Riyadh to Launch First Cultural ‘Fenaa’ to Bring Thinkers, Creatives Together

Buildings are seen in Riyadh, Saudi Arabia, December 18, 2017. Picture taken December 18, 2017. REUTERS/Faisal Al Nasser
Buildings are seen in Riyadh, Saudi Arabia, December 18, 2017. Picture taken December 18, 2017. REUTERS/Faisal Al Nasser
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Riyadh to Launch First Cultural ‘Fenaa’ to Bring Thinkers, Creatives Together

Buildings are seen in Riyadh, Saudi Arabia, December 18, 2017. Picture taken December 18, 2017. REUTERS/Faisal Al Nasser
Buildings are seen in Riyadh, Saudi Arabia, December 18, 2017. Picture taken December 18, 2017. REUTERS/Faisal Al Nasser

Riyadh is set to open the first inclusive cultural yard on Thursday. Planned by the Ministry of Culture, the center will serve as a vital knowledge space that incubates thinkers, creators, and talents. It also features exhibitions, sculptures, and large areas to host cultural and artistic events and transform the creative talents into promising opportunities for unusual ideas and artworks.

Named “Fenaa Alawwal”, the new center will present an exploration destination and a space for cultural dialogue and exchange aimed at building a diverse community of thinkers and creators, as part of the national strategy to empower culture and turn it into a lifestyle, and create opportunities for global, cultural exchange.

The construction works at the Diplomatic Quarter, Riyadh, have turned the first commercial bank in the kingdom (built in 1988) into an artistic and cultural destination for creators from all fields.

The site’s white, cylindrical columns are covered with local, Saudi decorations, while its exterior yard became a stage for artworks and sculptures, topped by a six-piece, permanent collection specially designed for “Fenaa Alawwal”, reflecting the level of creativity and sophistication of many local and international artists.

The site is also characterized with open, flexible corners that will host cultural and artistic events and activities, in addition to a library that provides a wide collection of books and publications in all fields.

The Ministry of Culture released a video that tells the story of the building, which was transformed from a historic, commercial center into a cultural, artistic destination under the sponsorship of the Royal Commission for Riyadh City (RCRC), as part of the Vision 2030’s national transformation program.

The “Fenaa Alawwal” bets on leading the “Third Place” experience in Saudi Arabia by providing an exploration destination, a cultural hub, a platform for knowledge exchange, and a communication bridge that connects art to its pioneers and generations.

Artist Elham Dawsari said that the “Third Place” concept we see in spaces like “Fenaa Alawwal” is crucial because it links artists, interested audiences, officials, and community members in a spontaneous, simple way that encourages and motivates the artist to connect with the community and exchange thought and creative production.

For her part, Artist Miaad al-Akili welcomed the launch of “Fenaa Alawwal”, which gathers creative and artistic works, hoping the new center to be the first of many cultural centers across the kingdom.

Akili said cultural centers play a major role in developing the local landscape, especially when based on innovation, and nurturing the connection of artists with the different generations. She also believes that such centers represent a major, cultural base for a new journey of Saudi arts, and a different generation supported by these exceptional initiatives.

Artist Ali al-Sharif called for incorporating artistic interests such as sculpting and Al Sadu into education, and to start taking care of the talented students in early stages to ensure that the results meet the requirements of the creative phase that Saudi Arabia is living nowadays.

Sharif urged for building a database that features creators and innovators, allows to communicate with them and support their projects.

He added that art has moral and financial values, and the inherited works emphasize a style that helps communities preserve their heritage and creative works throughout history.



Saudi Arabia to Witness Longest Lunar Eclipse in Years on September 7

Saudi Arabia to Witness Longest Lunar Eclipse in Years on September 7
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Saudi Arabia to Witness Longest Lunar Eclipse in Years on September 7

Saudi Arabia to Witness Longest Lunar Eclipse in Years on September 7

Skies over Saudi Arabia are expected to witness a total lunar eclipse on Sunday that will be fully visible in the Kingdom as well as in Asia, Africa, and parts of Australia and Europe, lasting around 83 minutes and making it one of the longest in recent years, SPA reported.

The partial eclipse is scheduled to begin at 7:27 p.m. Saudi time, with the total eclipse starting at 8:30 p.m. and ending at 9:53 p.m. The entire event will conclude at 11:57 p.m.

King Abdulaziz City for Science and Technology (KACST) Professor Dr. ‏Zaki Al-Mostafa‏ explained that a lunar eclipse occurs when the Earth is positioned between the sun and the moon, causing the moon to pass into the Earth's shadow.

