Jimmy Kimmel Signs 3-Year Extension for ABC Late-Night Show

Jimmy Kimmel appears at the 74th Primetime Emmy Awards in in Los Angeles on Monday, Sept. 12, 2022. (AP)
Jimmy Kimmel appears at the 74th Primetime Emmy Awards in in Los Angeles on Monday, Sept. 12, 2022. (AP)
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Jimmy Kimmel Signs 3-Year Extension for ABC Late-Night Show

Jimmy Kimmel appears at the 74th Primetime Emmy Awards in in Los Angeles on Monday, Sept. 12, 2022. (AP)
Jimmy Kimmel appears at the 74th Primetime Emmy Awards in in Los Angeles on Monday, Sept. 12, 2022. (AP)

Jimmy Kimmel celebrated his 20th anniversary as ABC’s late-night host early, signing a three-year contract extension for “Jimmy Kimmel Live!”

“After two decades at ABC, I am now looking forward to three years of what they call ‘quiet quitting,’” Kimmel quipped in a statement Tuesday.

His show debuted in January 2003, and the new deal means he will remain with it into the 2025-26 season — giving him a generous window to make comedic hay out of politicians, who are favorite monologue targets, and the 2024 presidential election.

Among network late-night hosts, Kimmel, CBS’ Stephen Colbert and James Corden and NBC’s Seth Meyers wade regularly into political humor, with Kimmel amping up the focus during the Donald Trump years inside and outside of the White House.

Kimmel’s decision contrasts with changes in late-night programming. Conan O’Brien wrapped his show in 2021, Corden announced that he’s leaving “The Late Late Show” next year for other opportunities, and TBS said that “Full Frontal with Samantha Bee” was ending after seven seasons.

Besides his late-night job, Kimmel has become a mainstay as an awards hosts — including for 2017 Oscars when he tried to smooth over the best picture envelopw mix-up that led presenters Warren Beatty and Faye Dunaway to wrongly announce “La La Land” as the winner over “Moonlight.”

The three-time Emmys host had a misstep of his own at the Sept. 12 TV awards ceremony, during the presentation of the comedy series writing trophy to Quinta Brunson, creator-star of ABC’s comedy “Abbott Elementary.”

A pretend-drunk Kimmel had been dragged on stage by co-presenter Will Arnett, who announced Brunson’s award, and Kimmel remained flat on his back during her acceptance speech. He was roasted online as thoughtless by some and cited as an example of white-male arrogance by others, and offered an on-air apology to Brunson two days later on his show.

“The last thing I would ever want to do is upset you, because I think so much of you. I think you know that. I hope you know that,” he told her, with Brunson replying, “It’s very kind of you to say that.”

Kimmel also hosts and, with Norman Lear, is executive producer of ABC’s specials “Live in Front of a Studio Audience,” which revisit episodes of classic Lear sitcoms including “All in the Family.” Kimmel also is the creator of the game show, “Generation Gap,” hosted by Kelly Ripa.

He’ll be taking his late-night show, nominated 12 consecutive times for best variety-talk series, to Brooklyn for a week this month. Kimmel, whose long-time sidekick is Guillermo Rodriguez, is known for comedy bits including “I Told My Kids I Ate All Their Halloween Candy,” which are seen on the show and on the YouTube channel that has extended his audience.

Craig Erwich, president of ABC Entertainment, said in a statement that Kimmel has not only entertained viewers with his irreverent humor and interviews but also “gotten us through some of the most momentous events in our history with optimism and heart.”

The host has shared moving details about his young son’s medical issue and called for health care reforms.



