Saudi Music Commission Launches 3rd Edition of ‘Trouq Tours’

Saudi dancers perform during the launch of a new tourist visa
regime at a dinner at historic Diriyah in Riyadh, Saudi Arabia
September 27, 2019. REUTERS/Stephen Kalin/File Photo
Saudi dancers perform during the launch of a new tourist visa regime at a dinner at historic Diriyah in Riyadh, Saudi Arabia September 27, 2019. REUTERS/Stephen Kalin/File Photo
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Saudi Music Commission Launches 3rd Edition of ‘Trouq Tours’

Saudi dancers perform during the launch of a new tourist visa
regime at a dinner at historic Diriyah in Riyadh, Saudi Arabia
September 27, 2019. REUTERS/Stephen Kalin/File Photo
Saudi dancers perform during the launch of a new tourist visa regime at a dinner at historic Diriyah in Riyadh, Saudi Arabia September 27, 2019. REUTERS/Stephen Kalin/File Photo

The “Saudi Trouq” program has launched the 3rd field tour of its methodical program aimed at preserving the kingdom’s musical and performative folklore, protecting its artistic heritage, and documenting them.

These efforts are aimed at motivating researchers and artists to study this heritage, and profit from its cultural and humanitarian value.

“Saudi Trouq” is the largest methodical documentation program targeting musical and performative heritage. It was launched by the Saudi Music Commission and the Theater and Performing Arts Commission in mid-2021, and its set to run until 2027.

The Saudi Music Commission and the Theater and Performing Arts Commission started their field tours to map the folkloric musical and performative genres through the “Trouq” program in Makkah before moving to southern Saudi Arabia, in Asir, where a team of 10 researchers mapped the folkloric genres in several interior provinces.

The commissions have recently launched the third phase from Al-Bahah Province, a new tour in which the local community will contribute to preserving its artistic folklore as a witness on values and authenticity.

The “Saudi Trouq” team has urged the local community and those interested in the heritage of Saudi Arabia to take part in the documentation efforts in all regions.

Khalil Arab, owner of a popular museum who’s interested in culture, said the vast geographical area of Saudi Arabia, and its long-neglected rich and diverse artistic heritage, require concentrated and doubled efforts to track and revive this folklore and its hidden parts, and to reactivate the artistic, heritage, and folkloric genres that the country knew throughout its prestigious social history.

The program has used the culture ministry’s UNESCO-inspired “cultural archive” approach, according to which the research team meet the local communities, individuals interested in heritage, folklore practitioners, music instruments makers, historians and experts, to map the folklore genres before the next phase, which will run for over almost 10 months.

In the upcoming phase, the folkloric genres will be documented with high-end production techniques in the form of videos, audios, podcasts, and performance recordings, in addition to producing documentaries that highlight the prestigious heritage, and specialized visual and audio materials that can be used by researchers in their studies, or by artists in their musical, theatrical, and performative works.



Explorer: Sonar Image Was Rock Formation, Not Amelia Earhart Plane

A statue of Amelia Earhart at the US Capitol. Nathan Howard / GETTY IMAGES/AFP
A statue of Amelia Earhart at the US Capitol. Nathan Howard / GETTY IMAGES/AFP
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Explorer: Sonar Image Was Rock Formation, Not Amelia Earhart Plane

A statue of Amelia Earhart at the US Capitol. Nathan Howard / GETTY IMAGES/AFP
A statue of Amelia Earhart at the US Capitol. Nathan Howard / GETTY IMAGES/AFP

A sonar image suspected of showing the remains of the plane of Amelia Earhart, the famed American aviatrix who disappeared over the Pacific in 1937, has turned out to be a rock formation.

Deep Sea Vision (DSV), a South Carolina-based firm, released the blurry image in January captured by an unmanned submersible of what it said may be Earhart's plane on the seafloor.

Not so, the company said in an update on Instagram this month, AFP reported.

"After 11 months the waiting has finally ended and unfortunately our target was not Amelia's Electra 10E (just a natural rock formation)," Deep Sea Vision said.

"As we speak DSV continues to search," it said. "The plot thickens with still no evidence of her disappearance ever found."

The image was taken by DSV during an extensive search in an area of the Pacific to the west of Earhart's planned destination, remote Howland Island.

Earhart went missing while on a pioneering round-the-world flight with navigator Fred Noonan.

Her disappearance is one of the most tantalizing mysteries in aviation lore, fascinating historians for decades and spawning books, movies and theories galore.

The prevailing belief is that Earhart, 39, and Noonan, 44, ran out of fuel and ditched their twin-engine Lockheed Electra in the Pacific near Howland Island while on one of the final legs of their epic journey.

Earhart, who won fame in 1932 as the first woman to fly solo across the Atlantic, took off on May 20, 1937 from Oakland, California, hoping to become the first woman to fly around the world.

She and Noonan vanished on July 2, 1937 after taking off from Lae, Papua New Guinea, on a challenging 2,500-mile (4,000-kilometer) flight to refuel on Howland Island, a speck of a US territory between Australia and Hawaii.

They never made it.