Krasinski’s ‘Jack Ryan’ Returns to TV after 3-Year Wait

This image released by Amazon Prime Video shows John Krasinski in a scene from "Tom Clancy's Jack Ryan." (Jonny Cournoyer/Prime Video via AP)
This image released by Amazon Prime Video shows John Krasinski in a scene from "Tom Clancy's Jack Ryan." (Jonny Cournoyer/Prime Video via AP)
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Krasinski’s ‘Jack Ryan’ Returns to TV after 3-Year Wait

This image released by Amazon Prime Video shows John Krasinski in a scene from "Tom Clancy's Jack Ryan." (Jonny Cournoyer/Prime Video via AP)
This image released by Amazon Prime Video shows John Krasinski in a scene from "Tom Clancy's Jack Ryan." (Jonny Cournoyer/Prime Video via AP)

Season three of “Tom Clancy’s Jack Ryan,” starring John Krasinski, returns to Amazon Prime Video with a storyline that may feel familiar.  

We meet Ryan, now stationed in Rome, as he discovers an underground plot by Russia to invade surrounding countries and recreate the Soviet empire.  

The episodes were written three years ago, and production wrapped long before Russia invaded Ukraine.  

Filming “Jack Ryan” was delayed when the pandemic forced everything to shut down. Krasinski turned his focus to a weekly homemade newscast called “Some Good News,” sharing positive stories during a dark time. Like many, he wasn’t focused on diet and exercise while in quarantine.  

Kraskinski jokes his “Some Good News” shape was ideal because you never saw him standing up as he was always seated like a newscaster. “You didn’t even see the bottom half of me. That’s where I felt most comfortable,” he said. 

When it was time to buckle down, Krasinski said he was motivated by the idea that the show would be a reason for many to finally resume working after months of waiting. 

“It was actually a very cleansing thing,” said Krasinski, who is also an executive producer and helps write the episodes. “I took a great responsibility with all these hundreds of people who were brave enough to put their lives on the line to bring back our industry in some small way. 

“It was almost like getting into my best possible shape and self, both physically and mentally, to prepare for something that we knew would be much more different and much more harrowing, but hopefully that much more worth it.” 

In the new episodes, which begin streaming on Wednesday. Ryan’s attempts to alert the CIA to his discovery about Russia result in the agency turning on him and issuing a Red Notice calling for his arrest and extradition back to the US to face charges. Ryan’s former boss James Greer (played by Wendell Pierce) assists as much as he can from the inside, and Ryan seeks out his old pal Mike November (Michael Kelly), who left the agency at the end of season two, to help thwart Russia’s plan. 

Krasinski and Kelly’s relationship on screen provides some moments of levity, amid all the action and looming catastrophe. Kelly, who is known for serious roles such as “House of Cards,” says it’s a fun departure to have those lighter on-screen moments. 

“John will write a lot of those one-liners for me on the day and I’m so grateful I get to have the humor. To get to play something a little closer to myself was such a treat,” said Kelly.  

“Jack Ryan” has also made Kelly appreciative of the dedication of those who protect us on a daily basis “from the Navy SEALs all the way to Port Authority police officers.” He says many are fans of the show and like to talk to him about the realities of the job.  

“I tell my kids all the time, ‘(When) we pass a police officer, say thank you... You see someone in the armed services. You say thank you.’ Our veterans, they come home and are so underserved in this country. We need to be doing more and we need to be saying thank you more.”  

For Pierce, the role has given him a fresh perspective into his own brother who served as a military attache in Belarus.  

“I realized there was so much that he did that I did not know about, and he didn’t share with the family. I just wanted to make sure he knew that he could share with me now that he’s out of the military, the impact that it has. It gives me a lot of food for thought. And really the study of human behavior is what acting is all about.” 

“Tom Clancy’s Jack Ryan” will conclude with its fourth season, which has already finished filming. Its release date has not yet been announced. 



