Breakthrough Entertainer: Stephanie Hsu, Now Everywhere 

Stephanie Hsu arrives at the Governors Awards on Saturday, Nov. 19, 2022, at Fairmont Century Plaza in Los Angeles. (AP)
Stephanie Hsu arrives at the Governors Awards on Saturday, Nov. 19, 2022, at Fairmont Century Plaza in Los Angeles. (AP)
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Breakthrough Entertainer: Stephanie Hsu, Now Everywhere 

Stephanie Hsu arrives at the Governors Awards on Saturday, Nov. 19, 2022, at Fairmont Century Plaza in Los Angeles. (AP)
Stephanie Hsu arrives at the Governors Awards on Saturday, Nov. 19, 2022, at Fairmont Century Plaza in Los Angeles. (AP)

Dressed as Elvis and nonchalantly walking a pig on a leash, Stephanie Hsu made a memorable big screen impression this year. 

Hsu actually had two roles in "Everything Everywhere All at Once," playing both a sullen teen and an intergalactic supervillain for a film that can best be called a fantastical science fiction comedy-drama. 

With Michelle Yeoh joining Hsu as her onscreen mother, the indie film has garnered critical acclaim, hit over $100 million in global ticket sales and has sparked Oscar buzz. 

"The movie is so special because we could not have possibly expected this to have happened and so we were really able to just throw paint at the wall," Hsu said. "It came from a very raw place with zero expectations, only trying to tell the story as deeply and honestly as we can." 

Hsu's performance — combining deep hurt with a real skill with nunchucks while rocking sequin-lined eyes — has made her one of The Associated Press’ Breakthrough Entertainers of the Year alongside Joaquina Kalukango, Sadie Sink, Tenoch Huerta, Iman Vellani and more. 

"I have been working for a really long time and I guess that’s what a breakout is: You chip away and then all of a sudden, there’s one thing that everyone is like, ‘That’s the thing that put you on the map.’" 

Hsu was a Broadway veteran with a few TV credits when she worked with the writing and directing duo of Daniel Kwan and Daniel Scheinert for an episode of "Norah From Queens." 

Working with Kwan and Scheinert — know as The Daniels — was a revelation for Hsu and when they contacted her about "Everything Everywhere All at Once" she never hesitated. 

"We’re like artistic soulmates in so many ways," she said. "When I read the script, in so many ways, it actually made a lot of sense to me weirdly enough. I don’t know what that says about me." 

The film begins with Yeoh as a struggling laundromat owner who is being audited by the IRS and has a strained relationship with her daughter. The story gets surreal when she discovers she has to connect with parallel universes to prevent cataclysmic destruction, also involving her daughter. It's also a family drama, with richness in the complex love between relations. 

"This movie, in so many ways, embodies what I love to do as an artist. So it feels like the most honest handshake I could make with Hollywood," she said. 

"I think art at its very best offers some help in processing or helping us move through a very confusing world and offer some healing. And that is ultimately the type of work that I want to make." 

Hsu began her acting career on Broadway, where she played Karen the Computer in "SpongeBob the Musical," and Christine Canigula in "Be More Chill." She was born in California and moved to New York to study at New York University, graduating in 2012. 

She showed off her work ethic by combining a punishing eight-show-a-week Broadway schedule with filming "The Marvelous Mrs. Maisel" on Mondays, her only day off. 

"The discipline that forced me into, I think, really prepared me for everything that has happened since. And I feel really grateful that I was given the opportunity to work that hard," she said. 

Hsu will next be seen in Rian Johnson’s Peacock anthology series "Poker Face," alongside Natasha Lyonne and Joseph Gordon-Levitt. She’ll also star opposite Ashley Park in "JFC," a raunchy, R-rated comedy directed by Adele Lim. 

"What I’m excited to do next, honestly, is to develop more of my own work," she said. "In order to make this career sustainable and joyful is to be able to dig in and not always just fill shoes for someone else." 



André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
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André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)

No one was expecting it. Late last year, André 3000 released his debut solo album, "New Blue Sun," 18 years after his legendary rap group Outkast's last studio album, "Idlewild."

But "New Blue Sun" has "no bars," he jokes. It's a divergence from rap because "there was nothing I was liking enough to rap about, or I didn't feel it sounded fresh. I'm not about to serve you un-fresh (expletive.)"

Instead, he offered up a six-track instrumental album of ambient alt-jazz — with special attention paid to the flute.

"The sound, that's how I got into it," he says of the instrument. "The portability, too. You can't tote around a piano and play in Starbucks."

He's also invested in the flute's history — like learning about Mayan flutes made from clay, a design he had re-created in cedarwood. "There’s all kinds of fables and, you know, indigenous stories that go along with playing the flute — playing like the birds or playing your heart like the wind — it kind of met (me) where I was in life," he says.

"Flutes — wind instruments in general — are the closest thing you get to actually hearing a human," he continues. "You're actually hearing the breath of a person."

"New Blue Sun" is a stunning collection, one that has earned André 3000 three new Grammy Award nominations: album of the year, alternative jazz, and instrumental composition. Those arrive exactly 25 years after the 1999 Grammys, where Outkast received their first nomination — for "Rosa Parks," from their third album, "Aquemini" — and 20 years after the group won album of the year for "Speakerboxxx/The Love Below."

"It matters because we all want to be acknowledged or recognized," André 3000 says of his new Grammy nominations. "It's a type of proof of connection, in some type of way ... especially with the Grammys, because it's voted on by a committee of musicians and people in the industry."

He's a bit surprised by the attention, too, given the type of album he created. "We have no singles on the radio, not even singles that are hot in the street," he says. "When you're sitting next to Beyoncé and Taylor Swift, these are highly, hugely popular music artists, I'm satisfied just because of that ... we won just to be a part of the whole conversation."

He theorizes that it may be because popular music listening habits are broadening. "A lot of artists are just trying different things. Even, you know, the album that Beyoncé is nominated for, it’s not her normal thing," he says of her country-and-then-some record, "Cowboy Carter.We’re in this place where things are kind of shifting and moving."

For André 3000, "New Blue Sun" has allowed him to "feel like a whole new artist," but it is also an extension of who he's always been. "Being on the road with Outkast and picking up a bass clarinet at a pawn shop in New York and just sitting on the back of the bus playing with it — these things have been around," he says.

He's also always embraced "newness," as he puts it, experimenting creatively "even if it sounds non-masterful."

"Even producing for Outkast, I was just learning these instruments. If I ... put my hands down and play ‘Ms. Jackson,’ I'm not knowing what I'm playing. But I like it," he says.

As for a new Outkast album, "I never say never," he says. "But I can say that the older I get, I feel like that time has happened."