‘DC League of Super-Pets’ Takes No. 1 with $23 Million

Keanu Reeves, Jared Stern, Vanessa Bayer, Dwayne Johnson, Jameela Jamil and Kevin Hart attend a premiere screening for "DC League Of Super Pets" at The Grove, AMC 14 in Los Angeles, California, US, July 13, 2022. (Reuters)
Keanu Reeves, Jared Stern, Vanessa Bayer, Dwayne Johnson, Jameela Jamil and Kevin Hart attend a premiere screening for "DC League Of Super Pets" at The Grove, AMC 14 in Los Angeles, California, US, July 13, 2022. (Reuters)
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‘DC League of Super-Pets’ Takes No. 1 with $23 Million

Keanu Reeves, Jared Stern, Vanessa Bayer, Dwayne Johnson, Jameela Jamil and Kevin Hart attend a premiere screening for "DC League Of Super Pets" at The Grove, AMC 14 in Los Angeles, California, US, July 13, 2022. (Reuters)
Keanu Reeves, Jared Stern, Vanessa Bayer, Dwayne Johnson, Jameela Jamil and Kevin Hart attend a premiere screening for "DC League Of Super Pets" at The Grove, AMC 14 in Los Angeles, California, US, July 13, 2022. (Reuters)

The summer box office showed signs of slowing down this weekend as the animated “DC League of Super-Pets” opened in theaters across North America.

The superhero spinoff about Superman’s dog earned $23 million from 4,314 locations, according to studio estimates Sunday. Though slightly less than expected, it was still enough to capture the first-place spot and knock Jordan Peele’s “Nope” into second place in its second weekend.

Analysts had pegged “DC League of Super-Pets” for a $25 million launch, which was on the lower end for animated openings this summer. In June, the $50.6 million for “Lightyear” was considered underwhelming for the $200 million Disney/Pixar movie. Then in early July, Universal’s “Minions: The Rise of Gru” captured $107 million in its first three days.

But “Super-Pets” is more comparable to Universal’s “The Bad Guys,” which netted out with around $97 million domestic after a $23 million opening, and it’s much, much stronger than Paramount’s “Paws of Fury: The Legend of Hank’s” $6.3 million debut several weeks ago.

“This opening is a huge win for DC fans, the box office, WB and our filmmakers,” said Jeff Goldstein, the studio's president of domestic distribution.

“DC League of Super-Pets” was not intended to be a midsummer release. Originally, “Super-Pets” had been slated for May, while this weekend was reserved for “Black Adam,” Warner Bros.’ other Dwayne Johnson superhero pic. But postproduction delays due to a backup at VFX houses forced “Black Adam” to move back to October.

Instead of giving up the prime date, the studio filled the open spot with a family-friendly title with an all-star voice cast, including Kevin Hart, John Krasinski, Keanu Reeves and Kate McKinnon as an evil guinea pig.

“Super-Pets” has several summer vacation weeks left with little significant competition, and the hope is that it will continue to grow steadily thanks to positive feedback from audiences this weekend. And with $18.4 million from international showings, it has already grossed $41.4 million globally.

“The interest is red hot,” Goldstein said. “Young family movies play for a long time. Given our CinemaScore of A- and word of mouth, we’re going to be around for a while."

Second place went to Universal’s “Nope,” which fell 57% from its debut last weekend and earned an additional $18.6 million. The North American grosses for “Nope” are now sitting at $80.6 million before it begins its international expansion in August.

“Thor: Love and Thunder” took third place with $13.1 million in its fourth weekend, bringing its domestic total to $301.5 million. Its global total is now sitting at $662 million, without a release in China.

“Minions: The Rise of Gru” stuck its heels in fourth place in its fifth weekend with $10.9 million. Worldwide, it has now earned $710.4 million.

And rounding out the top five was “Top Gun: Maverick,” which made an additional $8.2 million in its 10th weekend, bringing its domestic total to $650.1 million.

Major new theatrical releases were limited this weekend, but gave audiences a variety of options. Focus Features debuted the film “Vengeance” in 998 locations this weekend, where it earned an estimated $1.8 million. B.J. Novak’s directorial debut follows a podcaster (Novak) who travels from New York to west Texas to investigate the death of his girlfriend. The well-reviewed thriller features Issa Rae and Ashton Kutcher.

And Bleecker Street opened the Sundance charmer “A Love Song,” starring Wes Studi and Dale Dickey, in four theaters, where it earned an estimated $18,702.

Things are slowing down at the domestic box office heading into August, which is not uncommon. And there are still big films to come, like Sony's “Bullet Train” with Brad Pitt, which speeds into theaters next weekend.

“July generated over $1 billion, and that’s impressive. It's the first billion-dollar month since December 2019,” said Paul Dergarabedian, the senior media analyst for Comscore. “That gives us a tailwind going into August, but don’t expect any $100 million debuts for a while."



‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.


Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)
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Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)

There are giants, and then there is Donna Summer. The Queen of Disco and then some, known for such timeless tunes as “Love to Love You Baby,” “I Feel Love,” “Bad Girls,” “Dim All the Lights,” “On the Radio” and “She Works Hard for the Money,” has been posthumously inducted into the Songwriters Hall of Fame, the hall said.

Summer, who died in 2012 at age 63, was welcomed into the Songwriters Hall on Monday at a ceremony at The Butterfly Room at Cecconi’s in Los Angeles. It was led by Academy Award-winning songwriter Paul Williams. Summer's husband, Bruce Sudano and their daughters Brooklyn Sudano and Amanda Sudano Ramirez were in attendance.

“Donna Summer is not only one of the defining voices and performers of the 20th century; she is one of the great songwriters of all time who changed the course of music,” said Williams in a statement. “She wrote timeless and transcendent songs that continue to captivate our souls and imaginations, inspiring the world to dance and, above all, feel love.”

Summer's smooth blend of R&B, soul, pop, funk, rock, disco and electronica launched numerous chart-topping hits in the ‘70s and ’80s as well as three multiplatinum albums. She won five Grammys. She was unstoppable — both as a performer and a writer.

“It’s important to me because I know how important it was for Donna,” said Sudano in a press release. “The backstory is, with all the accolades that she received over her career, being respected as a songwriter was always the thing that she felt was overlooked. So, for her to be accepted into the Songwriters Hall of Fame I know that she’s very happy ... somewhere.”

The Songwriters Hall of Fame was established in 1969. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.

The annual Songwriters Hall of Fame gala does not usually include posthumous inductions; those are reserved for separate events.

Songwriter Pete Bellotte — known for his work with Summer on “Hot Stuff,” “I Feel Love” and “Love To Love You Baby” — is a current nominee for the 2026 Songwriters Hall of Fame class. “Love To Love You Baby” was co-written with Summer and producer Giorgio Moroder. One of Summer's best-known hits, the song has been sampled many times, including in tracks by Beyoncé, LL Cool J and Timbaland.

The 2026 inductees will be announced in early 2026.