Iranian Women Take Center Stage at Sundance Film Festival

Directors Maryam Keshavarz, Sierra Urich and Noora Niasari all have films at the 2023 Sundance Film Festival. Robin Marchant / GETTY IMAGES NORTH AMERICA/AFP
Directors Maryam Keshavarz, Sierra Urich and Noora Niasari all have films at the 2023 Sundance Film Festival. Robin Marchant / GETTY IMAGES NORTH AMERICA/AFP
TT

Iranian Women Take Center Stage at Sundance Film Festival

Directors Maryam Keshavarz, Sierra Urich and Noora Niasari all have films at the 2023 Sundance Film Festival. Robin Marchant / GETTY IMAGES NORTH AMERICA/AFP
Directors Maryam Keshavarz, Sierra Urich and Noora Niasari all have films at the 2023 Sundance Film Festival. Robin Marchant / GETTY IMAGES NORTH AMERICA/AFP

Movies by and about Iranian women took center stage at the Sundance film festival this weekend, as diaspora filmmakers reflected on female-led protests and the deadly challenges of censorship and resistance in their ancestral home.

"Joonam," a documentary about a three-generation family of Iranian women now living in Vermont, and "The Persian Version," a colorful but candid dramedy which hops between Iran and New York over several decades, received world premieres on Saturday, said AFP.

"Shayda," a drama directed by Noora Niasari about a Persian woman who flees her abusive husband in Australia, debuted earlier at the high-profile independent film festival in Utah.

Their inclusion in Sundance's line-up follows four months of mass demonstrations in Iran, triggered by anger over the death of 22-year-old Mahsa Amini after her arrest for violating Iran's strict dress rules.

At least 481 people have been killed in the crackdown and at least 109 others are facing execution in protest-related cases, in addition to the four already put to death, according to NGO Iran Human Rights.

The protesters "are literally putting themselves on the line... I stand in support with them 100 percent," said "Joonam" director Sierra Urich.

"You can't speak freely in Iran, they're imprisoning filmmakers and imprisoning artists," Urich told AFP.

"I can speak freely outside of Iran -- to an extent."

Iran has arrested a number of celebrities from the country's film industry in connection with the protest movement. Renowned director Jafar Panahi has been in prison six months following an earlier conviction for "propaganda against the system."

While US-born Urich cannot visit Iran for security reasons, her film chronicles her efforts to connect with and better understand the country by learning Farsi and interviewing her mother and grandmother.

She learns about the murder of an ancestor, and the story of how her grandmother was married at 14 to a man she met before reaching puberty.

While her grandmother is happy to reflect, her mother worries it is "very dangerous" to delve into the family's past on camera, at one point warning her daughter that in Iran, "the filmmaker will be the one hanged."

"Coming into Sundance, the film is on the world stage. I think Iranians are always weighing how truthful they will be, versus what they will say, causing consequences for people that are back home," said Urich.

"It wasn't until my grandmother shared the story of her grandfather's martyrdom that I really understood this wall of fear that had been built by this authoritarian regime, to so many people in Iran, outside of Iran.

"My mom was trying to protect me from that reality."

- 'Resilience' -
In "The Persian Version," rebellious young Iranian-American Leila (played by Layla Mohammadi) has a fractured relationship with her immigrant mother, caused by Leila's sexuality and their seemingly different views on the role of women.

But as she uncovers the truth about her parents' experiences in Iran and their departure from the country, both generations of women gain perspective on their complicated heritage.

"I'm proud to have an Iranian film here at this moment about women," said director Maryam Keshavarz at the film's premiere, where cast members wore badges in Iranian flag colors with the protest movement's slogan "Woman Life Freedom."

"I think it speaks to the resilience through the decades, not just now. It's been forever in the making," she said.

"Even before this regime, women have always pushed against society for what they've wanted.

"They've upended the norms and they've learned to find their way of being free."

Keshavarz has not been able to return to Iran since the release of her debut film "Circumstance," about two teenage Persian girls who fall in love.

Urich still hopes to visit one day, but is watching the protests from afar, and for now hopes that her film can be "a small part of that struggle for freedom."

"I think part of why it's so moving to see what's happening in Iran right now, and to be here with these other filmmakers," she said, "is it's a real sense of community, and being able to tell our stories openly."



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
TT

'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."