Harrison Ford Inspires Cast in New Comedy ‘Shrinking’

Harrison Ford and the cast attend the premiere of Apple TV+'s "Shrinking" at Directors Guild of America, Los Angeles, California, US, January 26, 2023. (Reuters)
Harrison Ford and the cast attend the premiere of Apple TV+'s "Shrinking" at Directors Guild of America, Los Angeles, California, US, January 26, 2023. (Reuters)
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Harrison Ford Inspires Cast in New Comedy ‘Shrinking’

Harrison Ford and the cast attend the premiere of Apple TV+'s "Shrinking" at Directors Guild of America, Los Angeles, California, US, January 26, 2023. (Reuters)
Harrison Ford and the cast attend the premiere of Apple TV+'s "Shrinking" at Directors Guild of America, Los Angeles, California, US, January 26, 2023. (Reuters)

When Bill Lawrence was developing his new Apple TV+ comedy ”Shrinking,” he introduced one character in the pilot script as a “Harrison Ford-type” — but never dreamed he would get the real deal.

Although the showrunner has had comedy success working with big names and executive-producing hits like “Scrubs,” “Cougar Town” and “Ted Lasso,” nabbing a huge movie star like Ford seemed unrealistic. But he decided to take a shot and send Ford the script.

He was gobsmacked when the “Indiana Jones” actor liked the story and eventually agreed to play the part of a tough therapist who works with star Jason Segel in a mental health practice.

“If he had not shown up on set, I would not have been shocked,” Lawrence told the Associated Press in a recent interview. “But he showed up. He’s lovely, he’s inspiring. He’s 80 years old and still challenging himself.”

For “Shrinking” — which starts streaming Friday — Lawrence teamed with Segel and writer Brett Goldstein (also Roy Kent in “Ted Lasso”) to help create and write the show. They had the lofty goal of making a comedy about grief, set it in an office shared by therapists and starring Segel, Ford, Jessica Williams, and Christa Miller.

Segel plays a character whose wife dies suddenly, leaving the father of a teen daughter lost and willing to ignore his ethics to start telling his patients what he really thinks. Ford's character is a curmudgeonly colleague and mentor who delivers zingers with restrained glee.

Lawrence calls working with Ford a “career highlight,” and says there’s only one downside.

“Everybody’s terrified of … telling him to do anything,” Lawrence said with a laugh. “But he’s so much fun to work with. Every scene gets ruined — at least one take — by me or one of the actors in the middle of it going ‘It’s Harrison Ford!’ It’s crazy.”

Goldstein — who isn't acting in this show but serves as another executive producer — describes Ford as “dream casting” and says they still don’t know how they got him.

“He really loved the scripts and related to a lot of the aspects of the character,” Goldstein said. “We talked to him a lot about character, and it was so easy that … I feel like I should have had to complete a series of Herculean tasks to get him, you know what I mean?”

Segel appreciated how Ford “breaks through the awe really quickly so that you can get down to work.”

“One of the things that’s really cool about Harrison Ford is that he considers himself a tradesman, like a craftsman. He was a carpenter and now he’s an actor,” Segel said. “His job is to come in and build these scenes and you’re his partner in that.”

Williams — who plays another therapist — shares witty banter with Ford in many scenes and says it was "surreal” to work with the acting legend she watched in movies as a kid. She says it took about a week to remain present and get used to his face staring at her.

“He is delightful, charming, nice, giving. And he’s magic to watch, honestly,” Williams said. “You just watch him do some takes and … he’s got the glimmer in his eye. He’s got the thing. And it’s really inspiring to see someone that’s like over 80 hitting his marks and staying so sharp while also, you know, really caring about the work.”

Goldstein agrees that Ford never made the cast feel like he needed special treatment.

“He’s as wonderful and amazing as ever,” Goldstein said. “But he’s also a very generous actor and he is part of this ensemble. It’s not like he takes over. He fits into this world. He plays the character, he disappears into it. He’s a brilliant actor.”

Williams says working on the show was fun because of the cast chemistry, and the license to ad lib at times to make scenes funnier felt “very fulfilling.”

One of the secrets to a successful show, especially in comedy — according to Lawrence — is if the cast gets along and is friendly, even outside of the show. “We try to put together groups of people that have similar voices and that interact really well,” Lawrence said.

