McCartney Daughter Gives Intimate Tour of Abbey Road

Mary McCartney directs the new documentary, 'If These Walls Could Sing'. ANGELA WEISS / AFP
Mary McCartney directs the new documentary, 'If These Walls Could Sing'. ANGELA WEISS / AFP
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McCartney Daughter Gives Intimate Tour of Abbey Road

Mary McCartney directs the new documentary, 'If These Walls Could Sing'. ANGELA WEISS / AFP
Mary McCartney directs the new documentary, 'If These Walls Could Sing'. ANGELA WEISS / AFP

The daughter of pop megastar Paul McCartney has given an intimate peek into the hallowed halls of Abbey Road, the studio where he -- and many other music stars -- recorded masterpieces.

Mary McCartney directed the new documentary, "If These Walls Could Sing", which gets a worldwide release on Disney+ on January 6 after premiering in North America in December.

The London studio gave its name to arguably The Beatles' most beloved record, 1969's "Abbey Road", and it was on the nearby zebra crossing that the Fab Four shot their legendary cover photo.

"I have a personal connection with the studio," Mary McCartney told AFP.

"I grew up coming here, we lived nearby. I have a very funny picture that I love -- my mum (Linda McCartney) leading a pony across the zebra crossing."

Inevitably, The Beatles occupy a major part of the 90-minute documentary, since they recorded no less than 190 of their 210 songs there.

But Abbey Road has a long history, established in 1931 by record company EMI.

Initially dedicated to classical music, it had cutting edge technology for the time, and was used by composer and conductor Edward Elgar shortly before his death in 1934.

"So many people come to Abbey Road to the zebra crossing but don't come inside because it's a busy working studio, so I wanted to bring the viewer inside," said McCartney.

The studio became "the bunker" for The Beatles after the hysteria surrounding the group led them to quit touring in 1966, recalls Giles Martin, son of their producer George Martin, in the film.

Many stars have since sought to tap into the magic of the place, from Elton John and Pink Floyd to Led Zeppelin and Oasis -- all of whom feature in the new film.

"Each person tells a different story, different aspects of what makes Abbey Road a whole," said Mary McCartney.

Beatles fans have been spoiled recently, with the new documentary coming little over a year after "Get Back" in which director Peter Jackson painstakingly reworked footage of the band writing and rehearsing the album "Let it Be", including their famous performance on the roof of Abbey Road.



Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
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Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)

Renowned American director Francis Ford Coppola believes his harshly criticized science fiction film “Megalopolis” offers audiences a unique narrative vastly different from what they are accustomed to seeing.

"We're so used to seeing movies that are like other movies because they're financed that way,” Coppola told Reuters during a Zoom interview while he was at the Toronto International Film Festival, where the film was also screened.

"It's [movies like other movies] always something that's already proven that it will make money. It's like a potato chip that you know is habit forming and 'Megalopolis' is new,” he added.

After debuting this year at the Cannes Film Festival, Coppola's $120 million self-funded project is going to be shared with broader audiences when it arrives to US movie theaters on Friday.

While the film will be distributed by Lionsgate, Coppola maintains ownership of the movie.

Adam Driver stars as Cesar Catilina, an architect-scientist who wants to better a fictional version of New York City called New Rome, pitting him against Mayor Franklyn Cicero, played by Giancarlo Esposito, who prizes authority and institutions over change.

Catilina falls in love with the mayor's daughter, Julia, played by "Game of Thrones"' Nathalie Emmanuel, as she helps him work towards his vision and re-ignites his power to stop time.

When asked if “Megalopolis” is an allegory for his film-making journey, the 85-year-old director said, “All of my films are.”

“When I was young and made 'The Godfather,'” I had to be like Michael [Michael Corleone] because I had no power and I had to be very Machiavellian. When I made 'Apocalypse Now,' I was in an absurd situation with helicopters and millions of dollars every week that I was paying for, so I had to become a megalomaniac like Kurtz [Colonel Kurtz]. You know, I have always become the characters in my movies just to survive,” he added.

While the press response to the movie has been poor with a low score of 51% on the review aggregator Rotten Tomatoes, Driver believes “Megalopolis” is a film that needs more than one viewing to be truly absorbed.

"I think it does have legs and I think it is something that you want to return to and can return to and mine something else out of it," Driver said. "And it, you know, has a place in people's minds as being one of a kind, which I don't think a lot of films can say that, you know."