Jimmy Kimmel Signs 3-Year Extension for ABC Late-Night Show

Jimmy Kimmel appears at the 74th Primetime Emmy Awards in in Los Angeles on Monday, Sept. 12, 2022. (AP)
Jimmy Kimmel appears at the 74th Primetime Emmy Awards in in Los Angeles on Monday, Sept. 12, 2022. (AP)
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Jimmy Kimmel Signs 3-Year Extension for ABC Late-Night Show

Jimmy Kimmel appears at the 74th Primetime Emmy Awards in in Los Angeles on Monday, Sept. 12, 2022. (AP)
Jimmy Kimmel appears at the 74th Primetime Emmy Awards in in Los Angeles on Monday, Sept. 12, 2022. (AP)

Jimmy Kimmel celebrated his 20th anniversary as ABC’s late-night host early, signing a three-year contract extension for “Jimmy Kimmel Live!”

“After two decades at ABC, I am now looking forward to three years of what they call ‘quiet quitting,’” Kimmel quipped in a statement Tuesday.

His show debuted in January 2003, and the new deal means he will remain with it into the 2025-26 season — giving him a generous window to make comedic hay out of politicians, who are favorite monologue targets, and the 2024 presidential election.

Among network late-night hosts, Kimmel, CBS’ Stephen Colbert and James Corden and NBC’s Seth Meyers wade regularly into political humor, with Kimmel amping up the focus during the Donald Trump years inside and outside of the White House.

Kimmel’s decision contrasts with changes in late-night programming. Conan O’Brien wrapped his show in 2021, Corden announced that he’s leaving “The Late Late Show” next year for other opportunities, and TBS said that “Full Frontal with Samantha Bee” was ending after seven seasons.

Besides his late-night job, Kimmel has become a mainstay as an awards hosts — including for 2017 Oscars when he tried to smooth over the best picture envelopw mix-up that led presenters Warren Beatty and Faye Dunaway to wrongly announce “La La Land” as the winner over “Moonlight.”

The three-time Emmys host had a misstep of his own at the Sept. 12 TV awards ceremony, during the presentation of the comedy series writing trophy to Quinta Brunson, creator-star of ABC’s comedy “Abbott Elementary.”

A pretend-drunk Kimmel had been dragged on stage by co-presenter Will Arnett, who announced Brunson’s award, and Kimmel remained flat on his back during her acceptance speech. He was roasted online as thoughtless by some and cited as an example of white-male arrogance by others, and offered an on-air apology to Brunson two days later on his show.

“The last thing I would ever want to do is upset you, because I think so much of you. I think you know that. I hope you know that,” he told her, with Brunson replying, “It’s very kind of you to say that.”

Kimmel also hosts and, with Norman Lear, is executive producer of ABC’s specials “Live in Front of a Studio Audience,” which revisit episodes of classic Lear sitcoms including “All in the Family.” Kimmel also is the creator of the game show, “Generation Gap,” hosted by Kelly Ripa.

He’ll be taking his late-night show, nominated 12 consecutive times for best variety-talk series, to Brooklyn for a week this month. Kimmel, whose long-time sidekick is Guillermo Rodriguez, is known for comedy bits including “I Told My Kids I Ate All Their Halloween Candy,” which are seen on the show and on the YouTube channel that has extended his audience.

Craig Erwich, president of ABC Entertainment, said in a statement that Kimmel has not only entertained viewers with his irreverent humor and interviews but also “gotten us through some of the most momentous events in our history with optimism and heart.”

The host has shared moving details about his young son’s medical issue and called for health care reforms.