Ziad Rahbani, Lebanese Composer and Son of Icon Fairouz, Dies at 69

Lebanese artist Ziad Rahbani performs at the Beiteddine Palace in Lebanon's Chouf mountains, south of the capital Beirut, during the Beiteddine International Art Festival on July 12, 2018. (AFP)
Lebanese artist Ziad Rahbani performs at the Beiteddine Palace in Lebanon's Chouf mountains, south of the capital Beirut, during the Beiteddine International Art Festival on July 12, 2018. (AFP)
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Ziad Rahbani, Lebanese Composer and Son of Icon Fairouz, Dies at 69

Lebanese artist Ziad Rahbani performs at the Beiteddine Palace in Lebanon's Chouf mountains, south of the capital Beirut, during the Beiteddine International Art Festival on July 12, 2018. (AFP)
Lebanese artist Ziad Rahbani performs at the Beiteddine Palace in Lebanon's Chouf mountains, south of the capital Beirut, during the Beiteddine International Art Festival on July 12, 2018. (AFP)

Ziad Rahbani, the visionary Lebanese composer, playwright, pianist and political provocateur, died on Saturday, at the age of 69, according to the state-run National News Agency.

The death was confirmed by a person close to Rahbani who spoke on condition of anonymity. The cause of death was not immediately clear.

Born in 1956 in Antelias, near Beirut, Ziad was the eldest son of legendary Lebanese singer Fairouz and composer Assi Rahbani, one half of the famed Rahbani Brothers. From a young age, he showed signs of prodigious talent, composing his first musical work at just 17 years old. Raised among artistic royalty, his world was steeped in music, theater, and political consciousness — a combination that would define his life’s work.

His mother performed some of his compositions at her sellout concerts, blending Lebanese folklore with Western syncopation and phrasing.

Lebanese President Joseph Aoun mourned Rahbani’s passing as a national loss, describing him as “not just an artist, but a complete intellectual and cultural phenomenon.” In a statement, Aoun praised Rahbani as “a living conscience, a rebellious voice against injustice, and an honest mirror reflecting the suffering and marginalized.”

He highlighted how Rahbani’s fusion of classical, jazz and Oriental music “opened new windows for Lebanese cultural expression” and elevated it to global levels. “Ziad was a natural extension of the Rahbani family, which gave Lebanon much beauty and dignity,” the president added.

While his parents helped construct a golden era of Lebanese musical theater steeped in idealism and nostalgia, Rahbani charged onto the scene with irreverent satire, unflinching political critique and jazz-inflected scores that mirrored the chaos and contradictions of a Lebanon at war with itself.

His breakout play, Nazl el-Sourour (Happiness Hotel), premiered in 1974 when he was only 17 and portrayed a society disfigured by class inequality and repression. The tragicomic narrative follows a group of workers who hijack a restaurant to demand their rights, only to be dismissed by the political elite. With this bold debut, Rahbani revealed his enduring theme: that Lebanese society was fractured not only by war but by entrenched power.

Rahbani’s subsequent plays solidified his reputation as the voice of the disenchanted. In Bennesbeh La Bokra Chou? (What About Tomorrow?), he plays a jaded bar pianist in post-civil war Beirut who drifts through a surreal landscape of broken dreams, corruption and absurdity. The work features some of Rahbani’s most poignant music and biting commentary, including the famous line, “They say tomorrow will be better, but what about today?”

More than just a playwright, Rahbani was a composer of staggering range. He infused traditional Arabic melodies with jazz, funk and classical influences, creating a hybrid sound that became instantly recognizable. His live performances were legendary, whether playing piano in smoky clubs in Hamra, one of Beirut's major commercial districts that harbors a multifaceted identity, or orchestrating large-scale productions.

His collaborations with Fairouz, especially during the late 1970s and 1980s, ushered in a darker, more politically charged phase in her career. Songs like Ouverture 83, Bala Wala Chi (Without Anything), and Kifak Inta (How Are You) reflected Ziad’s brooding compositions and lyrical introspection.

Rahbani came under fire from Arab traditionalists for his pioneering efforts to bridge the gap between Arab and Western culture with music.