“If you see a lack of chemistry behind the camera, even when the cameras aren’t rolling,” he said, “if it’s a show about a family or a dysfunctional family or people who are supposed to care about each other, it won’t work.”



The 'Ordinary' Arnie? Glen Powell Reboots 'The Running Man'

US actor Glen Powell attends the New York premiere of Paramount's 'The Running Man'. CHARLY TRIBALLEAU / AFP
US actor Glen Powell attends the New York premiere of Paramount's 'The Running Man'. CHARLY TRIBALLEAU / AFP
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The 'Ordinary' Arnie? Glen Powell Reboots 'The Running Man'

US actor Glen Powell attends the New York premiere of Paramount's 'The Running Man'. CHARLY TRIBALLEAU / AFP
US actor Glen Powell attends the New York premiere of Paramount's 'The Running Man'. CHARLY TRIBALLEAU / AFP

It is often said Hollywood doesn't produce movie stars anymore.

So when someone with a square jaw and loads of charisma like Glen Powell is cast in Arnold Schwarzenegger's role for a reboot of "The Running Man," people get excited.

But Powell, an unfailingly courteous Texan, who quit the Los Angeles life and moved home to Austin as his fame grew, is having none of it.

"I don't find myself to be exceptional," the 37-year-old told AFP.

"That era of action stars and movie stars? You can't really compare apples to oranges," Powell said.

His role in the new "Running Man," out on Friday, is certainly a far cry from the indestructible bluster of Schwarzenegger, Sylvester Stallone and Mel Gibson's 20th-century action heroes, who were usually soldiers, cops and trained fighters.

Powell's protagonist Ben Richards is an everyman, with no special skills beyond a rugged toughness and a very short fuse.

He reluctantly enters a deadly game show in which the entire world is trying to kill him: he needs to survive long enough to win prize money and buy life-saving medicine for his daughter.

"I've always identified myself as an underdog," Powell said.

"Some of my favorite movies are ordinary people against extraordinary odds. And you don't get more ordinary than Ben."

The movie sees Powell's hero get bashed and bruised, blown off a bridge, and has him abseiling down the side of a building in only a bath towel to escape from hoodlums.

The night before his AFP interview, Powell and director Edgar Wright screened the movie for Schwarzenegger.

Schwarzenegger's response? "Oh, I feel so bad for you... It must have hurt!" Powell recalled.

"Arnold knows the pain that it takes to do an action movie properly. It was pretty badass to get his blessing."

'Carnage'

The film hews more closely to the original Stephen King novel than its 1987 big-screen predecessor.

Powell's hero is pursued from city to city by professional killers. The contest's producers are rigging each moment for maximum TV ratings.

Eerily, King set his novel in the United States of 2025, a then-futuristic vision of divisive autocrats, deepfake videos, and a health care crisis that drives everyday people to extremes.

Was it a stretch for Powell to imagine today's public enjoying mayhem and slaughter, some of it fake and AI-generated, on their screens?

"We do live in this TikTok universe," Powell said.

"We are seeing carnage... and yet we're sort of away from it. You don't engage with it as a human anymore."

Powell said he is regularly sent deepfake videos by people who have not questioned the veracity or source of the content.

"That's a really fun thing that we get to play with in this movie... 'Where do you get the news from, and who is controlling information?'" Powell said.

'Wild West'

Though he has been acting for years, Powell only shot to prominence as cocky fighter pilot Hangman in 2022's "Top Gun: Maverick."

In a remarkable streak since, Powell appeared opposite Sydney Sweeney in rom-com "Anyone but You," chased deadly storms in "Twisters," and both co-wrote and starred in "Hit Man."

Up next, he will lead a new fantasy film from "Lost" creator J.J. Abrams. Powell's production company has a deal with Universal Pictures.

Those ventures into writing and producing are reminiscent of another classic action star, Stallone, who famously penned "Rocky" and insisted on being cast as the lead.

"I really didn't ever want to wait for the phone to ring. Because I realized it never will, at least not with the calls you want," Powell said.

"That's sort of how I've moved through this town, trying to do it with a sense of initiative.

