Iraq's Garden of Eden Now 'Like a Desert'

A veiled Iraqi woman rides in a boat as she goes out fishing early morning in marshland near Karbala, 110km south of Baghdad, in 2006. Photo: AFP
A veiled Iraqi woman rides in a boat as she goes out fishing early morning in marshland near Karbala, 110km south of Baghdad, in 2006. Photo: AFP
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Iraq's Garden of Eden Now 'Like a Desert'

A veiled Iraqi woman rides in a boat as she goes out fishing early morning in marshland near Karbala, 110km south of Baghdad, in 2006. Photo: AFP
A veiled Iraqi woman rides in a boat as she goes out fishing early morning in marshland near Karbala, 110km south of Baghdad, in 2006. Photo: AFP

To feed and cool his buffaloes, Hashem Gassed must cross 10 kilometers (six miles) of sunburnt land in southern Iraq, where drought is devastating swathes of the mythical Mesopotamian Marshes.

The reputed home of the biblical Garden of Eden, Iraq's swamplands have been battered by three years of drought and low rainfall, as well as reduced water flows along rivers and tributaries originating in neighboring Turkey and Iran, AFP said.

Vast expanses of the once lush Huwaizah Marshes, straddling the border with Iran, have been baked dry, their vegetation yellowing. Stretches of the Chibayish Marshes, which are popular with tourists, are suffering the same fate.

"The marshes are our livelihood -- we used to fish here and our livestock could graze and drink," said Gassed, 35, from a hamlet near Huwaizah.

Southern Iraq's marshlands were inscribed as a UNESCO World Heritage site in 2016, both for their biodiversity and their ancient history.

But now, beds of dry streams snake around the once verdant wetlands, and the area's Um al-Naaj lake has been reduced to puddles of muddy water among largely dry ground.

Like his father before him, Gassed raises buffaloes, but only five of the family's around 30 animals are left.

The others died or were sold as the family struggles to make ends meet.

Family members watch carefully over those that remain, fearful that the weak, underfed beasts might fall in the mud and die.

"We have been protesting for more than two years and no one is listening," Gassed said.

"We are at a loss where to go. Our lives are over."

- 'No more fish' -
Nestled between the Tigris and Euphrates rivers, the Mesopotamian Marshes suffered under the former dictator Saddam Hussein, who ordered that they be drained in 1991 as punishment for communities protecting insurgents, and to hunt them down.

The wetlands have sporadically gone through years of harsh drought in the past, before being revived by good rainy seasons.

But between August 2020 and this month, 46 percent of the swamplands of southern Iraq, including Huwaizah and Chibayish, suffered total surface water loss, according to Dutch peace-building organization PAX.

Another 41 percent of marsh areas suffered from reduced water levels and wetness, according to the organization, which used satellite data to make the assessment.

The UN's Food and Agriculture Organization in Iraq said the marshes were "one of the poorest regions in Iraq and one of the most affected by the climate change", warning of "unprecedented low water levels".

It noted the "disastrous impact" on more than 6,000 families who "are losing their buffaloes, their unique living asset".

Biodiversity is also at risk.

The swamplands provide a home for "numerous populations of threatened species", and are an important stopping point for around 200 species of migratory water birds, according to UNESCO.

Environmental activist Ahmed Saleh Neema said there were "no more fish", wild boar or even a subspecies of smooth-coated otter in the marshes.

- 'Like a desert' -
He said the Huwaizah swamplands were irrigated by two tributaries of the Tigris River, which originates in Turkey, but that their flows had dropped.

Iraqi authorities are rationing supplies to cover different needs, he said.

"The government wants to preserve the largest quantity of water possible," he added, lamenting "unfair water sharing" and "poor (resource) management".

After pressure from protesters, authorities partially opened the valves, he said, but had closed them again.

On the Iranian side, the Huwaizah Marshes, called Hoor al-Azim, are also suffering.

"The wetland is facing water stress and currently about half of its Iranian part has dried up," Iran's state news agency IRNA reported recently.

Hatem Hamid, who heads the Iraqi government's water management center, said that "on the Iranian side, the main river that feeds the Huwaizah marsh has been totally cut for more than a year".

The water needs of Iraqi farms and marshlands are only half met, he acknowledged, as authorities are closely monitoring reserves and trying to cover a range of uses, with drinking water one of the "priorities".

Iraqi officials point to canals and small streams that have been rehabilitated to feed into the marshes -- and to where some families have relocated from dried-out areas.

But it is "impossible to compensate for the very high evaporation in the marshes" in temperatures that pass 50 degrees Celsius (122 degrees Fahrenheit), he added.

In Chibayish, the effects of the drought are all too clear to Ali Jawad, who said dozens of families had left his hamlet.

"They migrated towards other regions, looking for areas where there is water," the 20-year-old said.

"Before, when we used to come to the marshes, there was greenery, water, inner peace," he added.

"Now it's like a desert."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”