New Book Explores Egyptian-Ottoman Campaign on Hejaz, Nejd

New Book Explores Egyptian-Ottoman Campaign on Hejaz, Nejd
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New Book Explores Egyptian-Ottoman Campaign on Hejaz, Nejd

New Book Explores Egyptian-Ottoman Campaign on Hejaz, Nejd

In his new book, Researcher Dr. Ismail al-Salamat, explores the campaign of Turkish commander Ahmed Tusun Pasha known as ‘Tusun Pasha’ (second son of Muhammad Ali of Egypt) in the Arabian Peninsula, mainly Hejaz and Nejd in 1811 AD.

Few researches studied this campaign despite its significance in the political and military history of the first Saudi state that emerged in the heart of the Arabian Peninsula and resisted all the invasive campaigns.

Dr. Salamat’s book “Tusun Pasha’s Campaign against Saudis” presents a study with a historical narrative style that avoids illusions and emotions. It provides the details and results of this Egyptian-Turkish military campaign against the Saudi state; discusses its political, religious, and military incentives with a description of its launch from Egypt to Yanbu; and records all its military, political, and social events in Hejaz and Nejd including the injury of its commander, Ahmed Tusun Pasha in the Battle of Al-Safra and his defeat against the Saudi army, his return to Egypt, and death there.

Salamat explains that the first Saudi state was founded amidst local and foreign opposition that led to battles and conflicts, and highlights its strength in defeating its opponents inside and outside the Arabian Peninsula through the Saudi army’s attacks on Iraq and Syria. According to the researcher, “the local and foreign enemies of the Saudi state, especially in Iraq, cooperated in campaigns launched by the Ottoman Empire from Iraq.”

The author believes that these campaigns highlighted the loyalty of the resistant groups that joined the Saudi army to fight the Iraqi army in 1211 AD, and “the honorable, popular stance backing the first Saudi state against the local and foreign campaigns.”

Salamat also explored the situation in Syria at the time. Saudi Arabia led by Abdelaziz bin Muhammad Al Saud used to receive some Zakat money from the Syrian desert, which indicates that the Saudi ruler had some influence there. Then, several Saudi campaigns headed to Syria, but the Vilayet of Syria failed to resist it. Therefore, the Ottoman Empire assigned Ahmed Tusun Pasha to lead a campaign in Hejaz to undermine the first Saudi state. The author writes that Tusun Pasha used bribes to gain the support of locals and tribes, exploiting the hard economic circumstances that dominated the country at the time.

The book cites the facts of Tusun Pasha’s campaign and how it didn’t achieve its goals. The conflicting parties were convinced that the war will have catastrophic consequences for both, so, they signed a reconciliation agreement and a truce. After the reconciliation, Tusun returned to Cairo, but the truce fell after almost one year, when Abdullah bin Saud launched wide-scale campaigns against the regions and tribes that backed Mohammed Ali Pashsa, who, in turn, realized that he had to launch a new campaign to Nejd and Hijaz, and assigned his son, Ibrahim Pasha as the leader, knowing that Tusun can’t destroy the Saudi state.

The author believes that this campaign was a response to the geographic expansion of the emerging Saudi state, which comprised most of the Arabian Peninsula. The Ottoman Empire, which represented the Islamic world at the time, acknowledged the danger that threats it influence, and decided to fight the first Saudi state. And when they realized they cannot undermine it with the help of their proxies in Iraq and Syria, they decided to send their armies to fight.



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.