"Hollywood, it's the Wild West right now," he added. "I can't really look backwards."


'Predator: Badlands' Tops Box Office With $80 Million Worldwide

 US actress Elle Fanning attends the world premiere of 20th Century Studio's "Predator: Badlands" at the TCL Chinese theatre in Los Angeles on November 3, 2025. (AFP)
US actress Elle Fanning attends the world premiere of 20th Century Studio's "Predator: Badlands" at the TCL Chinese theatre in Los Angeles on November 3, 2025. (AFP)
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'Predator: Badlands' Tops Box Office With $80 Million Worldwide

 US actress Elle Fanning attends the world premiere of 20th Century Studio's "Predator: Badlands" at the TCL Chinese theatre in Los Angeles on November 3, 2025. (AFP)
US actress Elle Fanning attends the world premiere of 20th Century Studio's "Predator: Badlands" at the TCL Chinese theatre in Los Angeles on November 3, 2025. (AFP)

“Predator: Badlands” led all films in North American theaters with a debut of $40 million, according to studio estimates Sunday, a better-than-expected result that slightly lifted the box office from its autumn doldrums.

On the heels of the worst box office weekend of 2025, “Predator: Badlands” faced little competition from new titles. Not accounting for inflation, the $40 million opening marked a new high for the dreadlocked alien franchise, besting the $38.3 million launch of 2004’s “Alien vs. Predator.”

“Predator: Badlands,” written and directed by Dan Trachtenberg, collected another $40 million overseas for the Walt Disney Co.’s 20th Century Studios. A key factor for “Predator: Badlands” is that, with a budget of $105 million, it’s also the most expensive “Predator” film.

“Badlands,” the eighth movie in the franchise that began with 1987’s “Predator,” offers a novel twist for the sci-fi series. On a remote planet, a young, outcast predator (Dimitrius Schuster-Koloamatangi) encounters an android researcher (Elle Fanning), and the two set off on a journey. Reviews (85% fresh on Rotten Tomatoes) have been good. Moviegoers gave it an “A-” CinemaScore.

Good news had lately been hard to find in movie theaters. On Wednesday, AMC Theaters, the largest theater chain, posted a $298.2 million quarterly loss, partly due to a less-than-stellar summer season. But the fall has been worse. Last month was the lowest-grossing October in nearly three decades. Few awards hopefuls have made much of a mark.

This weekend, a new wave hit theaters. But despite plenty of star power, most fell flat.

“Die My Love,” starring Jennifer Lawrence and Robert Pattinson, launched with $2.8 million from 1,983 theaters. The film, directed by Lynne Ramsay, stars Lawrence as a new mother and Pattinson as her husband. Mubi plunked down a reported $24 million for “Die My Love” after its debut at the Cannes Film Festival. Audience slammed it with a “D+” CinemaScore.

“Christy,” starring Sydney Sweeney as the professional boxer Christy Martin, debuted with $1.3 million in 2,011 theaters. The film, the first one distributed by production company Black Bear Pictures, has earned Sweeney awards buzz since its premiere at the Toronto International Film Festival.

Sony Pictures Classics’ “Nuremberg,” a post-World War II drama about the Nuremberg trials starring Rami Malek and Russell Crowe, managed to do a bit better. It opened with $4.1 million in 1,802 theaters.

It was slightly edged by the best performer of the newcomers: “Sarah’s Oil.” The Amazon MGM release opened with $4.5 million from 2,410 locations. It stars Naya Desir-Johnson as a young Black girl in the early 1900s who learns that her Oklahoma land allotment is rich with oil. “Sarah’s Oil” scored a rare “A+” CinemaScore from ticket buyers.

Arguably the most promising of the prospective awards movies to open in theaters over the weekend was Neon’s “Sentimental Value.” The film, a prize-winner at Cannes, directed by Norwegian-Danish filmmaker Joachim Trier, has been tabbed as a major Oscar contender this year. The family drama’s cast includes Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas, and, in her second movie of the weekend, Elle Fanning. It opened in four theaters with $200,000, giving it a $50,000 per-screen average. That’s the third best of the year.

