Director Tawfik Al-Zaidi Tells Asharq Al-Awsat: ‘Noura’ Resembles AlUla in its Connection with Human, Art

Saudi film director Tawfik Al-Zaidi.
Saudi film director Tawfik Al-Zaidi.
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Director Tawfik Al-Zaidi Tells Asharq Al-Awsat: ‘Noura’ Resembles AlUla in its Connection with Human, Art

Saudi film director Tawfik Al-Zaidi.
Saudi film director Tawfik Al-Zaidi.

Saudi film director Tawfik Al-Zaidi expected the revenues of the Saudi cinema to hit one billion Saudi riyals by the end of 2022, after it exceeded 900 million riyals in November, highlighting the vital role Saudi Arabia has played in the cinema industry since 2018.

During an interview with Asharq Al-Awsat, Al-Zaidi said Saudi Arabia has become a filmmaking-friendly environment, noting that the kingdom has got into the cinema industry with cinema theaters and specialized festivals like Jeddah’s Red Sea Film Festival, which was a game changer.

Al-Zaidi, who directed, wrote, and made his film “Noura” in a small town in AlUla city, said he chose AlUla as a geographic background for his feature film because he sees that the movie and AlUla, which represents an esteemed human heritage, are similar in their connection to humans and art.

Starred by Yacob al-Farhan, Maria Bahrawi, and Abdullah al-Sadhan, “Noura” tells the story of Nader, an artist who gave up painting and moved to western Saudi Arabia where he became a children teacher; and Noura, a young woman who lives with her little brother, Nayef, an independent life, away from male caretakers after the death of their father. In the movie, Noura discovers that Nader is an artist, then an artistic connection emerges between the two, which revives Nader’s inspiration and makes him introduce Noura to a world of possibilities outside her small town.

Tawfik Al-Zaidi believes that cinema is rewriting reality by creating a world and living in it. He chose filmmaking driven by his passion for visual storytelling and narration, and because he sees the visual language of films as a universal, human language and a key to understanding the meanings and messages proposed by the director. Al-Zaidi started his career when he was 12, filming his peers playing football in his neighborhood with his own camera. Despite his early skills at the time, he didn’t realize that he was taking his first steps in the cinema industry.

Tawfik al-Zaidi started directing his own short movies in 2006, and he’s considered an influencing and pioneering member of the new cinema wave in the kingdom. His short film, “The Perfect Crime”, won the Best Montage Award at the Jeddah Film Festival 2007, and his film, “The Silence”, won the Gulf Award for Short Films at the Muscat International Film Festival 2009. The movie was screened in over 20 countries, and was selected by a US organization to be displayed in their private library.

In 2014, he wrote and directed “Four Colors” with the support of Emirati company Two Four 54, and the film was screened at the Dubai International Film Festival. In 2015, he wrote and directed “The Other”, a film funded by Misk foundation. Starred by Syrian actor Mohammed al-Qass, and Saudi actor Meshaal al-Mutairi, the film won the Best Short Film Award in the Riyadh Film Festival 2016.



Japan's 400,000-follower 'Insta-gran' Dies Aged 97

(FILES) This file picture taken on January 16, 2018 shows Kimiko Nishimoto posing next to a picture of her on the sliding window of her house in the western Japanese city of Kumamoto. (Photo by Behrouz MEHRI / AFP)
(FILES) This file picture taken on January 16, 2018 shows Kimiko Nishimoto posing next to a picture of her on the sliding window of her house in the western Japanese city of Kumamoto. (Photo by Behrouz MEHRI / AFP)
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Japan's 400,000-follower 'Insta-gran' Dies Aged 97

(FILES) This file picture taken on January 16, 2018 shows Kimiko Nishimoto posing next to a picture of her on the sliding window of her house in the western Japanese city of Kumamoto. (Photo by Behrouz MEHRI / AFP)
(FILES) This file picture taken on January 16, 2018 shows Kimiko Nishimoto posing next to a picture of her on the sliding window of her house in the western Japanese city of Kumamoto. (Photo by Behrouz MEHRI / AFP)

A Japanese great-grandmother with 400,000 Instagram followers who shot to fame for her goofy self-portraits after taking up photography aged 72 has died, her son said on Thursday.

Kimiko Nishimoto, who died this week at the age of 97, told AFP in a 2018 interview that "you can take photos no matter how old you get".

"Wherever it is, in your house, outside, or in your bed, you can do it. That is the nice thing about a camera," she said.

Dubbed the "selfie queen" by Japanese media, Nishimoto's posts showed her in various candid poses -- from riding a broom like Harry Potter to imitating an off-duty sumo wrestler on their fifth beer of the night.

"Our mother always created her work with a smile," a post from her son Kazutami Nishimoto said on her Instagram account.

"We are deeply grateful to everyone who visited her photography exhibitions held across the country, to those who shared warm words of encouragement through Instagram... and to all who supported her warmly throughout her journey."

Nishimoto's son teaches photography classes, which his mother started taking in retirement.

"Though she began photography at the age of 72, she was blessed with countless encounters, which enriched this third chapter of her life tremendously," he said.

Nishimoto appeared on national television as her online following grew and was interviewed by major news outlets.

But her more out-there visual scenarios were also the cause of some confusion over the years.

One snap -- showing her wrapped in a garbage bag, as if she had been discarded -- drew criticism from people who didn't know she was involved in its set-up.

"It's not like ideas just suddenly pop into my head but wherever I go I think about what it would be fun to dress up as in that place," she said in 2018.