Statham’s 'A Working Man’ Upsets ‘Snow White’ to Take No. 1 at Box Office

This image released by Amazon MGM Studios shows Jason Statham in a scene from "A Working Man." (Dan Smith/Amazon MGM Studios via AP)
This image released by Amazon MGM Studios shows Jason Statham in a scene from "A Working Man." (Dan Smith/Amazon MGM Studios via AP)
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Statham’s 'A Working Man’ Upsets ‘Snow White’ to Take No. 1 at Box Office

This image released by Amazon MGM Studios shows Jason Statham in a scene from "A Working Man." (Dan Smith/Amazon MGM Studios via AP)
This image released by Amazon MGM Studios shows Jason Statham in a scene from "A Working Man." (Dan Smith/Amazon MGM Studios via AP)

In an unexpected upset, the Jason Statham thriller “A Working Man” took No. 1 at the box office, besting the rapidly declining “Snow White,” according to studio estimates Sunday.

Even after a lackluster debut, the Walt Disney Co.’s live-action remake was predicted to remain the top film in US and Canadian theaters over the weekend. Instead, “Snow White,” plagued by bad buzz and backlash, nosedived in its second weekend and dropped 66%, The Associated Press reported.

At the same time, Amazon MGM Studios’ “A Working Man,” directed by David Ayer, beat expectations with a $15.2 million debut. Co-written by Sylvester Stallone, “A Working Man” reteams Statham and Ayer following last year’s successful “The Beekeeper” ($162 million worldwide). This time around, Statham plays a construction worker with an elite military past.

While reviews have been mixed and audiences only gave “A Working Man” a “B” CinemaScore, showing Statham has carved out something rare in the movie industry today: bankability. “A Working Man” opened similarly to “The Beekeeper,” which launched with $16.5 million.

The bigger headline, though, might have been the fast erosion of ticket buyers' appetite for “Snow White.” The film, directed by Marc Webb and starring Rachel Zegler, had been hoped to lift movie theaters after a painful start to 2025. Produced for more $250 million, the film has turned into a poisoned apple, with a two-week global haul of $143.1 million.

Next weekend, Warner Bros.’ “A Minecraft Movie,” is expected to win the weekend and will, like “Snow White,” target family audiences.

A trio of newcomers – A24’s “Death of a Unicorn,” Universal and Blumhouse’s “The Woman in the Yard,” and the Fathom’s “Chosen: The Last Supper” – also opened over the weekend, though none made a big impact.
“The Chosen: The Last Supper,” fared the best, with $11.5 million in 2,235 theaters. The Christian TV series, now in its fifth season, has regularly driven ticket sales before streaming. More episodes will roll out in theaters through April.
“Death of a Unicorn,” a horror comedy starring Jenna Ortega and Paul Rudd, portrays a father and daughter who hit a unicorn on the road while they're driving. The movie collected a modest $5.8 million from 3,050 theaters.
The weekend’s more straightforward horror contender, Blumhouse’s “The Woman in the Yard,” starring Danielle Deadwyler, debuted with $9.4 million from 2,842 cinemas. In “Black Adam” director Jaume Collet-Serra’s film, a mysterious woman keeps appearing in a family’s front yard. Though it cost little to make, with a production budget of $12 million, it has been slammed by critics.
One of the weekend’s biggest successes was the 1997 Studio Ghibli classic “Princess Mononoke." The Hayo Miyazaki film grossed $4 million across just 347 IMAX screens. Distributor GKids touted that result as a victory for humanity over technology. Earlier in the week, a new version of ChatGPT allowed users to render images in Studio Ghibli-like animation.
Sony Pictures Classic’s “The Penguin Lesson,” starring Steve Coogan and Jonathan Pryce, opened with $1.2 million at 1,017 theaters. Coogan plays an Englishman teaching in Argentina in 1976 who rescues a penguin from an oil spill.
With flagging ticket sales overall, Hollywood marked the first quarter of 2025 with a sizeable box-office deficit. Sales are down 11% from the same point in 2024, and nearly 40% from 2019, according to Comscore.
“Hopefully ‘Minecraft’ can help the marketplace level up since after some underwhelming weekends at the box office we need to get some momentum back at the multiplex,” said Paul Dergarabedian, senior media analyst for Comscore.