This phenomenon is safe to view with the naked eye and can be seen from anywhere on the night side of the Earth.

As a national laboratory, KACST monitors astronomical phenomena like solar and lunar eclipses, new moons, and meteor showers.

The city uses advanced astronomical equipment in both fixed and mobile observatories and has qualified scientific personnel, solidifying its position as a national reference in this field. KACST also promotes public astronomical awareness through educational and interactive events.


King Abdulaziz Royal Reserve Launches Three Major Environmental Projects

The third project involves the construction of protective barriers, gates, and signboards in the Khafs and Noura meadows to better manage visitor traffic and preserve these areas - SPA
The third project involves the construction of protective barriers, gates, and signboards in the Khafs and Noura meadows to better manage visitor traffic and preserve these areas - SPA
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King Abdulaziz Royal Reserve Launches Three Major Environmental Projects

The third project involves the construction of protective barriers, gates, and signboards in the Khafs and Noura meadows to better manage visitor traffic and preserve these areas - SPA
The third project involves the construction of protective barriers, gates, and signboards in the Khafs and Noura meadows to better manage visitor traffic and preserve these areas - SPA

The King Abdulaziz Royal Reserve Development Authority has announced the launch of three new environmental projects that mark a significant step in its conservation efforts.

These initiatives aim to protect natural resources, develop vegetation and wildlife, and create a sustainable environment for research and eco-tourism.

The first project involves a large-scale reforestation effort to rehabilitate over 2,000 hectares of the reserve. To date, 270,000 native trees and shrubs have been planted, with an additional 30,000 allocated to local associations, SPA reported.

The second project focuses on creating semi-natural oases in the Tanhat meadow. This initiative, covering 2,450 square meters, includes the creation of a pond and the planting of native trees to provide safe habitats for migratory birds and enhance local biodiversity.

The third project involves the construction of protective barriers, gates, and signboards in the Khafs and Noura meadows to better manage visitor traffic and preserve these areas.

These projects align with the goals of Saudi Vision 2030 and the Saudi Green Initiative, reinforcing the reserve's role as a model for sustainable environmental development and a prominent tourist destination.


Osaka Says Plush Toy for US Open Final Would've Been Osaka Herself

Naomi Osaka, of Japan, walks on the court with a Labubu doll hanging from her bag before playing against Amanda Anisimova, of the United States, during the women's singles semifinals of the US Open tennis championships, Thursday, Sept. 4, 2025, in New York. (AP Photo/Yuki Iwamura)
Naomi Osaka, of Japan, walks on the court with a Labubu doll hanging from her bag before playing against Amanda Anisimova, of the United States, during the women's singles semifinals of the US Open tennis championships, Thursday, Sept. 4, 2025, in New York. (AP Photo/Yuki Iwamura)
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Osaka Says Plush Toy for US Open Final Would've Been Osaka Herself

Naomi Osaka, of Japan, walks on the court with a Labubu doll hanging from her bag before playing against Amanda Anisimova, of the United States, during the women's singles semifinals of the US Open tennis championships, Thursday, Sept. 4, 2025, in New York. (AP Photo/Yuki Iwamura)
Naomi Osaka, of Japan, walks on the court with a Labubu doll hanging from her bag before playing against Amanda Anisimova, of the United States, during the women's singles semifinals of the US Open tennis championships, Thursday, Sept. 4, 2025, in New York. (AP Photo/Yuki Iwamura)

Naomi Osaka's last Labubu as the US Open was going to be Osaka herself.

For Osaka, that was the real bummer about losing one match short of the final.

“Oh, don’t make me cry, man,” the four-time Grand Slam champion said during her press conference early Friday morning after her 6-7 (4), 7-6 (3), 6-3 semifinal loss to Amanda Anisimova. “Oh my God, the most devastating question.”

Osaka had been toting a different version of the popular plush toy attached to her racket bag to each of her matches in Flushing Meadows. She gave them catchy names like Billie Jean Bling (for Billie Jean King), Althea Glitterson,” (a tribute to Althea Gibson ) and Arthur Flashe (as in Arthur Ashe, for whom the main US Open stadium is named.)

Had she been playing in Saturday's final, Osaka said the Labubu would have been patterned after the green skirt she wore last year at the tournament she won in 2018 and 2020, which included a green bow over the white jacket she entered the court wearing.

“I would have had the bow, and I’m sick about it,” The Associated Press quoted Osaka as saying. “Oh, my God, that’s like the worst thing. Honestly, I’m fine losing, but don’t ask me about this Labubu, man. Yeah, it would have been me.”