South Korean Celebration of 'Squid Game' Emmy Wins Subdued

A TV screen show the casting members of Squid Game during a news program at the Seoul Railway Station in Seoul, South Korea, Tuesday, Sept. 13, 2022. (AP Photo/Ahn Young-joon) THE ASSOCIATED PRESS
A TV screen show the casting members of Squid Game during a news program at the Seoul Railway Station in Seoul, South Korea, Tuesday, Sept. 13, 2022. (AP Photo/Ahn Young-joon) THE ASSOCIATED PRESS
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South Korean Celebration of 'Squid Game' Emmy Wins Subdued

A TV screen show the casting members of Squid Game during a news program at the Seoul Railway Station in Seoul, South Korea, Tuesday, Sept. 13, 2022. (AP Photo/Ahn Young-joon) THE ASSOCIATED PRESS
A TV screen show the casting members of Squid Game during a news program at the Seoul Railway Station in Seoul, South Korea, Tuesday, Sept. 13, 2022. (AP Photo/Ahn Young-joon) THE ASSOCIATED PRESS

South Koreans shared congratulations on social media Tuesday for the multiple wins by “Squid Game” at the Emmy Awards, but the overall reaction was subdued as the country grows accustomed to its increasingly prominent role in global entertainment.

From K-pop sensations BTS and BLACKPINK to the movie “Parasite” that won four Oscars, South Korean pop culture is now a global phenomenon. While it was big news that “Squid Game” became the first South Korean drama to win an Emmy, many South Koreans weren't as surprised by such triumphs as in the past.

South Korean social media were flooded with messages after the star of the Netflix drama, Lee Jung-jae, won the award for best male actor in a drama series, and its creator, Hwang Dong-hyuk, the award for best drama director on Monday. Both were the first Asians to win in those categories.

President Yoon Suk Yeol congratulated Lee and Hwang, saying the entire nation was celebrating their accomplishments in a show that resonated with viewers around the world.

“(We) hope that (you) will continue to be active with your work and appear in good works that move hearts around the world,” Yoon said in a message to Lee he shared on Facebook.

Seoul Mayor Oh Se-hoon wrote on Facebook that he was proud that South Korean artists are producing work that is “enthusiastically celebrated and emphasized by the whole world.”

Ordinary citizens also wrote congratulatory messages on social media. But some messages were critical of the drama, and the level of elation was much lower than when Bong Joon Ho’s “Parasite” became the first non-English-language film to win best picture at the Academy Awards in 2020 and won three other Oscars.

The president at the time, Moon Jae-in, and his advisers began a regular meeting by clapping to celebrate the Oscars, and South Korean media extensively played up the news.

Several hours after the Emmy wins by “Squid Game," the news was still on the front pages of the internet editions of major South Korean media outlets, but not at the top, which was dominated by domestic politics.

“People are getting used to (major awards),” film critic Kim See-moo said. “Bong Joon-ho took home four Oscars for ‘Parasite,’ another one of our actors won an Oscar for ‘Minari’ and then Park Chan-wook won best director at Cannes (for ‘Decision to Leave’). South Koreans no longer think there are any entry barriers for these awards, and they think anyone has a shot at winning if they put in the hard work.”

Kim noted that South Koreans are less familiar with the Emmys than the Oscars, partly because Korean dramas previously didn’t have a large presence in the United States.

“South Korean TV dramas have been huge in Asia for years, especially in markets where people share similar emotional sentiments with South Koreans,” Kim said. “‘Squid Game’ became a broader global hit because it tackled the intense global issue that is inequality, but also took a refreshing approach by telling that story through a brutal and deadly competition of children’s games.”

“As a Korean, I’m very proud of (the drama),” Choi Hyun Sik, a 32-year-old office worker, told The Associated Press. “I once again came to realize how popular ‘Squid Game’ was.”

”(Lee) made an award speech in English but at the end he spoke in Korean and highlighted his fans and people in South Korea, so I was really touched by that,” said Jeong Ye-won, a 22-year-old university student.

Squid Game is a brutal survival drama about desperate adults competing in deadly children’s games for a chance to escape debt. In the drama, Lee stars as the show’s protagonist, Seong Gi-hun, a laid-off autoworker coping with a messy divorce and struggling with constant business failures and gambling problems.



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.