Jolie Details Brad Pitt Abuse Allegations in Court Filing

In this file photo taken on January 15, 2012 actors Angelina Jolie and Brad Pitt arrive at the 69th Annual Golden Globe Awards held at the Beverly Hilton Hotel in Beverly Hills, California. (AFP)
In this file photo taken on January 15, 2012 actors Angelina Jolie and Brad Pitt arrive at the 69th Annual Golden Globe Awards held at the Beverly Hilton Hotel in Beverly Hills, California. (AFP)
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Jolie Details Brad Pitt Abuse Allegations in Court Filing

In this file photo taken on January 15, 2012 actors Angelina Jolie and Brad Pitt arrive at the 69th Annual Golden Globe Awards held at the Beverly Hilton Hotel in Beverly Hills, California. (AFP)
In this file photo taken on January 15, 2012 actors Angelina Jolie and Brad Pitt arrive at the 69th Annual Golden Globe Awards held at the Beverly Hilton Hotel in Beverly Hills, California. (AFP)

A court filing Tuesday from Angelina Jolie alleges that on a 2016 flight, Brad Pitt grabbed her by the head and shook her then choked one of their children and struck another when they tried to defend her.

The descriptions of abuse on the private flight came in a cross-complaint Jolie filed in the couple's dispute over a French home and winery they co-owned that is separate from their ongoing divorce, which she sought soon after.

A representative for Pitt, who was not authorized to speak publicly, strongly denied Jolie’s allegations and called them “another rehash that only harms the family.”

The allegations of abuse on the plane first became public shortly after the flight, but reports were initially vague and details were kept sealed in divorce documents and investigations by the FBI and Los Angeles County Department of Children and Family Services, both of which found that no action against Pitt was necessary.

A judge gave Pitt 50-50 custody of the children after a closed-door trial in which the allegations were aired. But an appeals court subsequently disqualified the private judge for not disclosing possible conflicts of interest after a motion from Jolie, nullifying the decision.

More details of the allegations were revealed earlier this year when a Jolie lawsuit against the FBI over a Freedom of Information Act request was made public.

The New York Times first reported the court filing.

The filing says that on Sept. 14, 2016, Jolie, Pitt and their six children were traveling from the winery, Chateau Miraval, to Los Angeles.

“Pitt’s aggressive behavior started even before the family got to the airport, with Pitt having a confrontation with one of the children. After the flight took off, Jolie approached Pitt and asked him what was wrong,” the filing says. “Pitt accused her of being too deferential to the children and verbally attacked her.”

Later, it says, “He pulled her into the bathroom and began yelling at her. Pitt grabbed Jolie by the head and shook her, and then grabbed her shoulders and shook her again before pushing her into the bathroom wall.”

One of the children, who were between 8 and 15 years old at the time, verbally defended Jolie, the countersuit says, and Pitt lashed out.

“Pitt lunged at his own child and Jolie grabbed him from behind to stop him. To get Jolie off his back, Pitt threw himself backwards into the airplane’s seats injuring Jolie’s back and elbow,” the filing says. “The children rushed in and all bravely tried to protect each other. Before it was over, Pitt choked one of the children and struck another in the face.”

The document says he subsequently poured beer on Jolie and poured beer and red wine on the children.

Jolie's gave an account of the flight to two FBI investigators in the days that followed. It appeared in a heavily redacted report later released by the agency.

It included a photo of a bruise on Jolie's elbow and a “rug-burn type injury” on her hand. In it she said that she had seen Pitt have two to three drinks, but said he appeared articulate and not intoxicated.

The investigators met with federal prosecutors, and “It was agreed by all parties that criminal charges in this case would not be pursued due to several factors,” the report says.

An FBI statement said it has “conducted a review of the circumstances and will not pursue further investigation.”

The 47-year-old Oscar-winning actor and director Jolie and the 58-year-old Oscar-winning actor Pitt were among Hollywood’s most prominent couples for 12 years.

They had been romantic partners for a decade when they married in 2014. Jolie filed for divorce in 2016, and a judge declared them single in 2019, but the divorce case has not been finalized with custody and financial issues still in dispute.



