Suits and Signet Rings: Charles's Fashion Through the Ages

Charles's sartorial flair earned him the title of world's best-dressed man FAYEZ NURELDINE POOL/AFP
Charles's sartorial flair earned him the title of world's best-dressed man FAYEZ NURELDINE POOL/AFP
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Suits and Signet Rings: Charles's Fashion Through the Ages

Charles's sartorial flair earned him the title of world's best-dressed man FAYEZ NURELDINE POOL/AFP
Charles's sartorial flair earned him the title of world's best-dressed man FAYEZ NURELDINE POOL/AFP

Whether a bespoke three-piece suit or the waxed jacket of the upper-class rural set, Charles's characteristic style has rarely strayed from the predictable during his decades in the public eye.

But his sartorial flair did earn him the title of world's best-dressed man -- an honor he laughed off as unlikely, AFP said.

The new king's clothes and shoes are made by the best in the land.

Charles, whose spending has long been criticized, is said to own hundreds of classically cut suits, many from Anderson & Sheppard on London's Savile Row.

An army of valets oversees his wardrobe changes, often several times a day, and according to a recent biography, one of them is even in charge of keeping his shoelaces well-pressed.

Esquire magazine in 2009 named Charles as the world's best-dressed man, although the man himself joked that it was just a way to sell more copies.

At a London Fashion Week reception in 2012, he described his style as, in some respects, timeless.

"I have lurched from being the best-dressed man to being the worst-dressed man," he said.

"Meanwhile, I have gone on -- like a stopped clock -- and my time comes around every 25 years."

- Shorts, ties and traditional dress -

Childhood photographs of Charles show him in shorts but also in a tie, sometimes a blazer and while in Scotland, in a kilt with knee-high socks.

As a young man, he opted for a sportier look, including polo shirts, and has been keen to accessorize, with sunglasses, cufflinks and even a matching neck tie over a ski suit.

Charles wears a signet ring on his little finger and has always had the same impeccable side parting.

He has also readily embraced local traditions while on overseas travels, particularly different headgear.

In Saudi Arabia in 2014, he wore a traditional dress while trying his hand at sword dancing.

And in Ghana in 1977, he wore a striped tribal outfit. In 2010, on a visit to Afghanistan, he wore camouflage fatigues while visiting troops.

But Charles draws the line at lycra: in June 2021, he sported a tan blazer, chinos, tie and suede shoes to cycle to a charity fundraiser.

"It's a nightmare getting into it," he said of the tight-fitting stretchy sportswear when presented with a cycling jersey.

Uniforms and sustainability
Now in his 70s, Charles often wears double-breasted suits with a silk pocket square setting off a tie.

At his Highgrove estate in Gloucestershire, western England, he cultivates the look of a gentleman farmer, hands buried deep in the huge pockets of a Barbour waxed jacket.

On special occasions, such as appearances on the balcony of Buckingham Palace or when meeting the regiments that he heads, military uniform is de rigueur.

For his 60th birthday portrait, he wore the red ceremonial uniform of the Welsh Guards, with medals on his chest and a golden sword on his belt.

In recent years, Charles has been eager to burnish his environmental credentials, explaining that he does not like to throw out his old clothes.

For his younger son Harry's 2018 wedding to Meghan Markle, he wore a pearl-grey frock coat from 1984.

"As long as I can go on getting into it, I only wear it a few times a year, in the summer, so obviously you want to keep those sorts of things going," he told Vogue.

"But if I can't fit into them, then I just have to have something new made. But I'm not sure quite how radically different they can be at my age."

He has also been seen wearing the same two coats -- one double-breasted tweed and the other camelhair -- for years.

"His tailors keep large pieces of fabric, to eventually repair them," explained Michel Faure, who has written a biography on Charles.

In 2020, Charles backed a new sustainable menswear and womenswear range supported by his charitable foundation, with clothes made from natural fibers, including cashmere, wool and organic silk.

They are designed to last a lifetime, with profits going to support the foundation's training program and to help preserve traditional skills.

"It seems utter madness to have this approach which takes, makes and throws away," he said.



French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
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French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)

Just days before her third runway show, French designer Pauline Dujancourt was riding a wave of excitement and nerves.

The 31-year-old admitted she had begun having strange, nightmarish dreams ahead of her big moment at London Fashion Week on Sunday.

The British capital will once again host its Autumn/Winter fashion week from Thursday to Monday, after New York's bonanza and before the catwalk carousel moves to Milan and Paris.

London, known for its raw creative energy and rising talents, is where Dujancourt launched her label in April 2022 after training at the renowned arts and design school Ecole Duperre in Paris, and fashion hub Central Saint Martins in London.

She and her team began work in November on her autumn-winter 2026/27 collection to be unveiled before some 450 guests -- journalists, buyers and VIP clients.

For designers, everything comes down to those few precious minutes on the catwalk. It's no wonder nervousness mixes with the creative buzz.

"I go through every emotion," Dujancourt told AFP with a smile. "Some days I'm super excited, full of ideas, and others I'm like: why did I pick this color, this fabric?"

The questions and worries snowball: "Will everyone be on time? Will there be last-minute hitches on the day?"

In recent weeks, she has been running her daily schedule with military precision.
Dujancourt works year-round with four assistant designers, but the team swells to around 50 people ahead of the show.

And she works with a community of knitters in Lima, Peru, with handknitting -- "something that my grandmother taught me as a child" -- being a hallmark of her garments.

