no longer want to learn. That’s not the case,” Kiki Kerzeli, the show's conductor, told The Associated Press. “What we’ve seen is that these people don’t just crave entertainment — they have a thirst for learning, too.”

Among them was Sandra Paleologou, who at the age of 82 was one of the production's oldest participants. Her many years as a senior executive at a multinational pharmaceutical company prevented her from pursuing her passions: music, dancing, reading and painting. But retirement provided her with a new way of life.

“I started living with a capital L after my pension, because that’s when I stopped doing what I have to do and started doing what I’d like to do. And that was a rebirth for me, a renaissance,” she said, adding, “Art has absolutely no age.”

“I could wake up feeling 20, and then I could have a hard day, and by noon, oh, I feel over 100. And then I get some refreshing thoughts or news or whatever, or whatever I do. I may paint and I love my painting, and I go back to 40. In one day, I have so many ages,” she said.

At the packed Olympia Municipal Music Theatre “Maria Callas” in central Athens, relatives, friends and many others took in two 90-minute performances free of charge. The productions were the result of months of dedication, preparation and hard work.

At one rehearsal, on the eve of the big night, the director made corrections to some people’s positions, asking them to take note of their marks were on stage. The choreographer weaved through rows of dancers, helping some with their steps.

For the main event, Paleologou donned a black-strapped, blue-sequined dress and stood to tell her story: She had wanted to celebrate her birthday out on the town with her husband by dancing — while eight months pregnant. A nightclub employee asked her to leave the dance floor; they were in no mood to deliver her baby on the dance floor. Paleologou turned away from the mic amid laughter and applause before dancing back to her seat.

Another participant, Themis Kotsifakis, is a 68-year-old retired teacher and active trade unionist, who continues to advocate for the rights of pensioners. He delivered a monologue on stage about participating in union demos, and asked fellow cast members why they remembered the 1980s. “Because I gave birth to my children,” said one woman. “Because we watched ‘Dynasty,'” said another.

“We’re still here. We’re still alive and active,” Kotsifakis told the AP.

For audience members in the theater's seats on Oct. 23, that message came through from performers loud and clear.