Tom Cruise Touts ‘Wild’ Dark Comedy ‘Digger’ to Theater Owners

 Cast member Tom Cruise and director Alejandro Gonzalez Inarritu of the upcoming film "Digger" react during the Warner Bros. Pictures presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 14, 2026. (Reuters)
Cast member Tom Cruise and director Alejandro Gonzalez Inarritu of the upcoming film "Digger" react during the Warner Bros. Pictures presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 14, 2026. (Reuters)
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Tom Cruise Touts ‘Wild’ Dark Comedy ‘Digger’ to Theater Owners

 Cast member Tom Cruise and director Alejandro Gonzalez Inarritu of the upcoming film "Digger" react during the Warner Bros. Pictures presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 14, 2026. (Reuters)
Cast member Tom Cruise and director Alejandro Gonzalez Inarritu of the upcoming film "Digger" react during the Warner Bros. Pictures presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 14, 2026. (Reuters)

Tom Cruise said he took four decades of acting to get to a place where he could play the eccentric oil tycoon at the center of an upcoming dark comedy, "Digger."

Cruise introduced the first images from the movie on Tuesday at the CinemaCon convention of theater owners in Las Vegas.

They showed the 63-year-old transformed into the character Digger Rockwell, an older man with thinning gray hair, a beer belly, a Southern accent and a fondness ‌for cats.

In ‌the movie, Rockwell inadvertently unleashes an ecological disaster that ‌carries ⁠the world to ⁠the brink of nuclear war, before scrambling to try and save the planet.

"It took 40 years to be able to put on the boots of Digger Rockwell and play the many, many layers of this character," Cruise said. "The movie is wild, it's funny, and I can't wait for you all to see it."

The Warner Bros movie is set ⁠to debut in theaters in October.

Cruise was joined on ‌stage by the film's director, four-time Oscar ‌winner Alejandro Inarritu.

The maker of "Birdman" and "The Revenant" said he and Cruise first discussed ‌the film seven years ago.

Cruise, who was filming "Top Gun: Maverick" ‌at the time, said he had been an admirer of Inarritu's films and rushed over to the director's house on his motorcycle when he asked to meet.

"We know that he is fearless: the stunts, the planes, the jumps," Inarritu ‌said of Cruise. "But I have to say, I think this is another kind of fearless. This ⁠role possibly could ⁠be (his) most challenging," adding, "It was a high-wire act."

Cruise kicked off a celebrity-studded presentation of upcoming films from Warner Bros, the studio coming off a year of commercial success and 11 Oscars. It is in the process of being sold to Paramount Skydance in $110-billion deal.

Zendaya, Timothee Chalamet and Jason Momoa touted "Dune: Part Three," the conclusion to the sci-fi series due for release in December. The film is set 17 years after the events of the second "Dune" movie.

"The years don't seem to have been kind to anyone on Dune," Zendaya said, explaining where the series picks up. "It's been a really difficult, challenging, ungentle and unkind few years, and I think there's so much left still to fight for."


Billy Crystal Will Return to Broadway in One-Man Show About the House He Lost to LA Wildfires

Billy Crystal arrives at the Vanity Fair Oscar Party on March 2, 2025, at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, Calif. (AP)
Billy Crystal arrives at the Vanity Fair Oscar Party on March 2, 2025, at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, Calif. (AP)
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Billy Crystal Will Return to Broadway in One-Man Show About the House He Lost to LA Wildfires

Billy Crystal arrives at the Vanity Fair Oscar Party on March 2, 2025, at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, Calif. (AP)
Billy Crystal arrives at the Vanity Fair Oscar Party on March 2, 2025, at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, Calif. (AP)

Billy Crystal will return to Broadway this fall in a very intimate one-man show that will take the audience into his family's longtime Los Angeles home that was leveled in wildfires.

“860,” written and performed by the Tony- and Emmy-winner, will begin previews this October at a theater to be revealed later. The title comes from the street address for the home Crystal and his family lived in for 46 years, a house lost in last year's devastating Palisades fires.

“I invite you to come inside 860 and I’ll tell you all the funny and touching things that happened there, not only in my career but to our family,” Crystal said in a statement. “It’s a joyous and heartfelt visit, about how with the love of family and friends and your inner strength, you can get through tough times.”

This is Crystal’s first return to Broadway following his “Mr. Saturday Night,” which he premiered in 2022 and earned Tony nominations for best book and lead actor in a musical. Scott Ellis will direct his new work.

Crystal has had success with one-man shows before. He turned his memoir “700 Sundays” into a stage show — in 2004 and revived in 2013 — that won him a Drama Desk Award in 2005.

The Palisades and Eaton fires erupted in Jan. 7, 2025, killing 31 people and destroying about 13,000 homes and other residential properties. The fires burned for more than three weeks and clean-up efforts took about seven months.

At the televised fundraising concert FireAid, held at the end of January 2025, Crystal appeared as the first host in the same clothes he was wearing when he fled his family home.

