Auction of Omar Sharif’s Memorabilia Raises Questions about Ownership

Egyptian actor Omar Sharif holds up the Golden Lion lifetime achievement award at the Venice Film Festival on Aug. 29, 2003. Photo by Tony Gentile/Reuters
Egyptian actor Omar Sharif holds up the Golden Lion lifetime achievement award at the Venice Film Festival on Aug. 29, 2003. Photo by Tony Gentile/Reuters
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Auction of Omar Sharif’s Memorabilia Raises Questions about Ownership

Egyptian actor Omar Sharif holds up the Golden Lion lifetime achievement award at the Venice Film Festival on Aug. 29, 2003. Photo by Tony Gentile/Reuters
Egyptian actor Omar Sharif holds up the Golden Lion lifetime achievement award at the Venice Film Festival on Aug. 29, 2003. Photo by Tony Gentile/Reuters

A French auction site announced it’s selling some of the late star Omar Sharif’s memorabilia, which raised question marks about the ownership of these pieces, and how did the site acquire them.

“The late star didn’t have an apartment or house outside Egypt where he could leave his memorabilia. He used to stay in hotels, carrying with him a black suit and some shirts. He always told me, (I have nothing that can be sold. I live in hotels, and I have one suit)”, Egyptian archeologist, Dr. Zahi Hawas, who was a close friend with the late star, told Asharq Al-Awsat.

Hawas denied the allegations that some shared on social media, accusing his son, Tarek, of selling his father’s possessions, saying: “Some claim that his son, Tarek, is selling his father’s possessions, which is not true.”

Hawas noted that “Omar Sharif kept nothing when he was alive, and that his French private assistant used to take care of all his papers. So, I can’t confirm how these items got on sale, or whether they are real or fake.”

“The weirdest thing I could ever imagine to be auctioned is Omar Sharif’s coat, bank cards, and his membership card in the French equestrian union,” Producer Hossam Alwan wrote on Facebook, where he also shared a photo of these memorabilia, and one showing the late actor wearing the auctioned coat.”

Tarek, the son, commented on Alwan’s post, saying: “More information would be highly appreciated. I reported the incident to the police in Egypt and France. If those possessions are real, this means they are stolen.”

The memorabilia on auction include a coat that Sharif wore in the “Top Secret” film (1984), valued at 300 euros, alongside several personal cards, according to the auction site.

Critic Majida Maurice believes that someone stole Omar Sharif during his travels between the US and Europe, probably during his last illness, as the same thing happened with the memorabilia of Ahmed Zaki and Nour El-Sherif. “This is the worst time to sell the memorabilia of Omar Sharif, amidst the Russian-Ukrainian war which affected the whole world, including the wealthy countries. It’s a sad thing,” Maurice told Asharq Al-Awsat.

“I wish the ministry of culture could take care of this auction the same way it does with looted and recovered antiquities. History is not limited to Pharaohs. These memorabilia belong to great artists who have always made Egypt proud in international cinema events,” she added.

This incident reminded people of the Cinema Museum that was announced by the culture ministry years ago but never accomplished. “I believe the ministry of culture should work faster to establish the cinema museum, which could display the memorabilia of stars who influenced the Egyptian cinema. I hope Tarek Sharif could keep the memorabilia of his father and mother, late star Faten Hamama, because the cinema museum will open one day, and I expect it to lure a great audience,” Maurice said.

The auction is taking place seven years after the death of Omar Sharif (he died on July 5, 2015), aged 83, to conclude a journey that debuted in Egypt, with esteemed director Youssef Chahine, in “The Blazing Sun” film (1954), which he co-starred with Faten Hamama. The movie was followed by many leading roles in several films including “Lady of the Palace”, “Love River”, and “A man in our house”. Then, Sharif kicked off his international path in David Lean’s “Lawrence of Arabia” (1962), followed by “Doctor Zhivago”, “The Yellow Rolls-Royce”, and many others.



Mobile Cinema Brings Tunisians Big Screen Experience

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
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Mobile Cinema Brings Tunisians Big Screen Experience

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP

Like many of his fellow Tunisians, 23-year-old Amine Elhani has never been to the cinema, but now, thanks to a mobile theater touring the country, he can finally enjoy the big screen.

The bright red truck of CinemaTdour, or "moving cinema", has transformed parking lots and factory grounds in underserved towns and neighbourhoods across the North African country into pop-up theaters.

In the central town of Djemmal, dozens of workers unloaded the expandable truck, easily setting up a fully equipped outdoor movie theater with 100 seats.

"The screen is huge, and the sound effects are amazing," said Elhani, who had so far only watched films on his phone or computer.

He had "never had the chance to go to a movie theater", he told AFP.

"It's a fantastic experience, especially because I'm watching with friends."

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs.

Recognizing this gap, CinemaTdour was launched in May by private cultural network Agora and nonprofit Focus Gabes, with funding from private donors.

"We wanted a way to reach as many viewers as possible, in a short time and on a limited budget, while offering them an authentic cinematic experience," project director Ghofrane Heraghi told AFP.

Mobile cinemas have long existed in other countries, but Heraghi said CinemaTdour was "unique" for turning a truck into a full-fledged theater.

Without government funding, CinemaTdour relies heavily on partnerships with private companies to cover costs like film rights, maintenance and staffing.

The truck itself was purchased on credit for about one million Tunisian dinars ($315,000), Heraghi said, with annual operating expenses of around 500,000 dinars.

For 10 days in Djemmal, residents could watch films for free thanks to a partnership with German car parts manufacturer Draxlmaier, which has a factory in the town.

Jihene Ben Amor, Draxlmaier's communications manager in Tunisia, said the company wanted to "contribute to the development" of remote and underserved regions where it operates.

For many workers, earning up to 1,000 dinars a month, the cost of tickets and the journey to a main city with a movie theater can be prohibitive.

"Having this cinema right outside their workplace also gives workers a sense of pride and belonging," said Ben Amor.

- 'Social impact' -

After Djemmal, CinemaTdour set up in Hay Hlel, an impoverished neighbourhood of the capital Tunis.

Many children gathered around the pop-up theater, eager for their turn.

Yomna Warhani, 11, was beaming with excitement, anticipating her first ever movie screening.

"I can't wait to see what it's like inside and what films they'll show," she said.

Nejiba El Hadji, a 47-year-old mother of four, said: "It's not just the kids who are thrilled, believe me."

To her, the mobile cinema was a rare source of joy in an otherwise bleak environment.

"We have nothing here, no cultural centers and no entertainment, just the streets," said Hadji.

"People say our kids are lost, but no one does anything about it."

CinemaTdour's two-week stay in Hay Hlel was funded by the World Health Organization, with screenings themed on mental health, smoking and drug abuse, and violence against women.

The shows were tailored for younger audiences as well as for viewers with hearing or visual impairments.

Heraghi, the project head, said that "what drives us is the social impact of culture."

"We want to break stereotypes, shift mindsets, and promote values like social cohesion and community spirit."

In just a few months, CinemaTdour has reached more than 15,000 people, including 7,500 in the southern oasis town of Nefta where a month of free screenings was sponsored by a date exporter.

The project now hopes to secure funding for additional trucks to expand its activities across the country.

But Heraghli has even bigger aspirations, she said, "taking it to Algeria, Libya, and maybe even across Africa".