Actress Jane Fonda Says She Has Cancer

Cast member Jane Fonda attends a special event for the television series "Grace and Frankie" in Los Angeles, California, US, April 23, 2022. REUTERS/Mario Anzuoni
Cast member Jane Fonda attends a special event for the television series "Grace and Frankie" in Los Angeles, California, US, April 23, 2022. REUTERS/Mario Anzuoni
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Actress Jane Fonda Says She Has Cancer

Cast member Jane Fonda attends a special event for the television series "Grace and Frankie" in Los Angeles, California, US, April 23, 2022. REUTERS/Mario Anzuoni
Cast member Jane Fonda attends a special event for the television series "Grace and Frankie" in Los Angeles, California, US, April 23, 2022. REUTERS/Mario Anzuoni

US actress and activist Jane Fonda announced Friday that she has cancer, and has begun chemotherapy in her battle against the disease.

The 84-year-old Oscar winner, a prominent supporter of the Democratic Party, vowed to fight the "very treatable" illness.

"I've been diagnosed with non-Hodgkin's Lymphoma and have started chemo treatments," she wrote on her verified Instagram account.

"This is a very treatable cancer. 80 percent of people survive, so I feel very lucky.

"I'm also lucky because I have health insurance and access to the best doctors and treatments."

Fonda, an avowed environmentalist and social campaigner, said her position was more fortunate than that of many others in her situation, AFP reported.

"Almost every family in America has had to deal with cancer at one time or another and far too many don't have access to the quality health care I am receiving and this is not right," she wrote.

Non-Hodgkin's lymphoma is a kind of cancer that starts in the lymphatic system, a part of the body's immune defenses, and can develop into widespread tumors.

According to the Mayo Clinic, symptoms can include: swollen lymph nodes, abdominal pain or swelling, chest pain, coughing or trouble breathing, as well as persistent fatigue and fever.

"In most instances, doctors don't know what causes non-Hodgkin's lymphoma," the clinic says on its website.

"It begins when your body produces too many abnormal lymphocytes, which are a type of white blood cell."

Usually those cells die, and the body creates new ones to replace them -- but in non-Hodgkin's lymphoma, they don't, even as the body keeps making more.

"This oversupply of lymphocytes crowds into your lymph nodes, causing them to swell," the clinic's website states.

- Climate activism -
Fonda vowed that her treatment will not impede her environmental campaigning, and urged action on fossil fuel use, which she linked to cancer.

"I'm doing chemo for six months and am handling the treatments quite well and, believe me, I will not let any of this interfere with my climate activism.

"We're living through the most consequential time in human history because what we do or don't do right now will determine what kind of future there will be.

"I will not allow cancer to keep me from doing all I can, using every tool in my toolbox."

She pointed to the November midterm elections which could determine whether US President Joe Biden's Democrats lose control of both houses of Congress, saying they were "beyond consequential."

As a result, "you can count on me to be right there together with you as we grow our army of climate champions," she wrote.

Fonda first appeared on screen in 1960, and scored Academy Awards for best actress for "Klute" (1971) and "Coming Home" (1978).

She has five other Oscar nominations in her career, four of them for best lead actress.

As well as anti-war activism during the US-Vietnam war that saw her dubbed "Hanoi Jane" and blacklisted in Hollywood, she was also a major figure in the home fitness video craze of the 1980s.

Fonda continues to work, and appears as the voice of an elegant dragon who is the CEO of a luck-making operation in the Apple TV+ animated movie "Luck."

She also stars in the popular, long-running Netflix hit "Grace and Frankie."

Fonda comes from a family of famous stars; her father Henry was a legend of the big screen appearing as the hold-out juror in "12 Angry Men," and winning best actor for "On Golden Pond" (1981).

Her brother Peter was a seminal figure in 1960s counterculture, whose turn in "Easy Rider" is a touchstone of Hollywood history.



Movie Review: Bob Dylan Biopic ‘A Complete Unknown’ Is Electric in More Ways than One

This image released by Searchlight Pictures shows Timothée Chalamet in a scene from "A Complete Unknown." (Macall Polay/Searchlight Pictures via AP)
This image released by Searchlight Pictures shows Timothée Chalamet in a scene from "A Complete Unknown." (Macall Polay/Searchlight Pictures via AP)
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Movie Review: Bob Dylan Biopic ‘A Complete Unknown’ Is Electric in More Ways than One

This image released by Searchlight Pictures shows Timothée Chalamet in a scene from "A Complete Unknown." (Macall Polay/Searchlight Pictures via AP)
This image released by Searchlight Pictures shows Timothée Chalamet in a scene from "A Complete Unknown." (Macall Polay/Searchlight Pictures via AP)

“A Complete Unknown” certainly lives up to its title. You are hardly closer to understanding the soul of Bob Dylan after watching more than two hours of this moody look at America's most enigmatic troubadour. But that's not the point of James Mangold's biopic: It's not who Dylan is but what he does to us.

