Auction of Omar Sharif’s Memorabilia Raises Questions about Ownership

Egyptian actor Omar Sharif holds up the Golden Lion lifetime achievement award at the Venice Film Festival on Aug. 29, 2003. Photo by Tony Gentile/Reuters
Egyptian actor Omar Sharif holds up the Golden Lion lifetime achievement award at the Venice Film Festival on Aug. 29, 2003. Photo by Tony Gentile/Reuters
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Auction of Omar Sharif’s Memorabilia Raises Questions about Ownership

Egyptian actor Omar Sharif holds up the Golden Lion lifetime achievement award at the Venice Film Festival on Aug. 29, 2003. Photo by Tony Gentile/Reuters
Egyptian actor Omar Sharif holds up the Golden Lion lifetime achievement award at the Venice Film Festival on Aug. 29, 2003. Photo by Tony Gentile/Reuters

A French auction site announced it’s selling some of the late star Omar Sharif’s memorabilia, which raised question marks about the ownership of these pieces, and how did the site acquire them.

“The late star didn’t have an apartment or house outside Egypt where he could leave his memorabilia. He used to stay in hotels, carrying with him a black suit and some shirts. He always told me, (I have nothing that can be sold. I live in hotels, and I have one suit)”, Egyptian archeologist, Dr. Zahi Hawas, who was a close friend with the late star, told Asharq Al-Awsat.

Hawas denied the allegations that some shared on social media, accusing his son, Tarek, of selling his father’s possessions, saying: “Some claim that his son, Tarek, is selling his father’s possessions, which is not true.”

Hawas noted that “Omar Sharif kept nothing when he was alive, and that his French private assistant used to take care of all his papers. So, I can’t confirm how these items got on sale, or whether they are real or fake.”

“The weirdest thing I could ever imagine to be auctioned is Omar Sharif’s coat, bank cards, and his membership card in the French equestrian union,” Producer Hossam Alwan wrote on Facebook, where he also shared a photo of these memorabilia, and one showing the late actor wearing the auctioned coat.”

Tarek, the son, commented on Alwan’s post, saying: “More information would be highly appreciated. I reported the incident to the police in Egypt and France. If those possessions are real, this means they are stolen.”

The memorabilia on auction include a coat that Sharif wore in the “Top Secret” film (1984), valued at 300 euros, alongside several personal cards, according to the auction site.

Critic Majida Maurice believes that someone stole Omar Sharif during his travels between the US and Europe, probably during his last illness, as the same thing happened with the memorabilia of Ahmed Zaki and Nour El-Sherif. “This is the worst time to sell the memorabilia of Omar Sharif, amidst the Russian-Ukrainian war which affected the whole world, including the wealthy countries. It’s a sad thing,” Maurice told Asharq Al-Awsat.

“I wish the ministry of culture could take care of this auction the same way it does with looted and recovered antiquities. History is not limited to Pharaohs. These memorabilia belong to great artists who have always made Egypt proud in international cinema events,” she added.

This incident reminded people of the Cinema Museum that was announced by the culture ministry years ago but never accomplished. “I believe the ministry of culture should work faster to establish the cinema museum, which could display the memorabilia of stars who influenced the Egyptian cinema. I hope Tarek Sharif could keep the memorabilia of his father and mother, late star Faten Hamama, because the cinema museum will open one day, and I expect it to lure a great audience,” Maurice said.

The auction is taking place seven years after the death of Omar Sharif (he died on July 5, 2015), aged 83, to conclude a journey that debuted in Egypt, with esteemed director Youssef Chahine, in “The Blazing Sun” film (1954), which he co-starred with Faten Hamama. The movie was followed by many leading roles in several films including “Lady of the Palace”, “Love River”, and “A man in our house”. Then, Sharif kicked off his international path in David Lean’s “Lawrence of Arabia” (1962), followed by “Doctor Zhivago”, “The Yellow Rolls-Royce”, and many others.



Aboriginal Ritual Passed Down Over 12,000 Years, Cave Find Shows

The discovery was made inside Cloggs Cave in the foothills of the Victorian Alps in Australia's southeast, in a region long inhabited by the Gunaikurnai people. (AFP Photo)
The discovery was made inside Cloggs Cave in the foothills of the Victorian Alps in Australia's southeast, in a region long inhabited by the Gunaikurnai people. (AFP Photo)
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Aboriginal Ritual Passed Down Over 12,000 Years, Cave Find Shows

The discovery was made inside Cloggs Cave in the foothills of the Victorian Alps in Australia's southeast, in a region long inhabited by the Gunaikurnai people. (AFP Photo)
The discovery was made inside Cloggs Cave in the foothills of the Victorian Alps in Australia's southeast, in a region long inhabited by the Gunaikurnai people. (AFP Photo)

Two slightly burnt, fat-covered sticks discovered inside an Australian cave are evidence of a healing ritual that was passed down unchanged by more than 500 generations of Indigenous people over the last 12,000 years, according to new research.

The wooden sticks, found poking out of tiny fireplaces, showed that the ritual documented in the 1880s had been shared via oral traditions since the end of the last ice age, a study in the journal Nature Human Behaviour said on Monday, AFP reported.

The discovery was made inside Cloggs Cave in the foothills of the Victorian Alps in Australia's southeast, in a region long inhabited by the Gunaikurnai people.

When the cave was first excavated in the 1970s, archaeologists discovered the remains of a long extinct giant kangaroo that had previously lived there.

But the Gunaikurnai people were not involved in those digs, "nor were they asked for permission to do research there", lead study author Bruno David of Monash University told AFP.

Further excavations starting from 2020 included members of the local Gunaikurnai Land and Waters Aboriginal Corporation (GLaWAC).

Carefully digging through the soil, the team found a small stick poking out -- then they found another one. Both well-preserved sticks were made from the wood of casuarina trees.

Each one was found in a separate fireplace around the size of the palm of a hand -- far too small to have been used for heat or cooking meat.

The slightly charred ends of the sticks had been cut specially to stick into the fire, and both were coated in human or animal fat.

One stick was 11,000 years old and the other 12,000 years old, radiocarbon dating found.

"They've been waiting here all this time for us to learn from them," said Gunaikurnai elder Russell Mullett, a co-author of the study and head of GLaWAC.

Mullett spent years trying to find out what they could have been used for, before discovering the accounts of Alfred Howitt, a 19th-century Australian anthropologist who studied Aboriginal culture.

Some of Howitt's notes had never been published, and Mullett said he spent a long time convincing a local museum to share them.

In the notes, Howitt describes in the late 1880s the rituals of Gunaikurnai medicine men and women called "mulla-mullung".

One ritual involved tying something that belonged to a sick person to the end of a throwing stick smeared in human or kangaroo fat. The stick was thrust into the ground before a small fire was lit underneath.

"The mulla-mullung would then chant the name of the sick person, and once the stick fell, the charm was complete," a Monash University statement said.

The sticks used in the ritual were made of casuarina wood, Howitt noted.

Jean-Jacques Delannoy, a French geomorphologist and study co-author, told AFP that "there is no other known gesture whose symbolism has been preserved for such a long time".

"Australia kept the memory of its first peoples alive thanks to a powerful oral tradition that enabled it to be passed on," Delannoy said.

"However in our societies, memory has changed since we switched to the written word, and we have lost this sense."

He lamented that the ancient animal paintings found in French caves would probably "never reveal their meaning" in a similar way.

Indigenous Australians are one of the oldest continuous living cultures, and Mullett said the discovery was a "unique opportunity to be able to read the memoirs of our ancestors".

It was "a reminder that we are a living culture still connected to our ancient past," he added.

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