"She was so skillful and so humble about it. And no one really realized how much work it takes and how much technique it takes," she said.

Known for her sensual, airy knitwear, Dujancourt was a finalist for the LVMH Prize, won Elle UK's young talent award, and is supported by the British Fashion Council.

Her clients span the globe from Japan to the United States, France and the UK, with regular requests for wedding dresses.

Her new collection pays tribute to women persecuted during historical witch hunts.

"I really want to celebrate the fact that there are so many women around the world who are working so humbly on domestic skills ... like sewing, hand knitting," she said.

Two weeks before the show, young seamstresses were crocheting floral motifs in mohair and Japanese metallic thread at a south London studio overlooking the Thames river and Big Ben.

Workers were hunched over their desks pouring over designs, with the looks still "in pieces".

Then comes the moment when everything is assembled. "It's the magical stage, when the clothes start to come alive," she said, her blue eyes lighting up her face framed by long dark hair.

Less than a week before the show, fittings begin with an in-house model, followed by the castings to find the right models.

On the eve of the show come final fittings, hair and make-up tests. And finally, on Sunday morning, the full rehearsal.

Show day always brings surprises. At Dujancourt's last catwalk in September, several models arrived extremely late, held up by another show.

"They turned up still wearing the other show's make-up. We had to dress them and redo everything ... I nearly died," she recalled.

What is her worst nightmare? A model tripping or garments ripping in front of the cameras.

"I once dreamt I'd forgotten to get dressed before coming out to greet the audience -- that would be a bit embarrassing," she joked.

Around 25 outfits will strut the catwalk on Sunday, a moment that "goes by in a flash".
Afterwards comes the crash.

"We barely see it happening ... because we are backstage in the madness and the chaos of it," she said.

But then it's finished "and there's a bit of baby blues afterwards," as she comes down off the adrenaline rush.

Dujancourt heads to Paris after London Fashion Week to meet buyers, before work begins again for her next show, in September.


Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 
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Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 

The Saudi Fashion Commission signed a memorandum of understanding (MoU) with the Saudi Retail Academy to develop national capabilities and boosting specialized skills in the fashion and retail sectors, reported the Saudi Press Agency on Monday.

The MoU aims to support local talent and the creation of sustainable employment opportunities in this vital industry. It stems from the two sides’ keenness to cooperate in the fields of training and professional development.

The agreement was signed on the sidelines of the graduation ceremony of the academy’s first cohort.

The Fashion Commission focuses on developing local talent, transferring global expertise, and advancing the fashion sector in the Kingdom, while the Saudi Retail Academy is a non-profit institute and a specialized entity in training and development in the retail field and in building professional competencies and skills related to retail and sales.

The MoU aims to establish a framework for cooperation to design and implement specialized training programs that boost the readiness of national cadres and qualify them according to the highest professional standards, with a focus on developing skills in sales, customer experience, and store management to meet labor market requirement and the needs of the growing fashion sector.

Fashion Commission chief executive Burak Cakmak said that developing human capital is a fundamental pillar for the long-term growth of the Kingdom’s fashion sector.

The partnership reflects the commitment to strengthening the capabilities that form the foundation of a competitive and sustainable industry through investment in specialized skills within retail and customer experience, enabling brands to grow and supporting the sector’s confident evolution, he added.

Saudi Retail Academy chief executive Hend Al-Dhaban stressed that the partnership embodies a shared vision to empower national talent and elevate professionalism in the retail sector.

The agreement will help channel training expertise to meet the specialized needs of the fashion sector and equip young men and women with the practical skills required to succeed in the labor market, thereby boosting service quality and supporting localization targets and economic growth, she explained.

This cooperation is part of the Fashion Commission’s ongoing efforts to develop the fashion value chain through building strategic partnerships with specialized training and education entities, expanding professional opportunities for national talent, and linking education and training outputs with labor-market needs.

Through their partnership, the commission and the academy will help in building an integrated ecosystem that connects education, vocational qualification, and employment, bolstering the competitiveness of the fashion and retail sectors and supporting the objectives of Saudi Vision 2030 in empowering national cadres, localizing jobs, and improving quality of life.


Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
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Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA

The Fashion Commission launched its Saudi 100 Brands showcase at the Saudi Cup 2026, marking a historic milestone for the world-renowned equestrian event at King Abdulaziz Racecourse in Riyadh.
The collections celebrate Saudi heritage by blending traditional and contemporary design. Jewelry and accessory brands also exhibited throughout, providing Saudi designers with a platform to reach a broader global audience. These showcases emphasize the fusion of heritage and modern design, offering a new perspective on the Kingdom's creative identity.
The Saudi 100 Brands program, a flagship initiative of the Fashion Commission, supports emerging designers by providing tools, expertise, and platforms to grow their global presence. This collaboration with the Saudi Cup underscores the importance of celebrating cultural heritage while advancing design innovation.

Each piece in the exhibition incorporates heritage motifs, textiles, and storytelling, reimagined through innovative design to appeal to modern and international audiences.

The exhibition aims to celebrate national identity, highlight local creative talent, and present the evolving direction of Saudi fashion, SPA reported.

Visitors explored the intersection of craftsmanship and cultural expression, discovering how designers honor tradition while advancing fashion design.

The experience also introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem.

This participation reflects the Fashion Commission’s vision to develop a thriving fashion sector rooted in cultural heritage and global ambition. By combining cultural narratives with innovative design, the commission enables Saudi fashion to contribute to global creative industries, nurture talent, and position Saudi brands for sustained success.