What Remains of Our Humanity in the Digital Republic ?

Susskind explains that the central problem of the internet is its “unaccountable power"
Susskind explains that the central problem of the internet is its “unaccountable power"
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What Remains of Our Humanity in the Digital Republic ?

Susskind explains that the central problem of the internet is its “unaccountable power"
Susskind explains that the central problem of the internet is its “unaccountable power"

When the World Wide Web first emerged, Silicon Valley was brimming with feeble, vulnerable startups. At the time, the US government decided not to regulate these startups, allowing them to continue their bold growth to the greatest extent possible. That is what happened. Today, these companies have become global household names and are some of the largest in the world, with some valued at over a trillion dollars. Unfortunately, however, some of those companies have obnoxiously brandished that power to cement themselves at the expense of the interests of their customers and their potential competitors.

In a recently published book entitled The Digital Republic: On Freedom and Democracy in the 21st Century, Jamie Susskind, a British barrister, brilliantly unpacks this controversial issue. It addresses a fundamental question that concerns the entire world: What is left of our humanity and human relationships after the emergence of the internet, one of the most prominent fruits of technological development? Where is it leading the billions of us unable to keep our thumbs off our small devices?

Susskind explains that the central problem of the internet is its “unaccountable power.” While at first, power was largely exercised by libertarian-inclined technologists who knew how to code, today, it’s in the hands of corporations and wealthy individuals who resist being regulated and are keen on a kind of “market individualism.” “Unlike in medicine, there are no mandatory ethical qualifications for working as a software engineer or technology executive. There is no enforceable industry code of conduct. There is no obligatory certification. There is no duty to put the public ahead of profit. There are few consequences for serious moral failings; no real fear of being suspended or struck off.”

Their power means that none of us is free. We have to follow their dictates. We have to forgo any rights we may think we have as we “consent” to online agreements no one has the time to read, let alone understand. If you’ve read one before, you know how ambiguous they are intended to be and how loaded they are with imprecise terms that internet companies can explain however they like. Thus, there is no point in reading them. It is not like you can negotiate to remove an article you do not agree with. Either you forgo all your rights, or you do not enter. Such unilateral agreements are normally thrown out in court.

While Susskind is keen on our “naughty” side — our inclination to avoid and bend the rules. Humans will exceed the speed limit, skip paying a metro fare, try to see two films while at the cinema, not signal a turn when no one is in sight and so on. Susskind suggests the development of a code, even a body of law, that protects individuals from depredation and manipulation while at the same time calling for “as little state intrusion as possible.” The author takes a cautious, reasoned approach to the attendant problems, noting, for example, that “the simplest form of platform power is the ability to say no.”

Susskind thus revives the concept of the republic in the ancient Greek sense of the word. These republics demanded joint efforts and mutual respect to manage properly. He calls for the formation of mini-publics, ad hoc committees pulled together to deal with single issues. They would have the power to require a new law, call a referendum, or ban some practices. And then disband these entities and allow their members to go back to their lives. This approach, which also goes by the name democracy, is a means of keeping lobbyists and special interests out of the process. There are no parties, no re-election campaigns, and no fundraising. The matter can be summed up by saying that the members of this republic assess the situation and address any problem facing society in the best way to solve it.

From here, he develops his classification of the overall problem. He sums it up into five main points.

First, big technology companies wield real power that should be regulated. Second, technology is not neutral, objective or apolitical. Third, digital technology is framed entirely in terms of the market economy. Fourth, there is nothing natural or inevitable about the emergence of Big Tech; everything can happen at any time without any restrictions. As for the fifth problem, it is that we have catered to Big Tech companies in terms of market individualism instead of regulating them as service corporations.

Building on this assessment, Susskind directs a lot of his criticism at Facebook, its lies, and its hypocrisy. Facebook’s privacy policy “is almost as difficult to understand as Immanuel Kant’s 1781 treatise Critique of Pure Reason, a book so impenetrably dense that philosophy students tremble at the very thought of it.” But there is also an unfortunate truth: “Social life and social media became inseparable” with the coming of Facebook.

Susskind wants to turn everything in Big Tech into a profession. Accountants and lawyers need degrees and licenses; they display them prominently. Why not require software engineers to do the same? Also user experience professionals, privacy professionals, platform professionals, ecommerce professionals and so on down the line. If they could lose their right to work or be fined or publicly humiliated, the internet would look very different; it would change for the better. The internet is so important to society. It is scarcely believable that no one needs any kind of certification to build or run it. There are no educational requirements to gather and sell everyone’s personal data to advertisers for whatever they want to do with it. Regulators should check those credentials, measure what is out there against published regulations, and discipline those who transgress. It is how the modern world works — except in Big Tech.

The Digital Republic demonstrates a couple important things. One, the problems are many and gigantic. And two, they are, for the most part, manageable with a mix of logic and common sense.



Saudi Arabia: Ship of Tolerance Initiative Promotes Cultural Dialogue in Jeddah

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
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Saudi Arabia: Ship of Tolerance Initiative Promotes Cultural Dialogue in Jeddah

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA

The Saudi Ministry of Culture, in collaboration with the "Lenobadir" volunteer and community partnership program and the Athr Foundation, has launched the Ship of Tolerance initiative in Historic Jeddah during Ramadan.