The debut of “Predator: Badlands” sealed the Walt Disney Co.’s fourth straight year of $4 billion in worldwide ticket sales. It also broke a short streak of disappointments for the studio, including “Tron: Ares” and “Springsteen: Deliver Me From Nowhere.” With potentially two of the biggest box-office hits of the year still to come in “Zootopia 2” and “Avatar: Fire and Ash,” Disney is poised to surpass $5 billion.


Cyndi Lauper, Outkast, White Stripes Among Rock Hall of Fame Inductees

Inductee Jack White of The White Stripes speaks during the 2025 Rock and Roll Hall of Fame Induction Ceremony on Saturday, Nov. 8, 2025, at LA Live in Los Angeles. (AP)
Inductee Jack White of The White Stripes speaks during the 2025 Rock and Roll Hall of Fame Induction Ceremony on Saturday, Nov. 8, 2025, at LA Live in Los Angeles. (AP)
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Cyndi Lauper, Outkast, White Stripes Among Rock Hall of Fame Inductees

Inductee Jack White of The White Stripes speaks during the 2025 Rock and Roll Hall of Fame Induction Ceremony on Saturday, Nov. 8, 2025, at LA Live in Los Angeles. (AP)
Inductee Jack White of The White Stripes speaks during the 2025 Rock and Roll Hall of Fame Induction Ceremony on Saturday, Nov. 8, 2025, at LA Live in Los Angeles. (AP)

Cyndi Lauper, Outkast, the White Stripes and Soundgarden were among this year's inductees to the Rock and Roll Hall of Fame on Saturday, adding their names to the pantheon of music's most esteemed and beloved acts.

New Yorker Lauper, who burst onto the pop scene with colorful punk looks and infectious tunes like "Girls Just Wanna Have Fun,True Colors" and "Time After Time," was inducted by "Pink Pony Club" singer Chappell Roan.

Praising her "four-octave range" and unapologetic style, Roan thanked Lauper for being an icon for any artist who may be called "too much, too loud, too eccentric or all of the above -- their honesty becomes their greatest strength."

To induct Detroit rock band The White Stripes -- known for sports arena favorite "Seven Nation Army" and "Fell in Love with a Girl," among others -- singer Iggy Pop gave an exuberant speech peppered with curse words and his own screeching impressions of the band's raucous sound.

"The White Stripes music was coming from a foundation of love, not revolution," Pop said.

Singer-guitarist Jack White accepted on behalf of himself and drummer Meg White, who did not attend. He named a long list of industry heavies and bands before adding: "To the homeless and the powerless and the forgotten, we always say thank you."

Other inducted American performers included Atlanta's hip-hop duo Outkast, who topped charts with "Hey Ya,Ms. Jackson" and "The Way You Move," and Seattle's grunge band Soundgarden, who had hits with "Black Hole Sun" and "Spoonman."

English singer Joe Cocker, who died in 2014, was inducted posthumously to honor his bluesy music, including "You Are So Beautiful," his cover of the Beatles' "With a Little Help from My Friends" and the Grammy-winning duet with Jennifer Warnes "Up Where We Belong."

Other inductees included arena rockers Bad Company, who sang "Can't Get Enough," and "The Twist" singer Chubby Checker.

Groundbreaking New York hip-hop trio Salt-N-Pepa was honored with a Musical Influence Award for their hit songs "Push It" and "Shoop," which celebrate women's independence in a male-dominated genre.

"These three women are the bricklayers to the foundation that holds hip-hop together," Grammy-winning singer Missy Elliott told the audience before introducing their performance. "They gave us their shoulders to stand on."

English session pianist Nicky Hopkins was honored with the Musical Excellence Award for his work with superstars including The Rolling Stones, The Who, David Bowie and The Beatles.

"That song started off as a kind of slowish song, and then Nicky started playing this samba piano with this percussion, that's like the hook of the song," Rolling Stones singer Mick Jagger said of Hopkins's work on the song "Sympathy for the Devil."

Along with awards and heartfelt acceptance speeches, the event featured performances by Elton John; Bryan Adams; Olivia Rodrigo; Twenty One Pilots; Doja Cat; Tyler, the Creator; and many more.

The Rock and Roll Hall of Fame Museum in Cleveland, Ohio, now features an exhibit with artifacts and memorabilia from this year's inductees.