Crystal said he returned to the wreckage of his home and began to wail: “I had not cried like that since I was 15 and I was told that my father had just died.” His daughters soon found a rock in the wreckage with the word “Laughter” engraved in it.

Crystal made a name for himself first in comedy, from stand-up to TV’s “Soap” to the films “When Harry Met Sally” and “City Slickers.” Then in 1992, he got serious with the movie “Mr. Saturday Night,” which he directed, co-wrote and starred in.


Inside the Fireproof Vault Housing US Movie History

Nitrate Film vault Leader George Willeman explains how the different functions of the vault work at the Packard Campus of the Library of Congress' National Audio-Visual Conservation Center in Culpeper, Virginia, on April 2, 2026. (AFP)
Nitrate Film vault Leader George Willeman explains how the different functions of the vault work at the Packard Campus of the Library of Congress' National Audio-Visual Conservation Center in Culpeper, Virginia, on April 2, 2026. (AFP)
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Inside the Fireproof Vault Housing US Movie History

Nitrate Film vault Leader George Willeman explains how the different functions of the vault work at the Packard Campus of the Library of Congress' National Audio-Visual Conservation Center in Culpeper, Virginia, on April 2, 2026. (AFP)
Nitrate Film vault Leader George Willeman explains how the different functions of the vault work at the Packard Campus of the Library of Congress' National Audio-Visual Conservation Center in Culpeper, Virginia, on April 2, 2026. (AFP)

Once upon a time in the golden days of Hollywood, the movies were bigger, the stars brighter and the celluloid they were filmed on was, well, explosive.

Which is why the US Library of Congress maintains a special, fireproof vault in Virginia, near Washington, DC.

There, the highly combustible nitrate film used from the dawn of cinema in the 1890s until the early 1950s has a permanent home, rarely accessed by the public but toured by AFP.

Lost movies on the volatile but durable medium are still being discovered and preserved in the facility. And thanks to digitization, the lost treasures can also be safely viewed for the first time in decades.

Some 145,000 film reels are stored in strictly fireproof conditions in a vast, chilly vault at the library's National Audio-Visual Conservation Center in Culpeper, Virginia.

It is crammed with cinematic treasures that rekindle warm memories of an era when movies ruled.

The vault's leader, George Willeman, reeled off the names of classics with negatives there: "Casablanca," Frank Capra-directed films like "Mr. Smith Goes to Washington," and the grand-daddy of all action movies, "The Great Train Robbery" from 1903.

Down a spartan corridor so long it seemed to recede into the distance, he unlocked a series of cell-like steel doors.

Inside each of the 124 cells -- there's one dedicated just to the Disney archive -- were floor-to-ceiling cubby holes.

Each one held film canisters containing negatives and prints, all arranged meticulously: packed tight to prevent canisters from opening, but far enough apart to prevent any fire from spreading.

Since being set up in 2007 in a former US Federal Reserve building in the foothills of the Blue Ridge Mountains, the vault has maintained a perfect no-fire record.

- Film nerds' delight -

Nitrate film is just part of the center's collection of more than six million items of moving images and recorded sound. They also have supporting scripts, posters and photos.

Willeman, who sports a button badge with the invocation to "Experience Nitrate," said the Library of Congress began preserving the medium when in the 1960s, "it was discovered that so much film was being lost" due to fires and defunct companies throwing negatives away.

With the American Film Institute, the library began collecting and copying nitrate film, including the holdings of big Hollywood studios - RKO, Warner Brothers, Universal, Columbia and Walt Disney.

They also tapped the personal collections of film icons like movie impresario and silent era star Mary Pickford and motion pictures inventor Thomas Edison, whose early studio produced hundreds of films.

"We're 50 some years in, and it (the collection) just keeps growing," Willeman said.

With the arrival of digital media, the mission has expanded beyond preservation for purists and cinema historians -- who say movies just look better on nitrate footage -- to putting old films online.

"Now we can make them available for everybody, which to me, being the film nerd I've been since, like, third grade, is just amazing."

Nitrate film made by early artisans often preserves better than the later safety film, said Courtney Holschuh, nitrate archive technician.

At a workstation with no light bulbs or exposed batteries -- either of which could ignite dust or gas from vintage film -- Holschuh recounted how last September she carefully peeled apart a cache of 10 vintage reels donated by a retired schoolteacher.

There were 42 different titles on the reels -- only 26 of which have been identified. They included a lost film, "Gugusse and the Automaton," by French cinema pioneer Georges Melies.

"So much of our early film history is still out there for us to see and to experience," Willeman said.