The initiative aims to enhance shared human values through arts, and promote tolerance and coexistence among children and families. It provides an educational and cultural experience aligned with the area’s unique character as a UNESCO World Heritage site.

As part of this global art project, children will create artworks that represent acceptance and dialogue.

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan, linking the initiative's values with local heritage and enriching visitors' connection to the region's identity.

This effort supports cultural programs with educational and social dimensions in Historic Jeddah, activating local sites for experiences that combine art, crafts, and community participation. It aligns with the National Strategy for Culture under Saudi Vision 2030, focusing on heritage preservation and expanding culture's impact on daily life.


Oscar Contender ‘Hamnet’ Boosts Tourism at Shakespeare Heritage Sites 

A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
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Oscar Contender ‘Hamnet’ Boosts Tourism at Shakespeare Heritage Sites 

A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)

On a cloudy winter's day, visitors stream into what was once William Shakespeare's childhood home in Stratford-upon-Avon and the nearby Anne Hathaway's cottage, family residence of the bard's wife.

Hathaway's cottage is one of the settings for the BAFTA and Oscar best film contender "Hamnet", and the movie's success is drawing a new wave of tourists to Shakespeare sites in the town in central England.

Shakespeare's Birthplace is the house the young William once lived in and where his father worked as a glove maker, while Hathaway's cottage is where he would have visited his future wife early in their relationship.

Typically, around 250,000 visitors, from the UK, Europe, the United States, China and elsewhere, walk through the locations each year, according to the Shakespeare Birthplace Trust. ‌The charity looks after ‌Shakespeare heritage sites, which also include Shakespeare's New Place, the site of ‌the ⁠Stratford home where the ⁠bard died in 1616.

Visitors are flocking in this year thanks to "Hamnet", the film based on Maggie O'Farrell's 2020 novel, which gives a fictional account of the relationship between Shakespeare and Hathaway, also known as Agnes, and the death of their 11-year-old son Hamnet in 1596.

"Visitor numbers have increased by about 15 to 20% across all sites since the film was released back in January. I think that will only continue as we go throughout the year," Richard Patterson, chief operating officer for the Shakespeare Birthplace Trust, said.

"They particularly want ⁠to look (at) Anne Hathaway's cottage and the specifics around how the family ‌engaged in the spaces and the landscape in and around ‌the cottage... you can see why he would have been inspired."

NEW ACCESS TO SHAKESPEARE

"Hamnet" has 11 nominations at ‌Sunday's British BAFTA awards, including best film and leading actress for Jessie Buckley, who plays Agnes. It ‌also has eight Oscar nominations, with Buckley seen as the frontrunner to win best actress.

"Hamnet" is set in Stratford-upon-Avon and London although it was not filmed in Stratford.

It sees Paul Mescal's young Shakespeare fall for Agnes while teaching Latin to pay off his father's debts. The drama, seen mainly through Agnes' eyes, focuses on their ‌life together and grief over Hamnet's death, leading Shakespeare to write "Hamlet".

"Shakespeare... is notoriously enigmatic. He writes about humanity, about feeling, about emotion, about conflict, ⁠but where do we understand ⁠who he is in that story?" said Charlotte Scott, a professor of Shakespeare studies and interim director of collections, learning and research at the Shakespeare Birthplace Trust.

"And that's driven people creative and otherwise for hundreds and hundreds of years. Where is Shakespeare's heart? And this is what the film I think has so beautifully opened up."

Little is known about how the couple met. Shakespeare was 18 and Hathaway 26 when they married in 1582. Daughter Susanna arrived in 1583 and twins Judith and Hamnet in 1585.

The film acknowledges the names Hamnet and Hamlet were interchangeable back then. While grief is a dominant theme, audiences also see Shakespeare in love and as a father.

"A lot of people will see this film not necessarily having... had any kind of relationship with Shakespeare," Scott said.

"So people will come to this film, I hope, and find a new way of accessing Shakespeare that is about creativity, that is about understanding storytelling as a constant process of regeneration, but also crucially, looking at it from that kind of emotive angle."


Culture Ministry Continues Preparations in Historic Jeddah to Welcome Visitors during Ramadan 

Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)
Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)
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Culture Ministry Continues Preparations in Historic Jeddah to Welcome Visitors during Ramadan 

Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)
Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)

The Saudi Ministry of Culture is continuing its efforts to revitalize Historic Jeddah in preparation for welcoming visitors during the holy month of Ramadan, offering cultural programs, events, and heritage experiences that reflect the authenticity of the past.

The district has emerged as a leading cultural tourism destination at this time of year as part of the “The Heart of Ramadan” campaign launched by the Saudi Tourism Authority.

Visitors are provided the opportunity to explore the district’s attractions, including archaeological sites located within the geographical boundaries of the UNESCO World Heritage-listed area, which represent a central component of the Kingdom’s urban and cultural heritage.

The area also features museums that serve as gateways to understanding the city’s rich heritage and cultural development, in addition to traditional markets that narrate historical stories through locally made products and Ramadan specialties that reflect authentic traditions.

These initiatives are part of the ministry’s ongoing efforts to revitalize Historic Jeddah in line with the objectives of Saudi Vision 2030 and aiming to transform it into a vibrant hub for arts, culture, and the creative economy, while preserving its tangible and intangible heritage.