New Season of 'The Crown' Set to Air after Backlash

The title of the series is displayed during the world premiere of the third season of "The Crown" in London, Britain, November 13, 2019. REUTERS/Peter Nicholls
The title of the series is displayed during the world premiere of the third season of "The Crown" in London, Britain, November 13, 2019. REUTERS/Peter Nicholls
TT
20

New Season of 'The Crown' Set to Air after Backlash

The title of the series is displayed during the world premiere of the third season of "The Crown" in London, Britain, November 13, 2019. REUTERS/Peter Nicholls
The title of the series is displayed during the world premiere of the third season of "The Crown" in London, Britain, November 13, 2019. REUTERS/Peter Nicholls

The latest season of "The Crown" hits the small screen next week, with streaming giant Netflix adding a disclaimer after a furor over untrue storylines.

Series Five, which airs on Wednesday just over two months after the death of Queen Elizabeth II and the accession of her son King Charles III, sees the action move to the 1990s, said AFP.

Princess Diana's bombshell television interview, emotional turmoil and divorce from Charles are all documented, along with his affair with Camilla Parker Bowles and tensions with his mother.

It was not clear, however, how the series deals with the death of Diana in a car crash in Paris in 1997 or if a disclaimer would be added before each episode.

Following outrage from prominent figures including Oscar-winning actor Judi Dench and Britain's former prime minister John Major last month, Netflix added a description of the show as "inspired by real events" to its program page.

Dench blasted Netflix for "crude sensationalism" after reports of scenes showing Charles maneuvering to force his mother's abdication.

"No-one is a greater believer in artistic freedom than I, but this cannot go unchallenged," wrote Dench, who won an Academy Award for playing Queen Elizabeth I in "Shakespeare in Love" and was nominated for her portrayal of Queen Victoria in "Mrs Brown".

The strength of the criticism has forced Netflix to defend both itself and screenwriter Peter Morgan.

It said the series was not meant to be taken as fact but as an imagining of "what could have happened behind closed doors".

Its stars too have rallied to its defense, with Diana actress Elizabeth Debicki calling for people to move on "now the disclaimer is up there".

- 'Good drama' -
"There's a huge amount of room for interpretation," the Australian actress said. "That's good drama to me."

Jonathan Pryce, who plays the queen's husband Prince Philip, even went as far as to criticize his fellow actors.

Pryce said he was "hugely disappointed by my fellow artistes" after acting powerhouses Eileen Atkins and Harriet Walter, both of whom have appeared in "The Crown", expressed reservations.

"The vast majority of people know it's a drama. They've been watching it for four seasons," Pryce said.

But with most of the royals depicted still alive and an apparent upping of the creative license, even a disclaimer may be too little for critics who accuse Morgan of an undeclared anti-monarchist agenda.

Television reviewer Christopher Stevens, who saw an eight-and-a-half-hour preview, wrote this week that "the sheer virulence" of the latest storylines was becoming "shockingly clear".

The show, he said, was now unrecognizable compared to the first series in 2016.

"The Crown" was now "a nakedly republican polemic, using embarrassment as its chief weapon against the monarchy", he wrote in the Daily Mail.

- 'Treasured' -
Writer and royal biographer William Shawcross said the plotlines were deliberately hurtful attempts to damage the institution of the monarchy -- "something that millions of ordinary people treasure".

"I think a lot of people do (believe them), why would they not? They see this beautifully produced thing... Most people in the world don't have any other yardstick. It's terribly dishonest," he told AFP.

He said Netflix had taken advantage of the unique position in which the royal family found themselves.

"Almost any other living family is in a position to complain or stop or sue. The royal family don't have the right or the ability to do that," he said.

Philip Murphy, of the University of London's Institute of Historical Research, however, said the royal family's plight was "partly" their own fault.

The palace had made "strenuous efforts to prevent historians from gaining access to records on the queen's 70-year reign", he said in a letter to The Times.

"If scholars are unable to write an accurate history of the monarchy, the field will be left to dramatists and to those with vested interests in leaking information," he wrote.



Trump Threatens a 100% Tariff on Foreign-Made Films, Saying the Movie Industry in the US Is Dying

US President Donald Trump (Reuters)
US President Donald Trump (Reuters)
TT
20

Trump Threatens a 100% Tariff on Foreign-Made Films, Saying the Movie Industry in the US Is Dying

US President Donald Trump (Reuters)
US President Donald Trump (Reuters)

President Donald Trump is opening a new salvo in his tariff war, targeting films made outside the US.

