SOUNDSTORM Concludes after 260 Hours of Music

A general view during MDLBeast Soundstorm 2021 on December 19, 2021 in Riyadh, Saudi Arabia. Neville Hopwood/Getty Images
A general view during MDLBeast Soundstorm 2021 on December 19, 2021 in Riyadh, Saudi Arabia. Neville Hopwood/Getty Images
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SOUNDSTORM Concludes after 260 Hours of Music

A general view during MDLBeast Soundstorm 2021 on December 19, 2021 in Riyadh, Saudi Arabia. Neville Hopwood/Getty Images
A general view during MDLBeast Soundstorm 2021 on December 19, 2021 in Riyadh, Saudi Arabia. Neville Hopwood/Getty Images

Music lovers said goodbye to the region’s largest music festival in Riyadh, Saudi Arabia, SOUNDSTORM, after over 260 hours of music played on seven stages over three days.

Tickets to watch the greatest, global artists partaking in this gigantic musical manifestation were sold out as hundreds of thousands of people attended to enjoy all kinds of music on massive stages.

The last day of the festival was packed with the world’s greatest DJs and singers on all stages. The audience at the Big Beast stage were thrilled with DJ Afrojack and his collaboration with Egypt’s Mohamed Ramadan, as well as Marshmello, and David Guetta who played until 3:00 am.

Despite the cold weather encircling the Saudi capital these days, the festival added a special warmth, offering an exquisite, thrilling place that attracts any life lover. The music and the accompanying activities that entertained the visitors while moving from stage to another turned the festival into an endless pleasure.

In the Tent Beast, a giant tent equipped with several giant screens and lasers, visitors found the excitement zone where they can never feel bored. On its last day, the tent hosted long hours of music played by some of the world’s most known DJs including R3HAB, Steve Aoki, and Lost Frequencies who spent the whole night entertaining thousands of fans.

The Down Beast stage was dedicated to those who wanted to stay away from loud music and dancing, and sat to listen to quiet music with their loved ones. Down Beast concluded its days with Palestinian singer Elyanna with her peaceful, tender voice, Jorja Smith, followed by the band Autostrad, and finally with Shkoon.

The four Underground stages entertained their audiences with renowned artists including Amber Broos, Kayan, Rash, Carl Cox, and many others DJs who played techno music and high-pitch rhythms that turned the spectators into storms of singing and dancing.

Most of the visitors agreed that these three days were among the most entertaining days they have ever witnessed; the ambiance they experienced during SOUNDSTORM were full of joy, music, and entertainment accompanied with the best services, foods, and beverages.

The SOUNDSTORM festival brought together over 100 artists from around the world to perform for hundreds of thousands of spectators. This year’s edition hosted the best DJs and singers including DJ Khaled, Post Malone, Bruno Mars, Busta Rhymes, in addition to Arabic singers such as Nancy Ajram, Myriam Fares, Majid al-Muhandis, Amr Diab, and Mohamed Hamaki.



Apple's 'F1: The Movie' Roars to Top of US, Canada Box Office

Cast member Brad Pitt attends the "F1: The Movie" European premiere in London, Britain, June 23, 2025. (Reuters)
Cast member Brad Pitt attends the "F1: The Movie" European premiere in London, Britain, June 23, 2025. (Reuters)
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Apple's 'F1: The Movie' Roars to Top of US, Canada Box Office

Cast member Brad Pitt attends the "F1: The Movie" European premiere in London, Britain, June 23, 2025. (Reuters)
Cast member Brad Pitt attends the "F1: The Movie" European premiere in London, Britain, June 23, 2025. (Reuters)

Apple's high-octane racing film "F1: The Movie" roared to the top of the US and Canadian box office this weekend, fueled by star-power and a finely-tuned marketing campaign, according to Comscore.

The movie, which stars Brad Pitt as a Formula 1 racer who returns to the track after an accident nearly ends his career, brought in $55.6 million in ticket sales in the two countries. That tally edged past the $45 million to $55 million pre-weekend domestic forecast from the Boxoffice Company.

Worldwide receipts topped $88 million, propelled by the sport's strong fan base in Europe and Latin America.

Racing films typically sputter in theaters, according to Daniel Loria, senior vice president of the Boxoffice Company, a theatrical ecommerce and data services firm. The most successful of the genre, the widely acclaimed "Ford v Ferrari," opened to a modest $31 million in November 2019.

"We haven't had that many movies about car racing that have broken through," Loria said. One notable outlier is the "Fast & Furious" action series that expanded beyond its street racing roots to include heists, espionage and an improbable moon shot.

"F1" had several factors weighing in its favor, helping to broaden its appeal beyond racing enthusiasts. The film's director, Joseph Kosinski, brought the same high-intensity cinematic treatment of Formula 1 racing that he lent to the fighter jet sequences in his 2022 movie, "Top Gun: Maverick." Moviegoers who were polled by CinemaScore gave F1 an A rating, signaling their approval.

Netflix's "Formula 1: Drive to Survive" series helped fuel the popularity of Formula 1 racing, particularly in the US Apple also put marketing muscle behind its movie, an Apple Original Films production that Variety reported cost in excess of $200 million to make.

The tech giant touted "F1" during CEO Tim Cook's keynote address at this year's Worldwide Developers Conference and offered a movie discount to iPhone users. Apple Music also amplified the film's soundtrack.

Warner Bros, which marketed and distributed the movie, developed a bespoke campaign that emphasized the participation of Formula 1 world champion Lewis Hamilton in Europe and Latin America, while focusing on Pitt in the US.

"It's very much like a perfectly coordinated pit crew in a race," said Paul Dergarabedian, senior media analyst with Comscore, an information and analytics company. "They shot this thing off the starting line with great success."

"F1" represents the biggest opening weekend for Apple, whose previous cinematic efforts, such as director Martin Scorsese's "Killers of the Flower Moon," garnered critical acclaim but achieved modest results at the box office.

"The film's outstanding debut reflects both the excitement of Formula 1 and the deeply emotional and entertaining story crafted by the entire cast and creative team," Zack Van Amburg, Apple's head of worldwide video, said in a statement.