The Real-Life Violence That Inspired South Korea’s ‘Squid Game'

Riot police march in front of the main building of Ssangyong Motor in Pyeongtaek, 70km south of Seoul, on August 6, 2009. (AFP)
Riot police march in front of the main building of Ssangyong Motor in Pyeongtaek, 70km south of Seoul, on August 6, 2009. (AFP)
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The Real-Life Violence That Inspired South Korea’s ‘Squid Game'

Riot police march in front of the main building of Ssangyong Motor in Pyeongtaek, 70km south of Seoul, on August 6, 2009. (AFP)
Riot police march in front of the main building of Ssangyong Motor in Pyeongtaek, 70km south of Seoul, on August 6, 2009. (AFP)

A factory turned into a battlefield, riot police armed with tasers and an activist who spent 100 days atop a chimney -- the unrest that inspired Netflix's most successful show ever has all the hallmarks of a TV drama.

This month sees the release of the second season of "Squid Game", a dystopian vision of South Korea where desperate people compete in deadly versions of traditional children's games for a massive cash prize.

But while the show itself is a work of fiction, Hwang Dong-hyuk, its director and writer, has said the experiences of the main character Gi-hun, a laid-off worker, were inspired by the violent Ssangyong strikes in 2009.

"I wanted to show that any ordinary middle-class person in the world we live in today can fall to the bottom of the economic ladder overnight," he has said.

In May 2009, Ssangyong, a struggling car giant taken over by a consortium of banks and private investors, announced it was laying off more than 2,600 people, or nearly 40 percent of its workforce.

That was the beginning of an occupation of the factory and a 77-day strike that ended in clashes between strikers armed with slingshots and steel pipes and riot police wielding rubber bullets and tasers.

Many union members were severely beaten and some were jailed.

- 'Many lost their lives' -

The conflict did not end there.

Five years later, union leader Lee Chang-kun held a sit-in for 100 days on top of one of the factory's chimneys to protest a sentence in favor of Ssangyong against the strikers.

He was supplied with food from a basket attached to a rope by supporters and endured hallucinations of a tent rope transformed into a writhing snake.

Some who experienced the unrest struggled to discuss "Squid Game" because of the trauma they endured, Lee told AFP.

The repercussions of the strike, compounded by protracted legal battles, caused significant financial and mental strain for workers and their families, resulting in around 30 deaths by suicide and stress-related issues, Lee said.

"Many have lost their lives. People had to suffer for too long," he said.

He vividly remembers the police helicopters circling overhead, creating intense winds that ripped away workers' raincoats.

Lee said he felt he could not give up.

"We were seen as incompetent breadwinners and outdated labor activists who had lost their minds," he said.

"Police kept beating us even after we fell unconscious -- this happened at our workplace, and it was broadcast for so many to see."

Lee said he had been moved by scenes in the first season of "Squid Game" where Gi-hun struggles not to betray his fellow competitors.

But he wished the show had spurred real-life change for workers in a country marked by economic inequality, tense industrial relations and deeply polarized politics.

"Despite being widely discussed and consumed, it is disappointing that we have not channeled these conversations into more beneficial outcomes," he said.

- 'Shadow of state violence' -

The success of "Squid Game" in 2021 left him feeling "empty and frustrated".

"At the time, it felt like the story of the Ssangyong workers had been reduced to a commodity in the series," Lee told AFP.

"Squid Game", the streaming platform's most-watched series of all time, is seen as embodying the country's rise to a global cultural powerhouse, part of the "Korean wave" alongside the Oscar-winning "Parasite" and K-pop stars such as BTS.

But its second season comes as the Asian democracy finds itself embroiled in some of its worst political turmoil in decades, triggered by conservative President Yoon Suk Yeol's failed bid to impose martial law this month.

Yoon has since been impeached and suspended from duties pending a ruling by the Constitutional Court.

That declaration of martial law risked sending the Korean wave "into the abyss", around 3,000 people in the film industry, including "Parasite" director Bong Joon-ho, said in a letter following Yoon's shocking decision.

Vladimir Tikhonov, a Korean studies professor at the University of Oslo, told AFP that some of South Korea's most successful cultural products highlight state and capitalist violence.

"It is a noteworthy and interesting phenomenon -- we still live in the shadow of state violence, and this state violence is a recurrent theme in highly successful cultural products."