‘Squid Game,’ ‘Succession,’ ‘Ted Lasso’ Vie for Emmy Awards

This image released by HBO shows Brian Cox in a scene from "Succession." (HBO via AP)
This image released by HBO shows Brian Cox in a scene from "Succession." (HBO via AP)
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‘Squid Game,’ ‘Succession,’ ‘Ted Lasso’ Vie for Emmy Awards

This image released by HBO shows Brian Cox in a scene from "Succession." (HBO via AP)
This image released by HBO shows Brian Cox in a scene from "Succession." (HBO via AP)

Emmy Awards host Kenan Thompson and the ceremony's producers are promising a feel-good event — a phrase not applicable to several of the top nominated shows.

The best drama contenders include the violently dystopian "Squid Game," bleak workplace satire "Severance" and "Succession," about a powerful and cutthroat family. Even comedy nominee "Ted Lasso," the defending champ, took a storytelling dark turn.

But after several pandemic-constrained awards seasons, Monday's 74th Primetime Emmy Awards (airing 8 p.m. EDT on NBC, streaming on Peacock) will be big and festive, executive producers Reginald Hudlin and Ian Stewart said.

They're actually taking a page from last year's scaled-down ceremony and its club-style table seating for nominees.

"They had a ball. They had a party. They celebrated themselves," Stewart said, recalling a comment made by actor Sophia Bush at the evening's end: "Oh, my God, I actually had fun at the Emmys."

The tables will be back and again reserved for nominees — and their "significants," Stewart said — but there will be some 3,000 other guests seated traditionally in the temporarily reconfigured 7,000-seat Microsoft Theater in downtown Los Angeles.

"When the nominees are having a great time that translates on screen," Hudlin said, citing the "passionate, touching" speeches delivered by winners.

Thompson, the veteran "Saturday Night Live" cast member taking his first turn as Emmys host, said he wants to enjoy the ceremony and make sure others do.

"This should be a night of appreciating artistry and creativity and removing the stress of it all out. I get it — it sucks to lose, and everybody’s picking outfits and trying to do the red carpet thing," Thompson said. "But at the same time, it’s an awesome thing to be in the room on Emmys night, and I don’t want that to get lost in the stress."

He doesn't expect anything mirroring the Will Smith-Chris Rock confrontation that cast a shadow over the Oscars earlier this year, Thompson said.

Although HBO's "Succession," which won the best drama series award in 2020, and "Ted Lasso" from Apple TV+ are considered the frontrunners for top series honors, there's potential for surprises. Netflix's "Squid Game," a global sensation, would be the first non-English language drama series to win an Emmy.

On the comedy side, ABC's acclaimed newcomer "Abbott Elementary" could become the first broadcast show to win the best comedy award since the network's "Modern Family" in 2014. It's also among the few contenders this year, along with "Squid Game," to field a substantial number of nominees of color.

At the Emmy creative arts ceremonies held earlier this month, the mockumentary-style show about educators in an underfunded Philadelphia school, won the trophy for outstanding comedy series casting. "Succession" won the drama series casting award.

"The Crown," last year's big winner, wasn't in the running this time because it sat out the Emmys eligibility period. The dramatized account of Queen Elizabeth's reign and family life will return for its fifth season in November, as Britain mourns the loss of its longest-serving monarch who died Thursday at age 96.



Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
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Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)

Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation.

But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84.

The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985.

Its popularity has been fueled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world.

In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator, raising questions over copyright.

The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region.

Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child.

"I started collecting all the DVDs," she told AFP.

Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26.

"I probably watch 'Spirited Away' about 10 times a year still."

- 'Whiff of death' -

Before Ghibli, most cartoons in Japan, known as anime, were made for children.

But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP.

"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films.

For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude," Goro said.

Even "My Neighbor Totoro," with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.

Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees.

"In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said.

The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example.

The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued," Napier said.

- Natural world -

Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world.

A case in point was 1997's "Princess Mononoke", distributed internationally by Disney.

The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie," Napier said.

It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess."

Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change," she added.

Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature.

"That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time."

- French connection -

Miyazaki and Takahata, who died in 2018, could create imaginative worlds because of their openness to other cultures, Yonemura said.

Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees".

Takahata studying French literature at university "was a big factor," Yonemura said.

"Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories."

Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology.

Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges," Yonemura said.

Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive," Napier said.

"The more I study, the more I realize this was a unique cultural moment," she said.

"It's so widely loved that I think it will carry on," said Ghibli fan Divall.

"As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said.