Bruce Springsteen’s Artifacts Coming to Grammy Museum

Bruce Springsteen performs at Stand Up For Heroes in New York on Nov. 1, 2016. (AP)
Bruce Springsteen performs at Stand Up For Heroes in New York on Nov. 1, 2016. (AP)
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Bruce Springsteen’s Artifacts Coming to Grammy Museum

Bruce Springsteen performs at Stand Up For Heroes in New York on Nov. 1, 2016. (AP)
Bruce Springsteen performs at Stand Up For Heroes in New York on Nov. 1, 2016. (AP)

Bruce Springsteen's handwritten set lists and a favorite guitar are among the marquee items that will make a cross-country trip for a museum exhibit this fall.

The Grammy Museum announced Wednesday that Bruce Springsteen Live! will open at the Grammy Museum L.A. Live in downtown Los Angeles on Oct. 15. The interactive exhibit — which runs until April 2 — will feature Springsteen and the E Street Band’s live performance footage, instruments, stage costumes and exclusive interviews.

Springsteen’s exhibit ended its stint in New Jersey earlier this year.

“We’re also thrilled to offer a special, expanded exhibit with the help of Springsteen fans for a one-of-a-kind immersive experience,” said Jasen Emmons, chief curator and a vice president at the Grammy Museum. It will invite fans to submit videos of their concert experiences from Springsteen’s previous shows on Sept. 23 – the legendary singer’s 73rd birthday.

Springsteen’s modified Fender guitar that was featured on several album covers such as “Human Torch” and “Born to Run” will be displayed. Other items will include stage clothing from Springsteen and members of E Street along with a signed itinerary from his Human Rights Tour, a six-week benefit tour in 1988. A ticket booth stage prop from the Tunnel of Love tour will also be highlighted at the exhibit.

A saxophone played by the late Clarence Clemons — who performed alongside Springsteen for 40 years — will be on display. The saxophone was passed on to Clemons’ nephew, Jake Clemons, who continues to use the instrument as the newest member of the E Street Band since 2012.

Through an interactive kiosk, visitors will be able to view Springsteen’s handwritten set lists and create their own encores to compare against the legendary performer’s original.

The Grammy Museum partnered with the Bruce Springsteen Archives and Center for American Music at Monmouth University.

“Since his first west coast show as a touring musician at the Troubadour in 1973 to the present day, Bruce has performed over 100 shows in the Los Angeles area and has thrilled millions of fans with his electrifying performances,” said co-curator Eileen Chapman, director of The Bruce Springsteen Archives and Center for American Music. “This extensive exhibit provides a peek behind the curtain and a stirring trip down memory lane.”



‘The Room Next Door’ Tops Venice Film Festival, Nicole Kidman Wins Top Acting Honor

Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
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‘The Room Next Door’ Tops Venice Film Festival, Nicole Kidman Wins Top Acting Honor

Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)
Spanish director and screenwriter Pedro Almodóvar holds the Golden Lion award for his movie "The Room Next Door" during the closing ceremony of the 81st annual Venice International Film Festival, in Venice, Italy, 07 September 2024. (EPA)

“The Room Next Door,” Pedro Almodóvar’s English-language debut starring Julianne Moore and Tilda Swinton, topped the Venice Film Festival and was awarded its Golden Lion award Saturday.

Nicole Kidman was awarded the best actress prize, for her raw and exposing portrayal of a CEO embroiled in an affair with an intern in “Babygirl,” but missed the ceremony due to the death of her mother.

“I arrived in Venice and found out shortly after that my beautiful, brave mother, Janelle Ann Kidman has just passed,” Kidman said in a statement read by “Babygirl” director Halina Reijn. “I'm in shock and I have to go to my family, but this award is for her. ... She shaped me and made me."

The 81st edition of the festival came to a close Saturday, with the Isabelle Huppert-led jury bestowing top prizes to Brady Corbet, for directing the 215-minute post-war epic “The Brutalist” and Vincent Lindon, for his lead performance in “The Quiet Son.” Lindon plays a single father whose son is radicalized by the far right.

Maura Delpero’s “Vermiglio” won the Silver Lion award, the runner up prize. The Italian-French-Belgian drama is about the last year of World War II, in which a refugee soldier happens upon a large family.

Almodóvar's win came after his film, a meditation on friendship and death, received a nearly 20-minute standing ovation. The Spanish filmmaker is a Venice favorite, having premiered many of his films at the festival over the past four decades.

“I would like to dedicate it to my family,” Almodóvar said. “This movie ... it is my first movie in English but the spirit is Spanish.”

Corbert, whose “The Brutalist” is about an architect and a Holocaust survivor rebuilding a life in America, came armed with a written statement to read at the ceremony — something his filmmaker wife had encouraged him to do.

“This is all very overwhelming. ... Brevity has never been my strong suit,” Corbet said. “Thank you for not holding its length against me.”

The Venice Film Festival used its closing film slot to host the world premiere of Kevin Costner’s “Horizon: An American Saga — Chapter 2.” The film played out of competition.

Many of the 21 competition titles were divisive, with passionate supporters and detractors.

“I have good news for you,” Huppert said at the ceremony. “Cinema is in great shape.”

Among the highest profile of the films of the festival in competition were: Todd Phillips’ “Joker: Folie à Deux,” the not-a-musical-musical with Joaquin Phoenix and Lady Gaga and Pablo Larraín’s Maria Callas film “Maria,” starring Angelina Jolie as the famed soprano.

Five years ago, the Venice jury surprised the film world by giving the Golden Lion to “Joker,” which went on to win a best actor Oscar for Phoenix. Last year the top award went to “Poor Things” and the year before, the documentary “All the Beauty and the Bloodshed.”

The Luigi De Laurentiis award for a debut film went to Sarah Friedland’s “Familiar Touch,” about an octogenarian’s transition to life in assisted living as she grapples with her age, her memory and her relationship to her caregivers. Friedland also won the director prize in the horizons section and her star, Kathleen Chalfant, won the actress prize.

Though always a player in the international festival scene, Venice has cemented its reputation as a major launching pad for awards campaigns over the past 12 years. Since 2014, they’ve hosted four best picture winners (“Birdman,” “Spotlight,” “The Shape of Water” and “Nomadland”) and 19 nominees. And buzz is already swirling about possible best actress nominations for Kidman and Jolie, and supporting actress for Gaga, as the fall film season kicks into full gear.

The festival this year marked a return to form with true A-listers back on the Lido to celebrate films both in and out of competition after last year’s strike addled outing. In addition to the names above, George Clooney, Brad Pitt, Michael Keaton, Winona Ryder, Ethan Hawke, Sigourney Weaver were all lending their star power to the event.

And many rose to the occasion with their fashion. Gaga’s Christian Dior gown paired with a vintage lace Philip Treacy headpiece made for a major red-carpet moment. As was Kidman’s body-hugging Schiaparelli, Blanchett’s Armani Privé with strands of pearls cascading down her back, and Jolie with her fur stole.

Rachel Weisz and Daniel Craig also played the power couple, with her in a glittery blue Versace gown and him in a cream Loewe suit. The “Beetlejuice Beetlejuice” cast did also did a spin on the movie’s aesthetic with their wares.