Ana de Armas: The Cuban Taking on Marilyn Monroe

Ana de Armas takes on the role of Marilyn Monroe in 'Blonde' Tiziana FABI AFP
Ana de Armas takes on the role of Marilyn Monroe in 'Blonde' Tiziana FABI AFP
TT
20

Ana de Armas: The Cuban Taking on Marilyn Monroe

Ana de Armas takes on the role of Marilyn Monroe in 'Blonde' Tiziana FABI AFP
Ana de Armas takes on the role of Marilyn Monroe in 'Blonde' Tiziana FABI AFP

Ana de Armas's journey from Cuban migrant to starring as Marilyn Monroe in "Blonde", which gets its world premiere in Venice on Thursday, is the stuff of American Dream cliches.

Born in Cuba in 1988, Armas came to the United States in her twenties with barely a word of English, only to become one of the most sought-after actresses in Hollywood.

Her distinctive look and ass-kicking turns in James Bond film "No Time to Die" and Netflix blockbuster "The Gray Man" have made her a front-page fixture, AFP said.

But "Blonde" is set to test her real acting chops.

Adapted from the semi-fictional biography by Joyce Carol Oates, it delves deep into the childhood trauma, sexual assault and exploitation that lay behind the icon's seductive, sexualized image.

"I'm a Cuban actress. In what world could I have imagined that this was going to happen? Never," Armas told the Los Angeles Times of landing the role.

- 'Glamour, vulnerability' -
Armas was not an obvious choice, with grumblings online about her slight Cuban accent when the trailer was released this summer.

Monroe's estate, though not involved in the film, has supported her performance, however, saying Armas "captures Marilyn's glamour, humanity and vulnerability".

Armas spent nine months with a vocal coach trying to nail the unique intonation of the iconic actress.

Brad Pitt, who served as a producer on the film, told Entertainment Tonight: "It was 10 years in the making. It wasn't until we found Ana that we could get it across the finish line.

"She is phenomenal in it," Pitt added. "That's a tough dress to fill."

- From Cuba to LA -
Armas spent her childhood and adolescence in Cuba.

She entered theatre school at 14, starred in her first film two years later, and left to pursue a career in Madrid at 18, quickly landing a high-profile role in the TV show "El Internado".

When she took the plunge and headed for Hollywood in 2006, she needed four months of intensive language classes to pick up English.

After a string of minor roles, her big break came with a part in 2017's sci-fi sequel "Blade Runner 2049", alongside Ryan Gosling.

But it was her performance in murder mystery "Knives Out" starring Daniel Craig that elevated her to leading lady status, earning her a Golden Globe nomination.

That led to work with A-list director Olivier Assayas ("The Wasp Network"), and her brief but scene-stealing role in "No Time to Die".

A relationship with Ben Affleck -- her co-star in the erotic thriller "Deep Water" -- also ensured plenty of tabloid attention.

But "Blonde" is another dimension of star-making vehicle.

Its director, Australian Andrew Dominik, is known for brutal but poetic biopics "Chopper" and "The Assassination of Jesse James by the Coward Robert Ford" -- the latter earning Pitt a Best Actor award in Venice in 2007.

It has been a long wait for "Blonde", which was reportedly finished in 2019 and delayed amid a stand-off between Dominik and Netflix over its lengthy running time and traumatic scenes.

Asked about his star's accent, Dominik told the Los Angeles Times: "I had concerns, until I saw her act, then I forgot what I was supposed to be concerned about."



In Show Stretched over 50 Years, Slovenian Director Shoots for Space

The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
TT
20

In Show Stretched over 50 Years, Slovenian Director Shoots for Space

The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP

In an innovative show directed by Slovenian artist and space enthusiast Dragan Zivadinov, a crew of actors is putting on the same play once a decade over 50 years.

And if they die before the half-century run of performances ends? They are replaced by satellite-like devices that the director says will eventually be launched into space.

"If you ask me who will be the audience of these emancipated, auto-poetic devices -- it will be the Sun!" Zivadinov, 65, told AFP after the latest staging in the remote Slovenian town of Vitanje last month.

The first performance in the series took place on April 20, 1995, in the capital Ljubljana; the second was in Star City, a town outside Moscow that has prepared generations of Soviet and Russian cosmonauts. And the last one will be in 2045.

This time, 12 actors, most of them in their sixties, took part, wearing futuristic monochrome coveralls and dancing along a spaceship-like cross-shaped stage made of monitors.

Two so-called "umbots" -- artistic satellite-like devices emitting sounds -- replaced actors who have died since 1995.

'Makes you think'

Hundreds turned up to watch the play, "Love and Sovereignty", a tragedy set in the early 17th century by Croatian playwright Vladimir Stojsavljevic. It deals with power and art and features English playwright William Shakespeare as a character.

"It is an interesting experience, makes you think," Eneja Stemberger, who studies acting in Ljubljana, told AFP after watching the packed show.

Tickets offered for free online quickly ran out, but the organizers allowed even those who came without tickets to watch the show, standing or sitting on the floor.

German art consultant Darius Bork told AFP that he had already seen the play 10 years ago, describing Zivadinov's work as "absolutely fantastic".

Zivadinov became internationally recognized in the 1980s as one of the founders of Slovenia's avant-garde movement Neue Slowenische Kunst (New Slovenian Art), which criticized totalitarian regimes in then-Communist Yugoslavia.

At the end of the century, Zivadinov turned to develop "post-gravity art".

He also helped set up a space research center in Vitanje, named after the early space travel theorist Herman Potocnik, who went by the pseudonym of Noordung and whose work inspired Stanley Kubrick's film "2001: A Space Odyssey".

The Center Noordung hosted this year's and the 2015 performance.

The "Noordung: 1995-2025-2045" project's final performance will feature only "umbots" and so be "liberated from human influence", Zivadinov said.

At the end of the project, the "umbots" -- containing digitalized information, including the actors' DNA -- will be propelled into space to "culturize" it, he added, without detailing how he would do that.

"They will all be launched simultaneously, each one into a different direction, deep into space," he said.