Mangold — who directed and co-wrote the screenplay with Jay Cocks — doesn't do a traditional cradle-to-the-near-grave treatment. He concentrates on the few crucial years between when Dylan arrived in New York in 1961 and when he blew the doors off the Newport Folk Festival in 1965 by adding a Fender Stratocaster.

That means we never learn anything about Dylan before he arrives in Manhattan's Greenwich Village with a guitar, a wool-lined bomber jacket, a fisherman's cap and ambition. And Dylan being Dylan, we just get scraps after that.

The world spins around him, this uber-cypher of American song. Women fall in love with him, musicians seek his orbit, fans demand his autograph, record executives fight over his signature. The Cuban Missile Crisis melds into the Kennedy assassination and the March on Washington. What does Dylan make of all this? The answer is blowing in the wind.

Any sane actor would run away from this assignment. Not Timothée Chalamet, and “A Complete Unknown” is his most ambitious work to date, asking him not only to play insecure-within-a-sneer but also to play and sing 40 songs in Dylan's unmistakable growl, complete with blustery harmonica.

The last big non-documentary attempt to understand Dylan was Todd Haynes' “I’m Not There,” which split the assignment among seven actors. Chalamet does it all, moving from callow, fresh-faced songsmith to arrogant, selfish New Yorker to jaded, staggering pop star to Angry Young Man. There are moments when Chalamet tilts his head down and looks at the world slyly, like Princess Diana. There are others when the resemblance is uncanny, but also moments when it is a tad forced. You cannot deny he's got the essence of Dylan down, though.

The movie's title is pulled from Dylan’s lyrics for “Like a Rolling Stone” and it's adapted from Elijah Wald’s book “Dylan Goes Electric! Newport, Seeger, Dylan, and the Night That Split the Sixties.” Dylan isn't a producer but did consult on the script.

It's not the most glowing profile, though the sheer brilliance of the songs — so many the movie might be deemed a musical — show Dylan's undeniable genius. Chalamet's Dylan is unfaithful, jealous and puckish. The movie suggests that adding electric guitar at Newport in '65 was less a brave stand for music’s evolution than a middle finger to anyone who dared put him in a box.

In some ways, “A Complete Unknown” uses some of the DNA from “I’m Not There.” The best clues to what's going on behind Dylan's shades are the refracted light from others, like Joan Baez, Johnny Cash, Woody Guthrie, Pete Seeger and a girlfriend called Sylvie Russo, based on Dylan’s ex Suze Rotolo, who is pictured on 1963’s album cover for “The Freewheelin’ Bob Dylan.”

Edward Norton is a hangdog Seeger hoping to harness Dylan for the goodness of folk, astonished by his talent. Monica Barbaro is a revelation as Baez, Dylan's on-again-off-again paramour. Boyd Holbrook is a sharklike, disrupting Cash, with the movie's best line: “Make some noise, B.D. Track some mud on the carpet.” And Elle Fanning is captivating as Russo, the sweetheart sucked into this crazy rock drama.

It's Baez and Russo who dig the deepest into trying to find out who Dylan is. They don't buy his stories about learning from the carnival and call him on his facade-building. “I don't know you,” Russo says, calling him a “mysterious minstrel” and urging him to “Stop hiding.” Too late, sister.

Mangold — who directed the Cash biopic “Walk the Line” — is always good with music and clearly loves being in this world. There's one scene that initially puzzles — Dylan stops on the street to buy a toy whistle — and you wonder why the director has wasted our time. Then we see Dylan pull it out at the top of the recording of “Highway 61 Revisited” and suddenly it answers all those years of wondering what that crazy sound was.

There are points to quibble — Dylan never faced a shout of “Judas!” from an enraged folkie at Newport; that came a year later in Manchester — but “A Complete Unknown” is utterly fascinating, capturing a moment in time when songs had weight, when they could move the culture — even if the singer who made them was as puzzling as a rolling stone.