‘Social Drama is My Preference’: Anoushka Tells Asharq Al-Awsat

Anoushka.
Anoushka.
TT

‘Social Drama is My Preference’: Anoushka Tells Asharq Al-Awsat

Anoushka.
Anoushka.

Egyptian artist Anoushka revealed she’s “preparing to boost her work as a singer by launching her own YouTube channel to archive her works, concerts and new songs.”

“Artists should record their history and keep up with the changing mechanisms of our time,” she told Asharq Al-Awsat.

Although she partook in successful Ramadan dramas such as ‘Grand Hotel’, ‘Naguib Zahy Zarkash’, and ‘Rageen Ya Hawa’, Anoushka sees that “this type of works pressures the artist with over 16-hour shootings per day so they can commit to their work and fans.”

About her interest in acting more than singing, Anoushka said: “In fact, I had a hard time with my father, and the dates of concerts weren’t convenient for me. I have always believed in art, but my parents need me and this is my top priority. Finally, I have returned to singing, and I am currently preparing my YouTube channel, new music videos, and concerts. I missed seeing my audience live in concerts.”

“We are lucky because we have an outlet to record our works, an opportunity that the previous artists never had. A song is not the work of the singer alone, there are composers and musicians that must be mentioned, especially since the tape era ended and there are no covers to record the names of composers and musicians anymore. New technologies have dominated the sector. In spite of that, I didn’t totally abandon singing, I presented new songs in the ‘Salon Anoushka program,” she said.

“I enjoyed the program and the interaction of the audience so much. It compensated for my longing for stage performance. I presented three seasons of the program, a total of 36 episodes, in which I hosted many stars from Egypt and the Arab world. I also performed my own songs, which made me feel close to singing. But this doesn’t mean I didn’t miss my fans, and this is why I am currently preparing for a concert. Meeting the audience on stage is a completely different thing,” Anoushka added.

“I am considering work for the coming Ramadan season. I feel happy to be present in Ramadan, but those are usually hectic and cause serious pressures. Ramadan is a special time on TV, but there are many great productions that are being made at other times of the year and don’t cause the same amount of pressure,” she added.

“It’s the message of the work I present. It must hold a new message or lesson to the audience. I prefer myself in social dramas that highlight social causes in a real and credible way,” she said about her selection of the works she partakes in.

“I try my best to focus on presenting different characters. I often receive offers to play the role of the elegant, rich woman, but I try to highlight different traits in the characters with the help of the director,” she explained, adding that “no one succeeds alone. The director should have an inclusive view of the work, so the actor must discuss their role with them to understand the dimensions of their character.”

About the success of ‘Rageen Ya Hawa’ and the award it bagged as the best comedy work at the Cairo International Festival, Anoushka said “It’s a social work like all the other works of late Osama Anwar Okasha, which include many dramatic lines, emotions, comedy, and highlights of the importance of family in our life.”

“I remember the late novelist nominated me for a series directed by Yahya al-Alamy, but I apologized at the time because I couldn’t play the role of a mean woman. When we discussed the role, I felt like I was talking with my father. But at the time, I didn’t make the right judgment, I didn’t understand how someone could be mean,” she added.

About her focus on cinema following her strong cinema debut in the ‘Mr. K’ film directed by Salah Abu Seif, Anoushka said: “Because I’m a singer, I focused on singing, and directors didn't select singers for major roles. But I was lucky to work with this esteemed director and his team which included stars like Sanaa Jamil and Abdel Moneim Madbouly. I remember Director Abu Seif once said in an interview (I want to tell Anoushka that she has an actress inside her. She has to let her out). This phrase gave me a lot of confidence.”

“I am open to cinema, and look forward to new experiences especially in the meantime with all the developments in the industry,” she concluded.



Video Game Performers Will Go on Strike Over Artificial Intelligence Concerns 

SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
TT

Video Game Performers Will Go on Strike Over Artificial Intelligence Concerns 

SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)

Hollywood's video game performers announced they would go on strike Thursday, throwing part of the entertainment industry into another work stoppage after talks for a new contract with major game studios broke down over artificial intelligence protections.

The strike — the second for video game voice actors and motion capture performers under the Screen Actors Guild-American Federation of Television and Radio Artists — will begin at 12:01 a.m. Friday. The move comes after nearly two years of negotiations with gaming giants, including divisions of Activision, Warner Bros. and Walt Disney Co., over a new interactive media agreement.

SAG-AFTRA negotiators say gains have been made over wages and job safety in the video game contract, but that the two sides remained split over the regulation of generative AI. A spokesperson for the video game producers, Audrey Cooling, said the studios offered AI protections, but SAG-AFTRA’s negotiating committee said that the studios’ definition of who constitutes a "performer" is key to understanding the issue of who would be protected.

"The industry has told us point blank that they do not necessarily consider everyone who is rendering movement performance to be a performer that is covered by the collective bargaining agreement," SAG-AFTRA Chief Contracts Officer Ray Rodriguez said at a news conference Thursday afternoon. He said some physical performances are being treated as "data."

Without guardrails, game companies could train AI to replicate an actor’s voice, or create a digital replica of their likeness without consent or fair compensation, the union said.

"We strike as a matter of last resort. We have given this process absolutely as much time as we responsibly can," Rodriguez told reporters. "We have exhausted the other possibilities, and that is why we’re doing it now."

Cooling said the companies' offer "extends meaningful AI protections."

"We are disappointed the union has chosen to walk away when we are so close to a deal, and we remain prepared to resume negotiations," she said.

Andi Norris, an actor and member of the union's negotiating committee, said that those who do stunt work or creature performances would still be at risk under the game companies' offer.

"The performers who bring their body of work to these games create a whole variety of characters, and all of that work must be covered. Their proposal would carve out anything that doesn’t look and sound identical to me as I sit here, when, in truth, on any given week I am a zombie, I am a soldier, I am a zombie soldier," Norris said. "We cannot and will not accept that a stunt or movement performer giving a full performance on stage next to a voice actor isn’t a performer."

The global video game industry generates well over $100 billion dollars in profit annually, according to game market forecaster Newzoo. The people who design and bring those games to life are the driving force behind that success, SAG-AFTRA said.

Members voted overwhelmingly last year to give leadership the authority to strike. Concerns about how movie studios will use AI helped fuel last year’s film and television strikes by the union, which lasted four months.

The last interactive contract, which expired in November 2022, did not provide protections around AI but secured a bonus compensation structure for voice actors and performance capture artists after an 11-month strike that began in October 2016. That work stoppage marked the first major labor action from SAG-AFTRA following the merger of Hollywood’s two largest actors unions in 2012.

The video game agreement covers more than 2,500 "off-camera (voiceover) performers, on-camera (motion capture, stunt) performers, stunt coordinators, singers, dancers, puppeteers, and background performers," according to the union.

Amid the tense interactive negotiations, SAG-AFTRA created a separate contract in February that covered independent and lower-budget video game projects. The tiered-budget independent interactive media agreement contains some of the protections on AI that video game industry titans have rejected. Games signed to an interim interactive media agreement, tiered-budget independent interactive agreement or interim interactive localization agreement are not part of the strike, the union said.