New Season of 'The Crown' Set to Air after Backlash

The title of the series is displayed during the world premiere of the third season of "The Crown" in London, Britain, November 13, 2019. REUTERS/Peter Nicholls
The title of the series is displayed during the world premiere of the third season of "The Crown" in London, Britain, November 13, 2019. REUTERS/Peter Nicholls
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New Season of 'The Crown' Set to Air after Backlash

The title of the series is displayed during the world premiere of the third season of "The Crown" in London, Britain, November 13, 2019. REUTERS/Peter Nicholls
The title of the series is displayed during the world premiere of the third season of "The Crown" in London, Britain, November 13, 2019. REUTERS/Peter Nicholls

The latest season of "The Crown" hits the small screen next week, with streaming giant Netflix adding a disclaimer after a furor over untrue storylines.

Series Five, which airs on Wednesday just over two months after the death of Queen Elizabeth II and the accession of her son King Charles III, sees the action move to the 1990s, said AFP.

Princess Diana's bombshell television interview, emotional turmoil and divorce from Charles are all documented, along with his affair with Camilla Parker Bowles and tensions with his mother.

It was not clear, however, how the series deals with the death of Diana in a car crash in Paris in 1997 or if a disclaimer would be added before each episode.

Following outrage from prominent figures including Oscar-winning actor Judi Dench and Britain's former prime minister John Major last month, Netflix added a description of the show as "inspired by real events" to its program page.

Dench blasted Netflix for "crude sensationalism" after reports of scenes showing Charles maneuvering to force his mother's abdication.

"No-one is a greater believer in artistic freedom than I, but this cannot go unchallenged," wrote Dench, who won an Academy Award for playing Queen Elizabeth I in "Shakespeare in Love" and was nominated for her portrayal of Queen Victoria in "Mrs Brown".

The strength of the criticism has forced Netflix to defend both itself and screenwriter Peter Morgan.

It said the series was not meant to be taken as fact but as an imagining of "what could have happened behind closed doors".

Its stars too have rallied to its defense, with Diana actress Elizabeth Debicki calling for people to move on "now the disclaimer is up there".

- 'Good drama' -
"There's a huge amount of room for interpretation," the Australian actress said. "That's good drama to me."

Jonathan Pryce, who plays the queen's husband Prince Philip, even went as far as to criticize his fellow actors.

Pryce said he was "hugely disappointed by my fellow artistes" after acting powerhouses Eileen Atkins and Harriet Walter, both of whom have appeared in "The Crown", expressed reservations.

"The vast majority of people know it's a drama. They've been watching it for four seasons," Pryce said.

But with most of the royals depicted still alive and an apparent upping of the creative license, even a disclaimer may be too little for critics who accuse Morgan of an undeclared anti-monarchist agenda.

Television reviewer Christopher Stevens, who saw an eight-and-a-half-hour preview, wrote this week that "the sheer virulence" of the latest storylines was becoming "shockingly clear".

The show, he said, was now unrecognizable compared to the first series in 2016.

"The Crown" was now "a nakedly republican polemic, using embarrassment as its chief weapon against the monarchy", he wrote in the Daily Mail.

- 'Treasured' -
Writer and royal biographer William Shawcross said the plotlines were deliberately hurtful attempts to damage the institution of the monarchy -- "something that millions of ordinary people treasure".

"I think a lot of people do (believe them), why would they not? They see this beautifully produced thing... Most people in the world don't have any other yardstick. It's terribly dishonest," he told AFP.

He said Netflix had taken advantage of the unique position in which the royal family found themselves.

"Almost any other living family is in a position to complain or stop or sue. The royal family don't have the right or the ability to do that," he said.

Philip Murphy, of the University of London's Institute of Historical Research, however, said the royal family's plight was "partly" their own fault.

The palace had made "strenuous efforts to prevent historians from gaining access to records on the queen's 70-year reign", he said in a letter to The Times.

"If scholars are unable to write an accurate history of the monarchy, the field will be left to dramatists and to those with vested interests in leaking information," he wrote.



Netflix’s ‘Missing You’ Lands in Time for New Year Binge Watch

In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)
In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)
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Netflix’s ‘Missing You’ Lands in Time for New Year Binge Watch

In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)
In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)

It’s Netflix’s resolution every new year to give viewers a headscratcher in January.

Since 2020, the streamer has released a UK miniseries based on thriller book by Harlan Coben over the holidays. It seems to have paid off: “Fool Me Once,” starring Michelle Keegan, Adeel Akhtar and Joanna Lumley, launched this past January and became what Netflix says was one of their most watched shows of the year, amassing 108 million views.

2025’s seasonal suspense series is “Missing You,” based on Coben’s 2014 New York Times bestseller. It stars Rosalind Eleazar (“Slow Horses”) as Detective Inspector Kat Donovan, a police officer who specializes in finding missing people — apart from the fiance that vanished 11 years earlier.

“They know Jan. 1 is the sweet spot for them,” says actor Richard Armitage, who has appeared in each winter Coben adaptation, which relocates the stories from the books' America to the north of England. “People have ownership over the show now, so like, ‘I want my Harlan Coben show on New Year’s Day. Give me my Harlan Coben fix.’”

“It’s perfect timing for the release, to be honest,” says co-star Ashley Walters. “Most people are going to be hung over or, you know, just not have anything to do with the day.”

The show opens with the shock of Donovan's ex-fiance (Walters) popping up on a dating app, over a decade after she came home one day to find him gone.

“I’ve ghosted people before,” laughs Armitage. “Just people you don’t want to talk to anymore. Not digitally though.”

Another star, Jessica Plummer, isn’t a fan of those who disappear without saying goodbye, though.

“I’d just feel too guilty,” she admits, calling it “cowardly and lazy — sorry Richard!”

Eleazar promises twists and turns along the way, adding that the actors weren’t initially given the final two scripts and had to turn to the book to find out what happens.

Coben “really is a genius at taking you up the wrong track,” says Eleazar. “You’re so sure that this time you’ve got it right and it’s this person or this thing, but you are inevitably always wrong.”

“I would love to know, actually, how he starts a book, you know? Does it start with an idea or does he think of the most inconceivable idea and go, ‘That’s how it’s going to end’?” she adds.

Armitage agrees that “Missing You” does justice to the “hair-raising” shock ending of the book; “It’s like the rug is pulled away at the last minute.”

And while audiences at home can binge-watch the whole five-part series as 2025 is still finding its feet, the cast will be busy with a variety of pastimes.

Lenny Henry, who portrays Kat’s father, jokes that he usually wakes up to a new year surrounded by roast potatoes, while wearing pajamas.

Armitage likes to be outside and start fresh by skiing down a mountain, while Eleazar has plans to celebrate in style: She and a group of friends have a tradition where they rent a castle and dress up in themed costumes.

Past New Year's Eve parties have included donning 18th century garb in France and last year’s Versace-themed fete.

“I will be celebrating and really hoping that everyone loves this show on the 1st,” she says.