Ancient Carvings Discovered at Iconic Mosul Monument Bulldozed by ISIS

An Iraqi worker excavates a carving at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh. AFP
An Iraqi worker excavates a carving at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh. AFP
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Ancient Carvings Discovered at Iconic Mosul Monument Bulldozed by ISIS

An Iraqi worker excavates a carving at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh. AFP
An Iraqi worker excavates a carving at the Mashki Gate, one of the monumental gates to the ancient Assyrian city of Nineveh. AFP

When ISIS bulldozed the ancient monumental Mashki gate in the Iraqi city of Mosul in 2016, it was part of the extremists' systematic destruction of cultural heritage.

Now, US and Iraqi archaeologists working to reconstruct the site have unearthed extraordinary 2,700-year-old rock carvings among the ruins, AFP reported.

They include eight finely made marble bas-relief carvings depicting war scenes from the rule of the Assyrian kings in the ancient city of Nineveh, a local Iraqi official said Wednesday.

Discovered last week, the detailed carvings show a soldier drawing back a bow in preparation to fire an arrow, as well as finely chiseled vine leaves and palms.

The grey stone carvings date to the rule of King Sennacherib, in power from 705-681 BC, according to a statement from the Iraqi Council of Antiquities and Heritage.

Sennacherib was responsible for expanding Nineveh as the Assyrians' imperial capital and largest city -- siting on a major crossroads between the Mediterranean and the Iranian plateau -- including constructing a magnificent palace.

Fadel Mohammed Khodr, head of the Iraqi archaeological team working to restore the site, said the carvings were likely taken from Sennacherib's palace and used as construction material for the gate.

"We believe that these carvings were moved from the palace of Sennacherib and reused by the grandson of the king, to renovate the gate of Mashki and to enlarge the guard room", Khodr said.

When they were used in the gate, the area of the carvings poking out above ground was erased.

"Only the part buried underground has retained its carvings," Khodr added.

ALIPH, the Swiss-based International Alliance for the Protection of Heritage in Conflict Areas, said the Mashki gate had been an "exceptional building".

ISIS targeted the fortified gate, which had been restored in the 1970s, because it was an "iconic part of Mosul's skyline, a symbol of the city's long history", it added.

ALIPH is supporting the reconstruction of the Mashki Gate by a team of archaeologists from Iraq's Mosul University alongside US experts from the University of Pennsylvania.

The restoration project, which is being carried out in collaboration with Iraqi antiquities authorities, aims to turn the damaged monument into an educational center on Nineveh's history.



Red Sea Film Festival Unveils ‘New Saudi, New Cinema’ Program for Filmmakers

The Red Sea International Film Festival
The Red Sea International Film Festival
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Red Sea Film Festival Unveils ‘New Saudi, New Cinema’ Program for Filmmakers

The Red Sea International Film Festival
The Red Sea International Film Festival

The Red Sea International Film Festival revealed Thursday the highlights of its fourth edition in December, introducing the "New Saudi, New Cinema" program dedicated for filmmakers.

The initiative is set to embody diversity and innovation in the vibrant Saudi cinematic landscape, illuminating authentic local narratives that delve deep into the rich tapestry of Saudi cultural identity and heritage.

This year’s program features a selection of 20 films, varying from fantasy to reality and showcasing the talents of Saudi creators. The movies exhibit compelling themes such as ambition, identity, music, and inherited narratives, while exploring the intricate dynamics of human relationships.

The program reflects the talented individuals’ potential in narrating unique stories in an innovative fashion, propelling the development and global resonance of Saudi cinema.

The films herald a fresh vision for the Saudi film industry, underscoring the unwavering support of the festival for Saudi filmmakers who have triumphed on the global stage. The festival stands as a premier platform for these visionaries to unveil their talents and creations to a worldwide audience.

Red Sea International Film Festival director of Arab programs and film classics Antoine Khalife highlighted the festival's steadfast dedication to presenting a program that mirrors the ever-evolving landscape of Saudi cinema. He expressed his enthusiasm in showcasing a diverse array of films this year, spanning animated features, narratives, and documentaries.