In a post Sunday night on his Truth Social platform, Trump said he has authorized the Department of Commerce and the Office of the US Trade Representative to slap a 100% tariff "on any and all Movies coming into our Country that are produced in Foreign Lands."

"The Movie Industry in America is DYING a very fast death," he wrote, complaining that other countries "are offering all sorts of incentives to draw" filmmakers and studios away from the US. "This is a concerted effort by other Nations and, therefore, a National Security threat. It is, in addition to everything else, messaging and propaganda!"

The White House said Monday that it was figuring out how to comply with the president's wishes.

"Although no final decisions on foreign film tariffs have been made, the Administration is exploring all options to deliver on President Trump’s directive to safeguard our country’s national and economic security while Making Hollywood Great Again," said spokesperson Kush Desai.

It’s common for both large and small films to include production in the US and in other countries. Big-budget movies like the upcoming "Mission: Impossible — The Final Reckoning," for instance, are shot around the world.

Incentive programs for years have influenced where movies are shot, increasingly driving film production out of California and to other states and countries with favorable tax incentives, like Canada and the United Kingdom.

Yet Trump's tariffs are designed to lead consumers toward American products. And in movie theaters, American-produced movies overwhelmingly dominate the domestic marketplace.

China has ramped up its domestic movie production, culminating in the animated blockbuster "Ne Zha 2" grossing more than $2 billion this year. But even then, its sales came almost entirely from mainland China. In North America, it earned just $20.9 million.

In New Zealand, where successive governments have offered rebates and incentives in recent years to draw Hollywood films to the country, the film industry has generated billions of dollars in tourism revenue driven by the "Lord of the Rings" and "Hobbit" films, which featured the country’s pristine and scenic vistas.  

More recently, the blockbuster "Minecraft" movie was filmed entirely in New Zealand, and US productions in 2023 delivered $1.3 billion New Zealand dollars ($777 million) to the country in return for NZ$200 million in subsidies, according to government figures.

New Zealand Prime Minister Christopher Luxon said he was awaiting more details of Trump’s measures before commenting on them but would continue to pitch to filmmakers abroad, including in India’s Bollywood. "We’ve got an absolutely world class industry," he said. "This is the best place to make movies, period, in the world."

The Motion Picture Association, which represents major US film studios and streaming services, didn’t immediately respond to messages Sunday evening.

The MPA’s data shows how much Hollywood exports have dominated cinemas. According to the MPA, the American movies produced $22.6 billion in exports and $15.3 billion in trade surplus in 2023.

Trump, a Republican, has made good on the "tariff man" label he gave himself years ago, slapping new taxes on goods made in countries around the globe. That includes a 145% tariff on Chinese goods and a 10% baseline tariff on goods from other countries, with even higher levies threatened.

By unilaterally imposing tariffs, Trump has exerted extraordinary influence over the flow of commerce, creating political risks and pulling the market in different directions. There are tariffs on autos, steel and aluminum, with more imports, including pharmaceutical drugs, set to be subject to new tariffs in the weeks ahead.

Trump has long voiced concern about movie production moving overseas.

Shortly before he took office, he announced that he had tapped actors Mel Gibson, Jon Voight and Sylvester Stallone to serve as "special ambassadors" to Hollywood to bring it "BACK — BIGGER, BETTER, AND STRONGER THAN EVER BEFORE!"

US film and television production has been hampered in recent years, with setbacks from the COVID-19 pandemic, the Hollywood guild strikes of 2023 and the recent wildfires in the Los Angeles area. Overall production in the US was down 26% last year compared with 2021, according to data from ProdPro, which tracks production.

The group's annual survey of executives, which asked about preferred filming locations, found no location in the US made the top five, according to the Hollywood Reporter. Toronto, the UK, Vancouver, Central Europe and Australia came out on top, with California placing sixth, Georgia seventh, New Jersey eighth and New York ninth.

The problem is especially acute in California. In the greater Los Angeles area, production last year was down 5.6% from 2023 according to FilmLA, second only to 2020, during the peak of the coronavirus pandemic. Last, October, Gov. Gavin Newsom, a Democrat, proposed expanding California’s Film & Television Tax Credit program to $750 million annually, up from $330 million.

Other US cities like Atlanta, New York, Chicago and San Francisco have also used aggressive tax incentives to lure film and TV productions. Those programs can take the form of cash grants, as in Texas, or tax credits, which Georgia and New Mexico offer.

"Other nations have been stealing the movie-making capabilities from the United States," Trump told reporters at the White House on Sunday night after returning from a weekend in Florida. "If they’re not willing to make a movie inside the United States we should have a tariff on movies that come in."