Los Angeles Residents Protest 'Fast and Furious' Street Races

Angelino Heights, a historic area near downtown Los Angeles, is home to Vin Diesel's fictional character Dominic Toretto in the wildly popular, long-running 'Fast and Furious' film series. AFP
Angelino Heights, a historic area near downtown Los Angeles, is home to Vin Diesel's fictional character Dominic Toretto in the wildly popular, long-running 'Fast and Furious' film series. AFP
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Los Angeles Residents Protest 'Fast and Furious' Street Races

Angelino Heights, a historic area near downtown Los Angeles, is home to Vin Diesel's fictional character Dominic Toretto in the wildly popular, long-running 'Fast and Furious' film series. AFP
Angelino Heights, a historic area near downtown Los Angeles, is home to Vin Diesel's fictional character Dominic Toretto in the wildly popular, long-running 'Fast and Furious' film series. AFP

A Los Angeles neighborhood featured in the "Fast and Furious" movies held protests against the filming of the franchise's latest installment Friday, claiming the community has been blighted by a spate of illegal and dangerous street racing.

Residents voiced anger at this weekend's planned taping of "Fast X" in Angelino Heights, a historic area near downtown Los Angeles which is home to Vin Diesel's fictional character Dominic Toretto in the wildly popular, long-running film series.

The movies depict the underground world of street racing, helping to popularize practices such as "street takeovers" in which crowds gather -- usually at night -- to watch cars rev their engines and screech at high speeds around city streets.

Damian Kevitt, a local resident and founder of Streets Are For Everyone (SAFE), said the Hollywood film series "glorifies an illegal activity" and as a result Angelino Heights had become "a tourist destination for illegal street racing."

"Friday, Saturday, Sunday nights, there'll be three, four, five, six cars coming through here, doing burnouts, doing donuts," said Kevitt.

"There was not street racing in this community before 'Fast and Furious' was filmed here," he added.

Bella, another resident who declined to give her last name, said her children were traumatized from being constantly awoken by the sound of cars outside her home at night, and were now too scared to play outside the house.

"They've seen when the car spins out of control and practically hits the pedestrian that's standing right on the corner," she said.

Los Angeles has seen a 30 percent increase in fatalities and a 21 percent increase in serious injuries due to traffic violence over the last year, according to the Los Angeles Police Department.

Bella called for Universal Pictures to move future filming elsewhere, while SAFE has asked the city to install speed humps and implement a zero-tolerance policy on street racing.

The group has also asked Universal to add a disclaimer to the "Fast and Furious" movies discouraging street racing.

The studio did not immediately respond to an AFP request for comment.

The first installment, "The Fast and the Furious," was released by Universal Pictures in 2001, and the franchise has become the eighth-highest grossing film series in history, taking over $6.6 billion worldwide across ten movies.

"Fast X" is due to be released next May.



Reel Tensions: Trump Film Trade War Looms over Cannes

President Donald Trump has added a trade war to the cinema industry's list of concerns. Jim WATSON / AFP
President Donald Trump has added a trade war to the cinema industry's list of concerns. Jim WATSON / AFP
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Reel Tensions: Trump Film Trade War Looms over Cannes

President Donald Trump has added a trade war to the cinema industry's list of concerns. Jim WATSON / AFP
President Donald Trump has added a trade war to the cinema industry's list of concerns. Jim WATSON / AFP

Donald Trump's threat of tariffs on foreign-made films risks stoking tensions between the European and American film industries and dominating conversations at the Cannes film festival this week.

The US president has added a trade war to the sector's list of concerns that already included competition from streaming platforms.

The already tricky commercial outlook for big-screen owners and film producers darkened considerably last Sunday when Trump said he wanted 100-percent tariffs on movies "produced in foreign lands", AFP said.

Even if most observers think the proposal is unworkable, it risks destabilizing an industry that is highly globalized and depends on open trade.

"It'll be one of the big issues in Cannes," said Eric Marti from US-based media measurement agency Comscore.

He said statements from another American leader -- the co-CEO of Netflix, Ted Sarandos -- had also focused minds.

Sarandos said recently that cinema-going was "an outmoded idea for most people", pointing to the fact that audience numbers worldwide have not rebounded since the Covid pandemic.

The festival in Cannes from Tuesday will see directors, actors and distributors try to make sense of Trump's intentions and those of his Hollywood advisors, actors Jon Voight, Mel Gibson and Sylvester Stallone.

"We're a bit perplexed," Marti told AFP. "We don't know how it's going to work in practice."

- Extortion? -

Trump's tariff salvo is part of a picture of growing tension between Europe and the US over the film and TV industries since the former reality TV star returned to the White House in January.

As part of his ultra-nationalist "Make America Great Again" agenda, Trump's Republican administration also has EU regulations that protect and promote European cinema in its crosshairs.

The regulations take many forms but typically include measures such as taxing cinema tickets to fund independent filmmakers, quotas for European or non-English-language productions, or forcing major studios to fund domestic productions.

In France, American streaming platforms Netflix, Amazon and Disney have to invest in French-language films or series in order to operate in the country.

In a February 21 memo, Trump took aim at what he called "overseas extortion", with a particular mention of laws that "require American streaming services to fund local productions".

American film industry groups such as the Motion Picture Association and the Directors Guild of America (DGA) have also lobbied the Trump administration to protest against European regulations.

A group of leading French film figures, including "Emilia Perez" director and Cannes winner Jacques Audiard, fired back with an open letter to the DGA last month.

"At a time when the gap between the United States and the rest of the world is widening, we believe it is more important than ever for European and American filmmakers to remain united," they wrote.

French Culture Minister Rachida Dati vowed last week to defend French films "whatever the cost", noting that "on the other side of the Atlantic, powerful players in this industry are hostile to the French cultural exception".

Critics

Cannes has always championed independent arthouse films but it also reserves part of its program to Hollywood blockbusters made by major American studios to attract audiences.

This year will see Tom Cruise return for the world premiere of the latest and last instalment of his "Mission: Impossible" series, three years after he lit up the Riviera while promoting "Top Gun: Maverick".

While he can be expected to steer clear of politics and controversy, there will be plenty of Trump critics in attendance.

"Taxi Driver" star Robert De Niro, who is set to receive an honorary Palme d'Or, is one of the most outspoken, often struggling to find words harsh enough to condemn Trump.

Fellow New Yorker Spike Lee, who will present his film "Highest 2 Lowest" with Denzel Washington, raged against him in Cannes on 2018 after Trump refused to denounce violent far-right protests in Charlottesville, Virginia.

Trump's lawyers called the film "garbage" and "pure malicious defamation" when it came out on the eve of last November's presidential election.

Strong is set to return to Cannes this year as a jury member.