‘Avatar: The Way of Water’ Tops $2 Billion in Global Box Office Receipts

This image released by 20th Century Studios shows Sam Worthington, as Jake Sully, in a scene from "Avatar: The Way of Water." (20th Century Studios via AP)
This image released by 20th Century Studios shows Sam Worthington, as Jake Sully, in a scene from "Avatar: The Way of Water." (20th Century Studios via AP)
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‘Avatar: The Way of Water’ Tops $2 Billion in Global Box Office Receipts

This image released by 20th Century Studios shows Sam Worthington, as Jake Sully, in a scene from "Avatar: The Way of Water." (20th Century Studios via AP)
This image released by 20th Century Studios shows Sam Worthington, as Jake Sully, in a scene from "Avatar: The Way of Water." (20th Century Studios via AP)

James Cameron's "Avatar: The Way of Water" led ticket sales in movie theaters for the sixth straight weekend, making it the first film to have such a sustained reign atop the box office since 2009's "Avatar."

The Walt Disney Co.’s "The Way of Water" added $19.7 million in US and Canadian theaters over the weekend, according to studio estimates Sunday. Its global total has now surpassed $2 billion, putting it sixth all-time and just ahead of "Spider-Man: No Way Home."

Domestically, "The Way of Water" is up to $598 million. Continued robust international sales ($56.3 million for the weekend) has helped push the "Avatar" sequel to $2.024 billion worldwide.

A year ago, "Spider-Man: No Way Home" also topped the box office for six weekends, but did it over the course of seven weeks. You have to go back to Cameron's original "Avatar" to find a movie that stayed No. 1 for such a long span. ("Avatar" ultimately topped out at seven weeks.) Before that, the only film in the past 25 years to manage the feat was another Cameron film; "Titanic" (1997) went undefeated for 15 weeks.

"The Way of Water" has now reached a target that Cameron himself set for the very expensive sequel. Ahead of its release, Cameron said becoming "the third or fourth highest-grossing film in history" was "your break even."

The box-office domination for "The Way of Water" has been aided, in part, by a dearth of formidable challengers.

The only new wide release from a major studio on the weekend was the thriller "Missing," from Sony's Screen Gems and Stage 6 Films. A low-budget sequel to 2018's "Searching," starring Storm Reid as a teenager seeking her missing mother, "Missing" plays out across computer screens. The film, budgeted at $7 million, debuted with $9.3 million.

January is typically a slow period in theaters, but a handful of strong-performing holdovers have helped prop up sales.

Though it didn't open hugely in December, Universal Pictures' "Puss in Boots: The Last Wish" has had long legs as one of the only family options in theaters over the last month. In its fifth week, it came in second place with $11.5 million domestically and $17.8 million overseas. The "Puss in Boots" sequel has grossed $297.5 million globally.

The creepy doll horror hit "M3gan," also from Universal, has likewise continued to pull in moviegoers. It notched $9.8 million in its third week, bringing its domestic haul to $73.3 million.

And while the popularity of horror titles in theaters is nothing new, Sony Pictures' "A Man Called Otto," starring Tom Hanks, has flourished in a marketplace that's been trying for adult-oriented dramas. The film, a remake of the Swedish film "A Man Called Ove," about a retired man whose suicide plans are continually foiled by his neighbors, made $9 million in its second week of wide release. It's taken in $35.3 million domestically through Sunday.



Brian Wilson's Top Five Beach Boys Songs

Musician Brian Wilson of The Beach Boys performs onstage at the 54th Annual Grammy Awards. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File
Musician Brian Wilson of The Beach Boys performs onstage at the 54th Annual Grammy Awards. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File
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Brian Wilson's Top Five Beach Boys Songs

Musician Brian Wilson of The Beach Boys performs onstage at the 54th Annual Grammy Awards. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File
Musician Brian Wilson of The Beach Boys performs onstage at the 54th Annual Grammy Awards. KEVIN WINTER / GETTY IMAGES NORTH AMERICA/AFP/File

From the carefree sound of California surf music to the sophistication of later darker works, here are five of the top hits penned by influential Beach Boys founder Brian Wilson.

'Surfin' USA' (1963)

"Surfin' USA" was the Beach Boys' first global hit, taken from their eponymous debut album. A youthful ode to sea, sun and girls, it became an anthem for the West Coast and beyond.

It demonstrated Brian Wilson's increasing songwriting prowess as well as the band's unique vocal sound achieved thanks to double tracking.

"We'll all be gone for the summer/ We're on safari to stay/ Tell the teacher we're surfin'/ Surfin' USA," it rang out.

Wilson intentionally set his lyrics to the music of "Sweet Little Sixteen," by Chuck Berry, leading Berry to take legal action.

'California Girls' (1965)

On the big hit of the summer of 1965, Wilson's cousin Mike Love burst into song to celebrate the sun-tanned women of California.

"I wish they all could be California girls," the band members sang in seemless harmony.

It was also the first song written by Wilson under the influence of LSD, "which could explain why the accompaniment seems to move in a slow, steady daze at odds with the song's bright, major-key melody," Rolling Stone magazine wrote.

'God Only Knows' (1966)

It took Wilson just 45 minutes to write "God Only Knows," the legendary eighth track on the album "Pet Sounds" which has gone down as one of the greatest love songs ever.

Sung by brother Carl Wilson, Brian's rival Paul McCartney declared it to be his favorite song of all time and said it reduced him to tears.

But the record company and other members of the group were wary at the new turn in style.

'Good Vibrations'(1966)

"Good Vibrations" was a massive commercial success, selling one million copies in the United States and topping charts there and in several other countries including the UK.

At the time the most expensive single ever made, the "pocket symphony" was recorded in four different studios, consumed over 90 hours of tape and included a complexity of keys, textures, moods and instrumentation.

The song was a far cry from the group's surf-and-sun origins and the enormity of the task brought Wilson to the brink. He was unable to go on and complete the album "Smile," of which the song was to have been the centerpiece.

- 'Til I die' (1971) -

On side B of the album "Surf's Up,'Til I die" was composed in 1969 by a depressed Wilson worn down by mental illness and addiction.

He wrote in his 1991 autobiography that it was perhaps the most personal song he had written for the Beach Boys.